Den röda vargen

As a woman, it's especially fun to watch this program. Annika is so fearless and yet so believable a character. There's a twist to the usual family dynamic in that Annika is the more workaholic and absent parent and her poor, long-suffering (and extremely hot) husband is often stuck home with the kids, or lying languidly shirtless in bed waiting for her just as she has to go out and investigate a tip.

All of the acting is wonderful and the direction very natural. One gets completely sucked into the plot and the pathos. You see how Annika steels herself from being impacted from most of it, and yet some cases really get to her. The Kvallpresse newsroom has its amusing cast of characters, from the tubby, barking and be-jowled news chief, to the lovable and mannish old socialist Berit, to the smarmy young toady Patrik.

Some of the crimes are pretty grisly so this series is not suitable for children. I've read reviews elsewhere in which men complain about having to hear about Annika's family life (also with Irene Huss, another Swedish crime solver I love) so this may be more something women and those interested in women's lives would enjoy.

This Swedish television series captures the work and personal life of Annika Bengtzon, a tenacious journalist who relentlessly strives to unveil the truth and identities of criminals. She is also a doting, young mother and her conviction to her work often conflicts with her lion-hearted longing to be a good mother and supportive spouse/lover. The quick-paced show is artfully done (both visually and auditorily) and gives the viewer a sense that time is of the essence and moreover, it gives Annika's life a sense of edginess, fragility and most importantly, freedom, as she plunges headlong into tracking down criminals without thinking twice about the consequences. Annika is beautiful by American standards and average by Swedish standards. But she is not portrayed in any glossy fashion - she wears dark eyeliner, sloppy t-shirts and has pronounced bags under her eyes. The show does an excellent job at portraying a passionate, hard-working woman's struggles and it does an average job in creating compelling mysteries. The mysteries are somewhat formulaic, which is why we love them. However, a smart audience will eventually want to see more grit and complexity in its criminals. - Looking forward to Season 2.

It's really an excellent series with great flow and pacing. Tense and gritty. Only Malin Crépin is simply too distracting. It's enough having to read the subtitles, without being distracted by this ridiculously beautiful woman. I think casting should consider that males although evolved with some ability to control themselves, might be viewers and maybe unable to control biology. She is an excellent actress but detracts from the sheer quality of the show, with her looks. The story lines are superb and the scenery is brilliant. It has great atmosphere as well. I like the fact that even such a stunning woman, can have marital problems. Her problems balancing work and children resonates as well.

The film in question follows the footsteps of several famous Scandinavian crime dramas with "feminine approach", i.e. the leading character is a strong woman who does well in masculine environment or even outperforms her associates. Usually they are based on book by female authors, and topics deal with "softer" values rather than harsh and nasty felonies. Similar to e.g. Dicte, Annika Bengtzon is a journalist, but both the character itself and performance are somewhat weaker than Iben Hjejle's Dicte; moreover, there are some sidelines not providing additional value to the course of events (Annika's family problems), and the ones depicting evil are quite inexpressive. On the other hand, the plot itself is intriguing and as I did not figure out the real killer, I can give 7 overall points. And as it was my first familiarisation with Liza Marklund / Annika Bengtzon, I would not like to express blunt criticism, perhaps they did not just "open" fully to me at first sight.

This series is far better than its title (reminiscent of juvenile fiction) would lead one to believe. The series, adaptations of the books of Liza Marklund, comprises six 90-minute episodes, each representing a story that the main character, Annika Bengtzon, a crime reporter for a Stockholm newspaper, is pursuing. Each story is complete in itself, the thread that runs through them being the newspaper's staff, Bengtzon, and her personal life. Filmed in Sweden with a Swedish cast (and thus with English subtitles), the series features excellent cinematography and high production values. The stories are interesting; the time devoted to Bengtzon's pursuit of the story and the effect of her career on her personal life is well balanced; and the cast, especially Malin Crépin as Bengtzon, are effective. All six episodes can be streamed on Netflix.