Hell and Back

Hell and Back is a foul mouth R rated animated film which was in theaters for only a small limited released. Given its profusion of raunchy, R-rated, largely sex-focused jokes. Several of the jokes are not particularly clever enough to stick with. There tends to be little opportunity for Hell and Back to strike even a fleeting chord with viewers. And this brings us back to the inherent limitation of American adult animated films.

Starring as the lead voices of the film are T.J. Miller, Rob Riggle, and Nick Swardson . Bob Odenkirk is animated as the lead devil. Mila Kunis and Susan Sarandon get in on the action, as Deema the demon and Barb the Angel, respectively. Danny McBride plays Orpheus, one of the few other humans to cross the plane into the underworld. The film's plot is rather weak and seems to have been something we would see from a television series plot. There just is not enough great jokes, but Hell and Back is quite entertaining to watch. Although predictable.

You wonder what the attraction is for the makers for "Chicken Run", "Box Trolls" and for the Bro Comedy "Hell and Back" to stop motion animation. It's not as if going through the painstaking and laborious process automatically yields a visual character superior to less labor- intensive production methods. So why not just make it a cartoon? Anyway, the plainly descriptive-titled "Hell and Back" lifts the way Satan from South Park is rendered whole, gives him "Breaking Bad's" Bob Odenkirk's voice and drops him in a bro comedy. There he trades the standard bro jokes (mostly homosexual panic quips) with the slackers who inadvertently fall into his underground realm. None of it is terribly entertaining but there are enough laughs to make it all fairly innocuous.

I did love the fact that the movie was a stop motion animated film, and it does have a few laugh out loud jokes, plus it is a nice Hard rated R as well, filled with mostly really dirty jokes.

But overall, the movie is pretty weak. That may explain why I did not hear about it until I just happen to past the movie theater and saw the poster. Especially, considering what an all star cast of voice overs that are featured in the film, like Susan Sarandon and Bob Odenkirk.

The animation is actually pretty dull and unattractive and only a few jokes really stood out while the rest were stale.

I think I was expecting something like Heavy Metal, and was surely disappointed with what it really was, a lame stoner flick, which would not be so bad if maybe Cheech and Chong were the guys battling their way out of hell.

"Hell & Back" poses a sharp contrast in quality between the wealth of its talented voice cast and the sheer pedestrian mediocrity of its screenplay. It's amazing that a barrage of talented and proved comics from the likes of T.J. Miller, Mila Kunis, Bob Odenkirk, and J.B. Smoove, would subject themselves to something so bland and ugly. From its choppy stop-motion style of animation, its lack of real creativity in its jokes, and its miserable color palette, there is a striking joylessness present in "Hell & Back" that is only highlighted by the film's lackluster writing.

The story opens in a failing theme-park, largely run by slacker employees Remy (voiced by Nick Swardson), Augie (T.J. Miller), and Curt (Rob Riggle). When Curt borrows a mint from Remy, taking a blood oath to pay him back before reneging on his promise shortly after, the three are sucked into a vortex that takes them to Hell, where they are seen as "mortals" awaiting sacrifice. While Curt is the only one who is set to be sacrificed, for breaking a blood oath, Remy and Augie are also planned to be executed simply because of their presence in Hell as mortals. As a result, they team up with a demon named Deema (Mila Kunis), who is searching for Orpheus, a famous spirit who is said to have saved countless mortals who's souls were doomed to perish in Hell in time before the Devil (Bob Odenkirk) decides to sacrifice the three men.

Despite the high stakes, the film feels like a constant array of tired stoner jokes written by a gang of adolescents that still find using at least two curse words in every sentence is hilarious. Admittedly, however, the film did get some laughs out of me when the small-scale, background jokes took over. Consider the scenes that involve the demons of Hell tempting the souls by having a Taco Bell/Pizza Hut counter. When one of the souls requests a pepperoni pizza, the demon informs him that they only have the Pizza Hut sign up as decoration and they are only a Taco Bell. "Welcome to Hell," the demon says whilst giggling, upon informing the poor soul. This happens a couple of other times in the film and works because of how simply outlandish and ridiculous the scene plays out, in addition to a few scenes of demons looking up the sins of the souls to see what constitutes their presence in Hell.

These scenes are few and far between, however, as the bulk of the film has Remy and Augie bumbling on to random setpieces in Hell, witnessing some crass display of juvenile gags all captured in some of the most visually ugly scenery I've seen all year. With all the lame jokes occurring and the setting feeling so dim and dingy, there's simply very little positivity in this film to keep an upbeat frame of mine. Comedies set in underworlds or places of little hope obviously have difficultly meriting this constant stream of upbeat humor in contrast to the setting, but when both elements fall apart here, "Hell & Back" doesn't have a leg to stand on, frankly.

Finally, there's a real cheapness to the animation here. The stop-motion animation is evidently rushed, as characters, especially when walking or moving very quickly, show a peculiar jerkiness to their motions that indicates that figures' poses were shifted too quickly, and thus, don't appear fluid. This doesn't occur frequently, but when it does, it makes the whole film seem off balance, and, much like the writing, poorly conceived.

I remember hearing of "Hell & Back" earlier in the year and thought it would be something of a box office surprise; we rarely get adult animated films, and if we do, they are usually so obsessed with the idea of being vulgar and animated ("Cheech and Chong's Animated Movie" and "Jay and Silent Bob's Super Groovy Cartoon Movie" to name a few) that they wind up being throwaway projects of little merit. I felt that the talented cast of this particular film would crush that stereotype and lift it up to certain quality. Unfortunately, with the startlingly silent marketing for the film and the quiet release, "Hell & Back" will likely join other contemporaries as an experiment that failed largely because of its worst tendencies.

This film is very well done. Its a dumb comedy for smart people. The people writng the bad reviews are also the ones that review local soup kitchens and taco bells. There are big names in comedy and people think this is not funny? The IQ of the country has plummeted over the last 20 years, so I'm not surprised people complained about this one. I love how offensive this is and i really really love how badly it upset people! That's actually the best part of the movie.

This film is very well done. Its a dumb comedy for smart people. The people writng the bad reviews are also the ones that review local soup kitchens and taco bells. There are big names in comedy and people think this is not funny? The IQ of the country has plummeted over the last 20 years, so I'm not surprised people complained about this one. I love how offensive this is and i really really love how badly it upset people! That's actually the best part of the movie.