St. Vincent

Vincent MacKenna (Bill Murray) is a drunken grumpy gambling Vietnam vet. He has run out of money. He can't even pay pregnant Russian prostitute Daka (Naomi Watts) for her regular visits. Divorced Maggie Bronstein (Melissa McCarthy) and her son Oliver move in next door. Zucko (Terrence Howard) is looking to collect debts from Vincent. Oliver gets picked on in school. Vincent wants to be paid for babysitting and they build a surprising friendship. Brother Geraghty (Chris O'Dowd) gives Oliver's class an assignment to determine if someone they know deserves a sainthood.

Bill Murray is getting good at playing these grumpy characters. The little kid is good and cute but not too cutesy. Melissa McCarthy takes a nice simple dramatic turn. Naomi Watts should probably drop the Russian accent. I also love Chris O'Dowd's character. There are a couple of twists that I especially like. I like that Oliver makes friends with his bully. I also like that Oliver's father doesn't turn out to be evil. There are some good laughs. There are some sections where I feared that the movie would turn too sentimental. It does try hard to be a tear-jerker. The movie mostly succeeds in giving a great family of characters.

Bill Murray can mug with the best of them and in this film he is pretty much the whole thing. Playing a Vietnam vet, Vincent, who has seen better times, he parlays his drunkenness into opportunity. The film begins with him totally wasted, backing his car, an old woody convertible, over his picket fence. The next day, a couple of Hispanic movers bringing a middle aged woman (Melissa McCarthy) and her son to their new digs, damages a tree branch. Murray uses this to threaten her with a law suit unless she pays up. It's obvious that she doesn't have much money. It turns out that she and her son are escaping her husband, a philanderer, and the two are on the road to divorces. What ensues is a relationship that grows out of necessity as Murray is enlisted to look after the boy, Oliver, at significant cost to the mother. The kid now becomes a part of Murray's daily forays into irresponsibility: bars, horse track, joy riding, etc. He also brings the child to a hospital where his Alzheimers stricken wife lives. Murray is devoted to her, even though he has an ongoing thing with a Russian hooker, Naomi Watts, whom he may have impregnated. She has the heart of gold in a combative personality. The boy, Jaeden Liebehrer, is a gem of an actor. He has this fatalistic sense to him. He knows he will remain the perpetual victim, but when Vincent comes into his life, he begins to absorb tools to try to get by. Mom works sixteen hour shifts and has no idea of what goes on after Murray picks the boy up from school. What is heartening is that nothing is simple here. Murray continues his bad ways almost throughout, but we know he has a marshmallow center. With all the darkness in the world, give this one a shot.

This movie is a touching story. It is about a boy who befriends a crusty curmudgeon in Vincent (Bill Murray) and discovers some facts of life. But the deeper story is that family is really the friends you choose and the wide cast of misfits are brought together by a mix of circumstances and events. They are lost but then are found. The story also showcases the lost heroes of Vietnam. These veterans are dying off and as a nation we have forgotten their contributions in this senseless war. The boy is the glue to the cast and he bridges the gap from the wide differences between the characters. I would highly recommend if and is sure to conjure up a tear or too. A real good feel movie that shows how saints are everywhere, everyday, check out St. Vincent. Bill Murray is a masterful actor that becomes the character,

Bill Murray shows his acting range in this film by playing a despicable human being that you can't help but to like, as Vincent, an angry old man who takes on the job of a babysitter to his new neighbor's young son in order to make some extra cash he surely needs.

Melissa McCartney, who plays the neighbor is also in the movie. I love McCartney, but it was obvious from the start that this is Big Bill's show and he's leading this dance, while Melissa and Naomi Watts, who also stars in the film are just tools to move the story along. A task any actress could have done, but having Naomi and Melissa makes the movie better to market.

I wish I got more laughs for McCartney, but like I said, this is totally Bill's ride, and it was a good one.

There is a school of film reviewing which suggests that a film is like a symphony, to review it, don't bother with minutiae, just listen for a false or off-key note, and deduct points accordingly.

By that approach, this film would be a 10 because there are no false notes.

And it is really that good.

The key to these sorts of films is trust your script, trust your actors, and trust the director to simply to give them lead and let them run. Which is precisely what we have here.

The iconic Bill Murray gives his most memorable performance since MEATBALLS -- which, BTW, launched the entire Canadian film industry -- even though it is not actually a comic role. Impressive.

Naomi Watts give her most memorable performance since MULHULLAND DRIVE where, as a glowing young ingénue, she stole scene after scene. She steals here too.

Even Melissa McCarthy, who many consider a scenery-chewer and over-the-top, is wonderfully restrained and actually creates an empathetic character.

Delightful.