The Alto Knights

I saw the reviews of this and was surprised how negative they were.

I was always going to see it.

The critic in The Metro paper in the UK goes on about how old the film makers are,is this relevant?

I agree with her the film could be better but it is still a good watch.

I like this sort of film but am not an expert on the history of the story and viewers don't need to be.

Sending a reviewer who doesn't like gangster films to see a gangster film seems wrong.

I give no spoilers but the film reminded me of Once Upon A Time In America.

It is not as good as that film but this is still a quality production from a justly respected director.

The production design and costume design in this are excellent.

You believe you are in the 1950s.

I didn't notice any body using modern language either.

The soundtrack was great as well,I hope it is available on cd.

What about the script you ask? Well the script is fine,it tells a complicated story well.

The acting is great.

People playing older people look older.

I was not very familiar with all the cast but I was impressed with all the performances.

If anyone who likes this sort of film they should ignore the negative reviews and go and see it.

You believe.

The Alto Knights- In Cinemas now My Rating - 6/10

I wondered why and how a Robert Di Niro movie based on a true story about two rival New York organised Crime bosses directed by Barry Levinson could possibly flop at the box office?

Is it because there's been so many movies along similar lines starring Robert Di Niro like The Irishman 2019, Goodfellas 1990, The Godfather 11 1974, A Bronx Tail 1993, The Untouchables 1987, and Once Upon a Time in America 1984 etc?

Perhaps audiences are a bit tired of mafioso and gangsters however for me the reason The Alto Knights is inferior to the above listed movies is misplaced ego .

By that I mean as fine an actor as DeNiro is playing two roles in one movie especially when the only difference basically is a different nose and chin only confuses the characters for the audience and is a stretch to far.

I found myself trying to differentiate between the two main characters Frank Costello and Vito Genovese both played well by Robert DeNiro however it would have been better separate actors played each role .

After all they're not even related but look like twins , it's just a silly casting choice.

The story meanders also back and forth and doesn't have much impact at all.

It's basically the story of 2 gangland bosses on a collision course as told by Frank Costello married to Bobbie played very well by Debra Messing ,nice to see her in a dramatic role.

The usual scenario of gangland violence as the 2 men who were friends as teenagers vie for control of the drug trafficking and alcohol supply on New Yorks city's streets.

Once best friends, petty jealousies and a series of betrayals set them on a deadly collision course.

For me this is a straight to streaming movie.

After seeing over the years Robert De Niro star in gangster films such as Mean Streets, Goodfellas, Casino, and The Irishman, it's astonishing to see him play gangster fresh in The Alto Knights. Sure, we've seen most of his facial and vocal turns before, but never in two different mobsters in the same film with two distinct personalities.

Narrator Frank Costello (De Nir0) is an analytical businessman not wholly invested in being a mid-twentieth century icon; his former best friend from youth, Vito Genovese (De Niro), is a hot head bound to lead the mob in the US, regardless of his friendship with current mob head, Frank. To see De Niro play both nose to nose in negotiations is to see one of the great film actors of all time.

When you look into Frank's eyes, you see latent menace that has caused countless deaths. Looking at Vito's glasses, you don't have the depth but rather a surface violence, hardly hidden. A great actor brings both distinct personalities alive.

Director Barry Levinson also brings his memorable work with Bugsy and Wag the Dog while writer Nicholas Pileggi brings traces of success from Goodfellas and Casino. With the three pedigrees converging in The Alto Knights, you must expect greatness, and you get it, maybe not throughout but enough to say that if Coppola and Brando had also been involved, this film would have been incomparable.

Most scenes are intimate as Frank's wife Bobbie (Debra Messing), and he quietly map out their fate. More flamboyant is Vito's wife, Anna (Katherine Narducci), whose courtroom histrionics as she testifies against him is the stuff of in your face while it contrasts with De Niro's subtler approach (not his usual path). The variety of acting and its excellence makes this a gangster film you should not refuse.

Bobby shoulda only played Frank and it coulda been better had he woulda.

Fine lead actor and to some degree he can perform character actor but playing opposite himself was distracting for me. His voice inflections and tonality, mannerisms, and basic personality made scenes with both characters very monotone. That carried over to solo scenes as well. Makeup was good but not good enough to dispell.

Overall I enjoyed the movie, but would have appreciated it with Keitel, Pacino, Hoffman, or many other possible actors playing opposite in the Vito role.

Messing was great.

PS Joe Bonanno would slap you senseless had he seen where you made him old and frail before his time. I knew him in the 1970s and he still presented a formidable presence.

This film was a bit like all of the other Robert De Niro Italian Mafia films, so you know what you're going to get. It's enjoyable, and by no means a bad film, but a tad formulaic.

I am unclear why De Niro played both main characters - at times it felt a little confused and, to be honest, my mind wandered to the prosthesis that went in to differentiating his looks. Was the fact he played both, a metaphor on the nature of the individuals (because this was based on real people), a commentary on the nature of the type of people involved, just a bit of fun for the actor, or an attempt to save money? Whichever, whilst it didn't have much of an impact on the film, it was odd.

As I say above, even though formulaic, an Nobel film, but with no surprises.