Kar ve Ayi

First of all, Artvin, where the movie was shot, is like heaven on earth. In addition, seeing this world wonder once again in the snow allowed me to visit this white paradise again.

Selcen Ergun, which we know from the "Karsilasma (2007)", "Hayat Var(2008-as a Assistant Director)", "Günesli Bir Gün(2011) movies, comes up with an interesting story after a long 11-year hiatus. Merve Dizdar, Saygin Soysal, Asiye Dinçsoy are among the names who that helped Ergun.

A young nurse, who is sent to a far cornet of the country, finds herself in human relations with full of secrets.

This beautiful-compelling movie also took award from the Golden Orange Awards. What Ergun said in the award speech is kind of a light to everyone: "Do not listen to others who said that you can not make it, just stand on your way!"

Snow And The Bear is definitely an adult mystery and more of an art film than a run of the mill drama.

It is beautifully shot and has the lonely and cold atmosphere of a snowey mountain range in the middle of nowwhere which perfectly compliments the solemn story that unfolds.

Its ultimately a mystery about the culture of people living outside of modern civilisation and how an outsider comes to know a different type of existence that is more elemental and closer to nature.

This is a film about lonliness, the wilderness, and how human beings relate to and impact the natural world.

It is also a melancholic tale of self discovery.

It is a well paced, finely told mystery drama. It's in Turkish with subtitles, but I didn't mind that. Personally I enjoyed this film and I hope you will too. :-)

If you've ever had trouble adjusting to a new job this movie might put that experience into perspective. It's the story of a young nurse who struggles to find her bearings when she's seconded to a remote Turkish village, a struggle made worse when a snowfall prevents the arrival of the visiting doctor. The story unfolds slowly and realistically, simply following her daily activities. She finds the townsfolk as frosty and inaccessible as the landscape, and being inexperienced she doesn't know how to behave, who to trust, nor what is expected of her. Likewise the viewer is left wondering what's going on.

This movie is well worth watching, both for the location and for its unusually subtle approach. The beautiful cinematography adds a lot and I liked the way the town is shown from so many different perspectives as this really added to the sense of disorientation. The ending surprised me but it made sense, and like everything else in the movie it was remarkably understated which only added to its impact. It left me guessing what will happen next.

A bear, awakened early from hibernation and hungry, stalks the snow-covered forest of a remote and tiny mountain town. At the same time a young nurse, Asli, arrives in the village to start a new life. There is a man in her way at every turn. Three men figure prominently on the list of the most threatening to her independence. Hasan is the conservative town drunk who hates bears almost as much as he hates women. Samet, a kind mountain man and protector of wildlife, is Hasan's opposite. However, in his obsession with Asli he might be the more dangerous of the two men. The third main male obstacle in Asli's life is her father who doubts and seeks to control her from afar. Asli tries to find her own path through the woods full of dangerous beasts, human and animal.

Cut down the sacred tree and spirit of nature, states a Turkish legend, and nature will have its revenge somehow. In this ancient story it is a bear that becomes the agent of vengeance. The bear is what the villagers fear most. Yet there is a wild animal inside each person's heart which is something more potent and formidable.

Director Selcen Ergun's debut feature provides compelling and moving messages about human attempts to control nature, romance, wildlife, and women. "It is how I feel as a woman in the world," Ergun said at the film's world premiere in Toronto. A woman attempting to find her way in a misogynistic world, where even kindhearted and well-meaning men might lead women astray from being who they are. Ambient sounds of wind and crackling fires combine with stirring, sparse music. The ending is profoundly emotional and it hit me like a ton of bricks. Ergun meditates on a time when the winter will cease and the world will just let women and nature be.

A nurse goes to work in a remote Turkish village where a man stalks her and another goes missing.

The story I suppose is okay, it's the slow and ponderous way it is carried out that is not. There's a lot of time nothing is happening but you don't want to fast forward in case you miss something. Also the subtitles were very obviously not an accurate translation so that didn't help.

The lead actress has a very expressive face and did well with the role she had, and indeed there was some decent acting from a few others too. But not near enough to lift the film beyond a rating of 5.

I liked that there wasn't any awful score or crashing soundtrack to the film and the sounds of winter were not overdone.

There's obviously some moral tales woven into this, but they're lost a little by the ponderous pace and slew of non-meaningful scenes.