Stage Fright

Looking for a movie my wife would never want to see I came across this one on Amazon rime streaming movies. I really knew nothing about it but it seemed that it had a good chance of being entertaining. And it was!!

First there is Minnie Driver but she lasts only through the first couple of scenes as she is starring in a stage play that is a parody of "Phantom", complete with a bad guy wearing a mask. Her twins, a boy and a girl, are about 10 at that time.

Fast forward to 10 years later, the twins are working at a summer musical theater camp as the cooks. But when they decide to do a revival of their mother's fatal musical the daughter just has to try out for the lead, she has to honor her late mother.

It was good to see Meatloaf Aday as the camp director, he even has a couple of musical numbers. Man he was talented. But the biggest problem I had, even though this is a spoof movie, the young actress is not a particularly good singer. Pleasant, maybe, but nowhere near what would be required to do a Broadway role, which was the character's stated goal.

I enjoyed the movie, it has lots of gore and blood, in the spirit of a parody, but as something completely different I enjoyed it.

So that you know, there is a film out there about a summer camp for kids that's owned by Meat Loaf, with fully choreographed song and dance numbers – including lines like 'I'm gay, I'm gay but not in that way' - and a kabuki-masked, falsetto-screaming, guitar-squealing, knife-wielding slasher who hates musical theater and wants to kill the cast of a make-shift production of some-such copy-right-friendly version of 'Phantom of the Opera'. The gore was vivid, the laughs were steady, and I honestly don't think I need to report anything else to help you decide if this one is for you; it definitely has an audience and made for a very strange Late Night Picture Show.

My opinion on this movie changed SO many times over the course of just KNOWING about it. When I saw the trailer I was excited to see a movie that was basically a throwback to the old school horror films I grew up with... with more singing of course, but a throwback nonetheless. When I finally got the chance to watch it, I was a little disappointed for AT LEAST the first quarter, but it just kept building and building (mind you I don't like musicals at all so I was a bit out of my comfort zone). By the middle of the movie I was definitely glued to my screen, and when the killer finally made his grand entrance I couldn't help but to laugh out loud - in the best way. Anyway, to sum this movie up into three words, I'd have to say: Eccentric, fun, and HILARIOUS. Oh, and keep an eye out for them paying homage to a few classic horror icons. There aren't much, but if you're a junkie like me, they'll probably make you all giddy and excited. And finally, my best piece of advice when viewing this movie that no one ever seems to take - DON'T TAKE THIS MOVIE SERIOUSLY. If you do, you're gonna have a bad time...

Today, we are five decades removed from the strong emergence of the slasher film as a staple sub-genre of horror in cinema. It's fair to assume that the pool of ideas had been running thin if one considers the abundance of remakes from classic franchises which already had more than a handful of sequels under their belts. Where does this leave us and the slasher film today, in 2014? It puts us in the theater, for a musical, in Stage Fright. Combining the behind the scenes process of what it takes to put on such a production within the narrative arc of the overarching movie which is also a musical, there are some clever dance and song numbers…that's really not what I was expecting to be complimenting this movie on before I watched it, but credit must be given where credit is due. Dancing and cleverness aside, this movie shines its brightest when it's at its darkest. A Kabuki mask-wearing hair metal-singing psycho is out to spoil the show, and in doing so he may very well be giving us a new slasher icon. The brilliance of this movie is how quickly and smoothly it brings the story between hilarity and tension, sometimes even merging the two. The musical aspects of the movie are excellently done. Each character or setting has a theme, which get intermingled and blended at appropriate times. Singing was really excellent where it needed to be, and intentionally sub-par or bad when called for as well. Best of all was the contrasting punch between the cheery musical score and the 80's power-chord heavy metal screaming that beefs up all the grisly gory shreddin' fun from our killer.

I can appreciate what they're trying to do here, namely, something a little different. One of the reasons I give M. Night Shyamalan more grace than most film fans is because of his willingness to take risks doing something unique. However, like several of Shyamalan's own films, this movie ends up just being a little silly, lacking heart.