Day of the Fight

Jack Huston's writer / director debut, New York boxing drama "Day Of The Fight", is beautifully shot in B&W but let down somewhat by its screenplay. The first bout in 10yrs (after a tragic car smash and its aftermath forced him out) for former Middleweight World Champion Michael Pitt (outstanding) is a televised world title fight (one of the film's many implausabilities) - which he spends the day of catching up with characters from his past (including Joe Pesci, Steve Buscemi, Ron Perlman, John Magaro, & Nicolette Robinson) and flashing back on moments that have brought him to this one. Huston's a better director than writer, but overall his debut is one with a solid punch.

I absolutely loved this movie. Where most screeenplay advice is "conflict conflict conflict," this movie is all about the resolution of conflicts. So It's quite unusual, as well as being shot in gorgeous black and white.

OK, it's not perfect - there are some plot moments that I found a bit hard to believe - but I didn't care. When every other movie seems to be about killing and cruelty, and the ones in between are so sugary I can't take them, how wonderful to see a film that is about making things right, forgiving wrongs, and sacrificing for those you love.

I hope it wins tons of awards. It deserves them.

Jack Huston's Day of the Fight is an astonishing directorial debut that packs a visceral punch while delivering a poignant meditation on redemption, resilience, and the human condition. Huston, already celebrated for his acting chops, proves he's a multifaceted storyteller with an unerring ability to craft compelling narratives and evoke powerhouse performances.

Set against the unforgiving backdrop of a boxer's grueling journey, the film follows Michael Pitt's Danny Flynn, a pugilist with a troubled past seeking one last shot at redemption in the ring. Huston masterfully explores themes of sacrifice, brotherhood, and the blurred line between victory and defeat, infusing the story with an emotional depth that resonates long after the credits roll.

Michael Pitt is magnetic, delivering one of the most raw and vulnerable performances of his career. His portrayal of Flynn is both brutal and tender, capturing the complex layers of a man fighting not just opponents but his inner demons. Supporting performances from the likes of Joe Pesci, in a welcome return to the screen, and Nicolette Robinson, who brings heart and gravitas, further elevate the film's emotional stakes.

Visually, Day of the Fight is stunning. The cinematography, drenched in muted tones and stark contrasts, mirrors the protagonist's internal struggle and the harsh realities of his world. The fight scenes are a masterclass in tension, shot with an intimacy that brings the viewer into the ring, making every jab and blow feel immediate and personal.

Huston's directorial style is confident and assured, seamlessly blending the grit of Raging Bull with the soulful introspection of The Wrestler. He demonstrates a profound understanding of pacing, allowing moments of quiet reflection to punctuate the adrenaline-fueled action. The score, a haunting mix of orchestral and ambient tones, ties the narrative together beautifully, enhancing the film's emotional resonance.

Day of the Fight is more than just a boxing film; it's a deeply human story about the battles we fight both inside and outside the ring. Jack Huston has crafted a cinematic knockout that announces his arrival as a filmmaker to watch. This is a film that doesn't just entertain-it inspires, reminding us all of the unyielding strength of the human spirit.

A must-watch and easily one of the year's standout films. ✨

A philosophical question, old as the hills, asks, IF YOU KNEW THIS WAS YOUR LAST DAY ON EARTH, what would you do differently? This is a fight film which is not a fight film, at least not what today's viewers expect. This is a film straight from the 1950s, in B&W in case you missed the clues. Where the script, the characterizations, the ambience are all more important than any punch thrown. Holds the attention. Recommended. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

I absolutely loved this film. It grabbed me in the first few minutes and I was completely absorbed. Huston has made a muscular and lyrical film. Pitt deserves a nomination for Best Actor. He is incapable of a false moment. He is pitch perfect in every scene and it reminds of how Boardwalk Empire suffered without him. Now a man, Pitt acts with a depth that is funny and moving. Ron Perlman, Joe Pesci and Steve Buscemi are wonderful in supporting roles. Perlman steals every scene he is in. Huston's script has so many fine moments. The original music is gorgeous. Do not miss this film. It is a quiet classic.