आलोचक समीक्षाएं

There’s Still Tomorrow is set in Rome after World War I, but it unfolds with timeless verve and romanticism.

It’s a film about domestic violence that, while clearly intended as an homage to Italian neorealism, finds levity through choreographed musical numbers and moments of light magical realism.

It’s the simplicity of the story combined with the excellence of the filmmaking—again, often deceptively simple—that makes it work.

It speaks to a cultural sisterhood that knows exactly what Paola Cortellesi is talking about. But some things get lost in translation, and this lovingly crafted work of neorealist cosplay is one of them.

Domestic violence is one of the primary engines of tension, yet the film doesn’t know how to tell the truth about abuse without making light of it or mining it for artistic effect.