Run All Night

Liam Neeson is back yet again with another action film. Some will claim this is another Taken film, and maybe he is cashing in big time on his success from that franchise, but the story in this film is much deeper overall than the recent Taken films, and the acting is absolutely amazing. With some great acting and a good story overall, Liam Neeson and the legendary Ed Harris deliver a must see film for any movie fan. The following is my review of Run All Night.

Run All Night was written by writer Brad Ingelsby who is very well known for his fabulous work on the 2013 film Out of the Furnace. I actually did not know that going into the film, after seeing he did write the film, I'm not surprised the characters were so greatly written. The story follows Mobster Shawn Maguire(Ed Harris) and his longtime friend and hit man Jimmy Conlon(Liam Neeson). These two have been friends for a great many years, even decades. Now that they are older and have children, things aren't exactly the same, more so for Jimmy. While Shawn is still very much close to his son Danny(Boyd Holbrook), Jimmy hasn't spoken to his son Mike(Joel Kinnaman) in several years. One night Mike has a big job as a limo driver, but the people he is driving around get into some dirt that makes Mike and Jimmy enemies with Shawn. Shawn promises to hunt Mike and Shawn down and kill them, and their family members because of the death of his son. The story is very rich in characters, and you actually care about them. While the film is nearly two hours, you honestly aren't looking at your watch at all. The film flows by perfectly because of the amazing writing by Brad Ingelsby. Overall, Ingelsby does another fabulous job of writing in this film, and his efforts on this film should not be overlooked.

The film was directed by Jaume Collet-Serra who is no stranger to working with Liam Neeson on action films. He previously worked with Neeson on Unknown and last years Non-Stop. The action in this film is not exactly a great deal, but easily much more than last years Non-Stop. There are some fabulous hand to hand combat action scenes, and even one heck on a chase scene. Though the chase scene can be convoluted because of some shaky cam work. Collett-Serra delivers this nice way of changing location in the film from scene to scene by zooming out of the current scene and showing a high rise city view, then slowly zooming in on the new location. While this clever way of changing might have been slightly overused, it was used perfectly and if something different. The acting was really another great aspect of the film, and when you have two legends like Ed Harris and Liam Neeson on the screen together, of course great things will happen. Neeson and Harris really play great off of each other, and you really believe the story as it plays out. The film also features great acting from Joel Kinnaman, Vincent D'Onofrio, and even Common fits in nicely with his small but important role in the film. With mostly great action and absolutely fabulous acting, Collett-Serra and Neeson have easily delivered another epic action film that will live on for many years to come.

The film was composed by composer Junkie XL who is well known for working with legendary composer Hans Zimmer. He recently scored films such as Divergent and 300: Rise of an Empire, and will be scoring next years Batman v Superman: Dawn of Justice. The score XL delivers is nothing great nor something I would claim is memorable, but his work here easily adds some much needed depth in the bigger action scenes. There are some interesting things he does throughout the film, and this is easily a score I will be going back to listen to over and over for the next few weeks to see if it grows on me even more. Junkie XL doesn't deliver the greatest score to an action film, but the score is still very much top notch.

In closing, this is a very enjoyable film, which is certainly worth the price of admission. I personally spent almost ten dollars on this film and still feel I got my money's worth and then some. The replay value seems to be high with not only the great visuals from the directing angle, but also from the great performances from the actors. Fans of films in general should put this film on on your list to watch, certainly a must see film.

8/10

Liam Neeson again has some skills that make him very dangerous. Drunk or not, do not mess with him or his loved ones ... This has a real anti-player in Ed Harris. Someone who can hold his own against Liam. The acting is superb, the action is more than decent. The thrill works and while there is a morality to it, it never challenges the tension it builds at any time.

It has it some story holes or logic errors or whatever you want to call them. But even they are kept at a minimum. I'm also glad this isn't a remake, because the title sounded like a french movie, but has nothing to do with that. Single components may feel familiar, but in the thriller genre it's tough to invent something completely new. So it's OK to copy things that worked ... like this movie does ...

Fluently put together and entertaining enough for it not to be forgotten as easily as it could have been, yet it falls short in achieving both what it could have and what it promises to, that being a remarkable and unique action thriller.

All of the problems "Run All Night" has seem to tie in together and make just one big problem: it simply does not use its potential and it does not use it exactly because of the problems it has. Firstly it does not use its well defined characters to its advantage and ultimately even fails to stick to some. Moreover way to many times the film descends into ultra-generic territory: I was watching the film, entertained and time and time again what it seemed to be leading up to wasn't as interesting as I wanted it to be, it was a situation I had seen times and times again and I was repeatedly left asking myself "so that was all?". The director also hints at a very original eye for visuals, just as the whole movie hints at a better, more intriguing and surprising film, but ultimately both fail to the delver what they promised. The visual style and editing style had some brief brilliant moments, but for the majority falls into, again, ultra-generic and fast-cut distracting action scene. Way too many times I wondered why hadn't the director shot a scene in another way which could have made it incredibly and vastly more fascinating to watch.

That is not to say that there are many redeemable qualities. First and foremost there is genuine tension mostly because of the well rounded characters for whom I had a surprisingly positive emotional connection and didn't realize so until the end. Helping this is a fantastic cast that delivers the majority of the goods. Neeson is obviously charismatic, he isn't phoning it in, he is giving a heartfelt performance that definitely delivered. Ed Harris is in my opinion one of the best actors of history possibly and this is further proof that he simply can do no wrong, he has a presence on screen that is very hard to match. Even Kinnaman, whom I have been a critic of, is delivering a good enough performance. Lastly, the story doesn't ever realize its potential as I said, but it still makes for a very riveting premise that kept me hooked until the end, despite an overlong duration.

I had a good share of fun and excitement, but I was disappointed to see such a good opportunity ending up being another average film.

One of the better action movies I've seen in a while. Great characters - great acting and interesting story line. I really liked this film and I don't understand why this movie does not get better reviews. unlike a lot of the popular glitzy action films, this one leaves a memory of what it was really about. The camera work was great and incorporated some of the best and most believable action scenes I have experienced. The language was fitting and not overpopulated with Fbombs. The story line is easy to follow. The soundtrack is appropriate without a lot of unnecessary crashing and banging, or a way over the top, or overpowering soundtrack. Definitely a good film.

Before you dismiss the latest Liam Neeson action movie 'Run All Night' as yet another iteration of 'Taken', let us reassure you that there is much more to this mob thriller than meets the eye. True, Neeson plays a former man of violence with a 'particular set of skills' who is forced to employ them in order to save his family, but that's about where the similarities end. Indeed, while that franchise never quite had any ambition than as a glorified B-movie, this latest team-up between Neeson and his 'Unknown' and 'Non-Stop' collaborator Jaume Collet- Serra proves itself as an impressive amalgamation of the Oscar- nominated dramatic skills on which his earlier career was built on and his more recent kickassery.

Brad Inglesby's script starts by giving us a glimpse of Neeson after the fateful events of the titular evening – that is, lying in a forest and bleeding from a shotgun wound – before rewinding sixteen hours before to fill us in. As we soon learn, Neeson's Jimmy Conlon wasn't in a much better state before his most recent run-in with mob boss and childhood friend Shawn Maguire (Ed Harris) that had led to his current predicament. An alcoholic mocked by the denizens at the local pub for farting in his sleep, the former Brooklyn hit-man was once Shawn's trusty right-hand man, but has now been reduced to playing Santa at the latter's son's birthday party for quick cash, which he spends drowning his guilt over the people he has killed and the family he has alienated through the years.

As bad luck would have it, Jimmy's estranged son, Mike (Joel Kinnaman), who only wants to take care of his pregnant wife and two young kids and to have nothing to do with his father, stumbles upon Danny executing two Albanian drug dealers. When Danny turns up at Mike's house, Jimmy intervenes to save his son and ends up killing Danny, setting in motion the subsequent series of events which will see father and son move through New York City while being pursued by Danny's men – including a professional assassin named Price (Common) who has his own grudge with Jimmy – as well as crooked cops looking to stay on Shawn's payroll.

Rather than just skip to the chase, Collet-Serra and his screenwriter Inglesby invest in a more character-driven narrative than may be expected. A pivotal scene has Jimmy confessing to Danny's murder shortly after Shawn returns from the morgue to identify his son's body, which poignantly expresses not just one father's grief (and consequent thirst for revenge) from the death of his son but also another father's paternal instinct to protect his family by whatever means possible. Whereas 'Taken' (pardon the pun) the latter for granted, Collet-Serra wisely lets the polarising dynamic between Jimmy and Shawn define the conflict that ensues, giving both characters and their longstanding friendship turned brutal rivalry both shading and nuance.

Lest it be forgotten, Neeson and Harris are both accomplished actors in their own right, and both manage to find their characters' empathetic core. Collet-Serra understands Neeson's 'particular set of skills' in playing the fallible hero, and gives his lead actor space and breadth to explore his character's vulnerabilities and motivations – even bringing in an unbilled Nick Nolte to add patriarchal weight to the proceedings. Kinnaman doesn't get enough quiet scenes with Neeson for their father-son relationship to develop into something truly compelling, but the actors share a good rapport that give the action scenes added emotional texture.

And in that department, Collet-Serra doesn't disappoint. Reining in the hand-held shots that made the last 'Taken 3' an absolute nightmare to watch even on the big screen, Collet-Serra fashions a couple of impressive sequences that make full use of its New York locale. A thrilling cop-car chase through the streets of Brooklyn easily puts 'Taken 3's' highway chase to shame, while a high-rise apartment complex on fire provides a tense backdrop against which Jimmy and Mike attempt to protect a kid witness. There is also the iconic Madison Square Garden, which provides the scene for a daring escape right after a Rangers-Devils game, and heightens the Big Apple atmosphere while keeping the gritty noir-ish feel of the earlier scenes.

It is certainly tempting to see this as yet another attempt to cash in on Neeson's newfound action hero status, but 'Run All Night' distinguishes itself with some well-filmed setpieces to satisfy the adrenaline-hungry crowd while staying grounded with enough characterisation and good acting for its audience to be rooted with the characters on screen. It is also his best collaboration yet with Collet-Serra, who seems genuinely interested at making a movie tailored to the actor's strengths than simply cashing in on a fad. Even and especially if you were disillusioned with 'Taken 3', 'Run All Night' is a good, solid slab of macho entertainment that should wash away the bitter taste of that over-the-hill franchise.