Prince Avalanche

A story about two men working on motorway maintenance. That's it. From the opening to closing scene we are presented with a series of interchanges of these two guys working the asphalt. One might rush to assume that it probably is a dull experience but in truth it was far from it.

There was something about the realism and humanity of the interaction that would maintain the audience's attention and engagement. Slowly, we became part of the ordinary lives of these two men and our interest in their dealings with one another only increased and thus making this a largely unnoticed gem.

For those willing to try something different, you may find some value in this independent film. I thought the movie offered some quirky dialogue, characters, and situations, in its own quiet way.

Set in 1988, in the wooded areas of central Texas, near Garland, and not long after the devastating forest fires of the previous year in that section of the state. It's pretty much a two character film with Paul Rudd, making a change from the over-the-top lewd and crude of the Apatow-like movies, playing Alvin, who has left a serious relationship with a woman named Madison to "find himself" in the solitude of his new job in the forest. They still communicate by letter and he sends her money, as well as studying German language tapes so they can eventually re-unite and travel to Germany.

Alvin is the head of a two person stripe-crew (painting yellow lines along the roads of Texas) and has recently hired Madison's brother Lance as his assistant. Lance is portrayed by the talented actor Emile Hirsch, and is quite different personality wise from Alvin. He doesn't take the job very seriously, doesn't even like the outdoors, and is always horny.

I thought both Rudd and Hirsch performed quite well in their roles. Not everything works here, and sometimes the dialogue between the two seems flat and awkward. However, there's also lots that does work here and the rapport between them, even when they're bickering and arguing can be quite enjoyable. The late actor Lance Legault also adds some good comic relief in his role of a grizzled truck driver traveling the roads that Alvin and Lance are working.

One thing I particularly liked in the movie was the atmospherics and solitude allowed by the versatile director and writer David Gordon Green (Snow Angels, Pineapple Express) to just leisurely unravel at its own pace. It's unusual in today's film. It's not for everyone, but for those with the patience there can be definite rewards here.

"You tried kill yourself by jumping off a 12 foot cliff?" (Lance to Alvin)

I'm a sucker for minimalism and absurdism, the kind Samuel Beckett and Jerry Seinfeld make their own: terse dialogue about nothing that somehow elicits humor and becomes something deeper with thoughts about life, loss, and hope.

Writer-director David Gordon Green has crafted a simple bromatic morality tale of two guys painting road lines in 1988 after a forest fire near Austin, Texas. The purged, scorched landscape of the ravaged but beautiful Bastrop State Park serves as metaphor for the men/boys' cleansing journey marching toward a renewed life. One critic calls it "broken people in a broken forest."

The larger concerns of the film, which is episodic with love and loss overlaying the quotidian activities of painting road lines, are manifold: In Alvin's (Paul Rudd) case, how can he keep his lover, Madison, when he is absent and really has little to offer? In Lance's (EmileHirsch) life, how can he mature enough to deal with the heartbreak his sister is causing Alvin by breaking up with him. Alvin and Lance's conversation lightly brushes the issue of their relationship with women, but in simple lives, this issue is grand and well accounted for by Green's spare dialogue: "Can we enjoy the silence?"

As in Beckett's Waiting for Godot, where the characters are trying "to hold the terrible silence at bay," nothing like God or illumination is arriving, just an old man (Lance LeGault) driving a truck with some moonshine and pithy life advice.

As the road lines and the drink proliferate, issues for the three men emerge having to do with their relationships with women. The ingenious part is to make what the truck driver says and does echo the very heart of the conflicts with the two line painters.

So Prince Avalanche (a title Green admits makes little sense but could reflect the absurdist atmosphere, wherein they are lords of chaos at best) is also about nothing because nothing is happening while life-defining relationships are lying underneath. As with Hemingway, the spare story asks you to consider if the bell is tolling for just these three loners, or is it tolling for you, too?

You don't need to be a Prince who causes Avalanches to see that the issues of love and women do amount to a hill of beans for each little male life. Simplicity trumps complexity once again.

I enjoyed seeing Prince Avalanche at SXSW Film Festival. It is a peculiar and deceptively simple story of two highway workers in an isolated area painting the line down the middle of a new highway. The setting becomes a character as this low-budget movie was filmed in Bastrop, Texas last summer in the aftermath of the recent fires. Paul Rudd and Emile Hirsch are really magnificent. Rudd is actually difficult to recognize and comes off so different than he often does in his straight comedy roles. This is a dialogue-driven film that in some ways seems a bit like a stage play. The dialogue and the relationship between the two leads drives the entire film. The film nicely merges the comedic nature of both of the ridiculous characters with the serious nature of the issues that they are dealing with in their personal lives. The film is far lighter than Rudd's recent turn in deathly dark Killer Joe, but somewhat more serious than Rudd's big budget film This is 40. While this sort of small-budget film is unlikely to get widespread distribution it really showcases the talents of both of these actors and the importance of good writing and a beautiful setting.

If Emile Hirsch and Paul Rudd get stuck in the woods, does it make for a good movie?

This is the question Prince Avalanche asks of us, and the answer is a resounding yes. The film is a low-budget bromance that focuses on the relationship of two road workers revamping Texas roads after a forest fire wipes them out.

Spending weeks at a time isolated from society, our two protagonists get to know each other very well, and talk about everything and anything together – but mostly women. Alvin, (Paul Rudd) is dating Lance's (Emile Hirsch) older sister Madison, while Lance is constantly looking forward to the day when he can leave the forest and head back into the city where all the girls are.

The pair of actors are wonderful together, and it's their comical and engaging interactions that provide the framework for this movie. Director David Gordon Greene (The Sitter, Pineapple Express) is no stranger to comedy, and there are some brilliantly funny moments in Prince Avalanche, but the humor never takes full focus. There are long, meditative shots of nature mixed in with some great dramatic events that make this film a more reflective piece than a funny one.

Unfortunately, there is a bit of empty space, and some scenes drag on longer than they should. There is also this sub-plot involving an older alcoholic character that never really goes anywhere. Despite it's flaws, the highs and lows in Alvin and Lance's relationship make for a charming and inspirational story. Prince Avalanche is whole-heartedly an entertaining film that finds that rare sweet spot between the heart and funny bone.