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Mendes’ likability (and relatability) almost mirrors Amanda Bynes’ Hollywood reign during the “She’s the Man” and “Sydney White” days. Upgraded is essentially “What a Girl Wants” meets “Devil Wears Prada” with a dash of “Emily in Paris” camp. The combo makes it one of the easiest rom-coms to digest as of late.

Director Carlson Young and screenwriters Christine Lenig, Justin Matthews and Luke Spencer Roberts ground sharp, soaring sentiments in a reachable reality, innovatively remixing the genre’s familiar formulas to create their own meaningful and rather endearing movie.

Upgraded is still worth the watch for the couture, the comedy, and the Devil Wears Prada-esque journey of self-discovery.

Don’t underestimate Upgraded. The script is snappy and entertaining, the characters are colorful, Mendes and Renaux carry the romance very well, and the film is a fun escapist rom-com that gives exactly what it needs to provide us with a good time.

In true streaming economy form, it’s a smooth, ambient operator, made more memorable than it should be by a still underappreciated Mendes, who will hopefully upgrade to more headlining adults roles sooner rather than later.

The movie is unevenly directed, and some scenes struggle to clear even the low bar set by more polished streaming originals. But Young succeeds nonetheless in channeling the freshman thrill of plunging into an alluring adult milieu.

It’s a sweet movie that accidentally expresses ideas that are complicated and perverse. This isn’t enough to make “Upgraded” transcend its formula, but it does make it slightly better than it had to be.

While actress turned director Carlson Young keeps the trains and planes running (slowly) on time, she doesn’t give us a single scene that pops, or production design that ever comes across as upscale, only little flashes of wit and fun from the veterans in the cast, who are better than the material. She’s managed a slick and shiny wish-fulfillment fantasy that is strictly downmarket — Hallmark movie chic.

Ana may be attempting to climb the class ladder, but the movie moves between classes with a freedom that feels weakly imagined.