Review: Ekbatan (2012)
Ekbatan is a disappointing attempt at storytelling, failing as a lifeless and superficial imitation of the Iranian classic Fleeing the Trap (1970), directed by Jalal Moghadam and featuring the brilliant Behrouz Vossoughi. The film lacks even a fraction of the original's impact.
It suffers from artificial and amateurish acting, meaningless pauses, and irrelevant dialogues that add no value to the story. For example, the relationships between the characters are frustratingly unclear-was Darya Alborz's sister or his lover? And who exactly was Seyd Morteza referring to during his conversation with Alborz? This confusion persists throughout the film.
The weakest part of the movie is its ending, which, instead of delivering an emotional or dramatic impact, feels utterly meaningless and leaves the audience with a sense of futility and disappointment.
The only positive aspect of Ekbatan is its music. Sattar Oraki's composition is commendable, but it is surprising that he agreed to work on such a lackluster production. His talent feels wasted on this film.
In conclusion, Ekbatan is a weak and soulless movie that fails to justify its existence. Its lack of clarity, depth, and originality makes it a regrettable experience for the audience.
By Hamid Raza G.
