The Devil's Carnival

"The Devil's Carnival" is very much a Darren Lynn Bousman's pet project. It's unmistakable for anything else and that means if you liked his previous work in "Repo! The Genetic Opera" you'll be familiar with the style of horror and rock opera presented in this short film, so you'll enjoy it a lot. The plot? Well I can't say I can really recall it very well and some of It is because it's confusing at times. I remember a lot of cool visuals, some similarities with Aesop's fables, demons, knife-throwing, Bill Moseley in makeup and Alexa Vega looking pretty sexy. In all honesty it's not my fault, this is a picture that you kind of need to watch more than once.

While the songs aren't as polished as the ones in his previous work, the sets and costumes are impressive and for a low budget production, it looks great. I found the story to be scrambled though, which frustrated me because I love the idea of this demonic carnival (and I've always wanted to see it done well since I saw "We're Back! A Dinosaur's Story). The upside is that if you like it, the picture is short so you'll be able to watch it multiple times to clarify the confusing bits. Similarly, it's a lot of style over substance and if at first you don't really care for it, it's just not your thing. It's a love it, or hate it kind of thing and I bet the way to really appreciate It would be to view it with someone who's already fallen In love with it and can clarify some of the plot elements or give you factoids on all of those cool little details. I enjoyed it enough that I think you should check it out, if only to see If It will be your kind of thing. (On DVD, November 15, 2012)

A trio of lost souls wake to find themselves as guests at a hellish carnival where the performers proceed to involve them in the telling of three fables (as recounted by the devil).

They say that the devil has all the best tunes, but that's certainly not the case with this bizarre musical horror from director Darren Lynn Bousman: the songs in The Devil's Carnival, some of which are belted out by Old Nick himself, are absolutely atrocious—whimsical, tuneless tracks that seriously grate on the nerves.

The rest of the film isn't much cop either: the whole 'scary carnival' routine is extremely old hat, and when the show's grotesque characters aren't bursting into song, they're indulging in all manner of kooky behaviour that proves almost as irritating as their wretched warbling.

I was a big fan of Bousman's previous horror musical Repo! The Genetic Opera (2008), which I could happily watch again, but this attempt at mixing tunes with terror is a travesty that doesn't bear repeating.

3/10 for the colourful lighting, creative costumes and Briana Evigan.

I saw this movie last night as part of "The Devil's Carnival" road show. If you have seen "Repo! The Genetic Opera," then you are already a Terrance/Darren fan. This movie is the first in a series to be made. It deals with 3 people who die and land in Hell. Terrance Zdunich plays a very menacing Lucifer. Using Aesop's Fables, Lucifer associates one of the fables to each of the people, trying to discern whether or not they realize the sin that has brought them there. Lucifer picks specific members of his carnival to help act out the fables for the sinners. This is a musical and is beautifully done. I was not aware that Brianna Evigan had such a great voice. There are other stars that amazed me with song. I was mesmerized throughout her song. The make-up was well beyond expectation, especially for Lucifer and The Twin, played by Ogre of Skinny puppy. If you wait to see this movie on DVD, you will miss out on half of the enjoyment. The road show pulls you in and makes you very much apart of it all. If this showed in a local theater, I would see it again and again.

I have been a fan of Mr. Zdunich's comic series "The Molting" and 2008's "Repo The Genetic Opera" for years. When I heard about "The Devil's Carnival" being made, it's creators were cryptic as ever about what it actually WAS, but just knowing what I did about the people involved, I knew it was going to be artwork of epic proportions. I bought VIP tickets for the first stop of the Road Tour the instant they became available, and put the soundtrack on repeat in iTunes. It did NOT disappoint by any stretch. This show is AMAZING. As usual, the acting and singing talents displayed give the audience a trip into their own souls. Costuming, makeup, and set design were superbly rendered to truly make you FEEL what was happening. The electricity in the theatre could be seen, heard, touched, and tasted as brilliant and beautiful people, music, and colors assaulted us. Check out the cities/dates for the remainder of the road tour and go see it if you have the chance. You'll be blown away!

From Terrance Zdunich, creator of "Repo: The Genetic Opera", and Darren Lynn Bousman, director of the film adaptation of "Repo", as well as "Saw" II-IV comes the short film anthology "The Devil's Carnival", an insane, musical horror/comedy centering on three people who have died and ended up in Hell, where the must contend with various obstacles.

This is an entertaining, yet highly flawed film.

We follow John (Sean Patrick Flannery), a grieving father who committed suicide, Tamara (Jessica Lowndes) who trusts people too easily and was killed by her boyfriend, and petty thief Ms. Merrywood (Briana Evigan) whom was gunned-down presumably by police. All three awaken near the "Devil's Carnival", a twisted sideshow in Hell run by and populated by various demons, harpies and oddball characters, and of course headed by Lucifer himself. (Zdunich)

Meanwhile, Lucifer reads to a young child from Aesope's Fables, narrating stories that mirror the struggles of the three main characters as they are forced into dark, deadly tests.

The film is fairly simplistic and has a decent structure, and is populated by a handful of well-done musical numbers. (It is a bit of a Rock Opera, to be honest, similar to Repo) The musical numbers may not be too memorable, but they're an absolute blast, and are very well- written and performed.

Characters are developed just enough for it's short 50-or-so-minute run- time. Although the only character you will really care about is John, as he's far more sympathetic than Merrywood or Tamara.

The supporting cast (including Bill Mosely, Alexa Vega, Emilie Autumn and others as the cast members of the Carnival) are a lot of fun, but aren't really developed.

And the camera-work, though decent for a short film, is a bit too chaotic at times. During the titular musical number "The Devil's Carnival", the camera seems to randomly glide around rather than follow any sort of direction, which kind of distracted from it.

I also take issue with the pacing of the story. Well it is well- structured, the film bogs itself down too much in the first 10-or-so minutes, making the rest of the film feel needlessly rushed.

But for what it is, it's worth seeing. The music is good, the characters are memorable despite uneven development, and it's a fine little short film.

I give "The Devil's Carnival" a slightly-above-average 6 out of 10. Fans of Zdunich, Bousman or horror in general should check it out.