Get Lucky

From the opening scene you know you're in for a rough ride. It's the acting. I could deal with the tired and worn plot, or the multitude of London gangster clichés, but having every line delivered like the actor or actress is hyper aware of the camera is just too much to watch.

I can only assume the multitude of 5 star reviews on Amazon have been written by people connected to the film (either that or very easily pleased!). 5 star reviews should be reserved for films which are going to stand the test of time. This doesn't even come close to a film that will last. If you can make it through the first fifteen minutes then you're doing well! For a London film, don't expect too many Londoners - the main character is a posh boy who looks about fifteen years old, but just happens to be a criminal mastermind when he gathers a gang of out of work actors (or London wideboys - one of the two) to pull off a heist to pay off someone for something. It really doesn't matter. You won't care.

This is the definition of 'low budget.' There's nothing here you haven't seen before, the only problem is you've seen it all soooo much better. Save yourself an hour and a half and just put Lock Stock on again. Even if you spot this in the 'bargain basket' DVD section in some motorway service station and it's going cheap, don't bother. Buy a packet of Fruit Pastels instead - they're more enjoyable.

90 Minutes of my life I'll forever be trying to claw back. Badly acted, badly cut and edited The so called "fight scenes" & "special effects" would have been more at home on a SYFY Channel production. The whole thing looked as though it had been made by kids working on a school film project. After reading a review and recognising quite a few of the actors in the movie I was looking forward to watching another good BRIT GANGSTER movie as I am a big fan of the genre, but I have to say that had this been the first film of this type I had ever watched, then I would definitely NEVER have watched another. This is absolutely the worst film I have seen all year.

...... In an indecipherable story!

When this movie started with a 'joke' opening I should have taken the hint and given up on it right away. But no, I decided to stick with it and after twenty or thirty minutes into the story I was lost on it's plot as I just couldn't understand what they were saying. Maybe I could understand every third or fourth word at best.

I know the actors are speaking English but the movie needs subtitles for the rest of the English speaking world. The British may be able to understand this low-end speaking but I could not. There was recently a television show here in the US titled "Here Comes Honey Boo-Boo" and English subtitles were used because the family in this 'reality' show were so low on the education scale the producers realized the viewing public outside of Georgia would need it.

So get lucky and find a Brit to see this flick with you and you might be able to make sense of it.

Saw Get Lucky at the cinema a couple of weeks ago. I was not sure what to expect from seeing the on-line trailers. Based on two brothers Lucky and Raphael, who earn a living less honest than most who team up with some EU underworld. The Job an underground casino heist. I was open minded at first, the film managed to keep me interested all the way to the end. With twists and turns throughout and some humour. Enjoyed this film on face value. I did not look to deep into it. Really enjoyed Get Lucky and it comes with the added bonus of seeing Emily Attack from Inbetweeners fame. Will watch again on DVD with my mates and some beers.

Think about all the worst things to do when making a film and this does them all. Bad everything. Acting, directing, writing, plot, casting, editing, photography, the list is endless. Just astonishes me why people still make or are interested in watching cliché British gangster films. That ship sailed long long ago. And who would be stupid enough to put up the money to make this drivel? Please can we move on, and invest in good plausible stories. Doesn't have to be Jane Austen or a romantic comedy. Or cost an absolute fortune to make. They can be thrillers, crime stories, violent, whatever. Just as long as they are well made with a decent script. This film should be shown to aspiring film students as an example of how to get it totally wrong.