आलोचक समीक्षाएं

There are no surprises, but for once there’s a set of artsy millennial characters who feel like real humans, and Berlin looks great.

Holdridge and Saasen should get credit for making sure the obstacles to their happiness aren’t romance-movie contrivances, but rather the sorts of things that—to paraphrase another famous writer—happen to people while they’re busy making other plans.

The quiet honesty of Anderson and Lina's interactions and raw, often handheld camerawork wash away the film's meandering pace and sometimes grating dialogue.

While this tale of a couple experiencing myriad romantic ups and downs has its occasional amusing and insightful moments, Meet Me in Montenegro doesn't quite render its characters' foibles endearing.

Though Mr. Holdridge and Ms. Saasen feel genuine, they lack acting chops, and their screenplay’s self-consciousness about romantic clichés plays like a cliché itself.

Holdridge and Saasen simply lack the acting chops to carry their feature, leaving them with a scenic but indulgent selfie of a big-screen romance.

Director of photography Robert Murphy deserves a Spirit Award of his own for his breathtaking and evocative lensing of ever-cinematic Berlin and Montenegro, and Stephen Coates’ melancholic score is equally suited to the story at hand.