Jane Got a Gun

A nice, solid, little Western starring Natalie Portman and Joel Edgerton. The two were engaged before Edgerton had to go off to war, but she took off west after not having heard from him in three years. She ended up in New Mexico married to a former outlaw (Noah Emmerich) who saved her from a white slaver (Ewan McGregor? That doesn't seem right; I definitely didn't recognize him if he was the villain, and the character name on IMDb seems wrong, too). Most of that history is told in flashbacks throughout the picture. The main bulk of the story has Emmerich wounded by McGregor and his men. Portman has to defend him, and she rounds up Edgerton, who settled in the area after he found out what happened to his former fiancée, to help her protect them. The story's simple, but Portman and Edgerton carry the film nicely. They have a believable sense of history between them. It's not an action-packed film, but it delivers well when it gets to the climax. There are some weaknesses in the details of the film, especially in the flashbacks, which often seem skeletal in their scripting (Joel Edgerton co-wrote the screenplay with two others). Not great, but good.

After years of a troubled production, Jane Got a Gun finally got to the big screen, albeit in the month for cinema to dump their weak films, January. Although for me, that may have improved my enjoyment of the picture. I went in barely seeing any of the trailers or TV spots (were there any?) and with barely any expectations, so perhaps that improved my likeness of Jane Got a Gun.

The film stars Natalie Portman, Joel Edgerton, and Ewan McGregor in a production that once had names like Bradley Cooper, Michael Fassbender, and Jude Law attached among others. I actually think the ending cast turned out pretty good as Portman and Edgerton shared unexpectedly great chemistry. I think the problem with the film is that I'm not sure the film had anything new to add to the world of cinema. There isn't anything special about Jane Got a Gun, but it is a well made film by Gavin O'Connor. His last film Warrior, is one of my favorite films of all time, and while it's nowhere near as good as that film, I think I can consider it one of the first surprises of 2016.

O'Connor's choice of using flashbacks to fill in the gaps between the years in which Edgerton and Portman are apart, was a mistake. We get all of the character development we need in a few sit down scenes between the two later on in the film. The ending is also an extremely well handled shootout climax even if McGregor's character is very under developed. Overall, I think this a solid entry in for the western genre and O'Connor's filmography. But I also think that it doesn't feel like a polished project even though it has taken years to get to the big screen. There's plenty to like, including the incredible lead performances, but there's also plenty to shrug your shoulders about. No matter, I definitely enjoyed my experience watching Jane Got a Gun.

+Portman and Edgerton

+Tense finale

+Much better than expectations after a troubled production

-Still doesn't feel finished

-No need for flashbacks

7.2/10

Jane Got a Gun is a good example of what a movie can do for you if you're going in with certain expectations, especially when they're of an exceptional variety. In the case of this, the word 'troubled' is putting it lightly for the production, as numerous stars (Fassbender quit, Jude Law was briefly hired, as was Bradley Cooper, and Edgerton actually had the role of the *villain*, not the sort of co-hero), and the director (Lynn Ramsey) left while in the midst of shooting over problems with the producer and a lack of final cut. It's the kind of production that has 'disaster' as its mark, and that's not a fair way to immediately judge a film, at least not initially. What if this was the next superb western, in a time when there seem to be a good amount considering how few westerns come out nowadays (i.e. The Hateful Eight, Bone Tomahawk, and Slow West all in the past year or so)?

So I went into this with an open mind, to see what is in front of me (via Warrior director Gavin O'Connor) and left with the opinion that simply... it's OK. Sometimes a little more than OK, and mostly thanks to a game cast. The premise is somewhat simple initially, that a woman finds that her husband (Natalie Portman and Noah Emmerich respectively) has been shot and though she's tending to her wounds she realizes from him more men are coming after him, so she goes and hires a man (Joel Edgerton) who she used to know... actually in some intimate ways.

The movie has a flashback structure that is not really too new. Matter of fact, by 2016 this sort of thing has become kind of tired; of course the drama is meant to be this siege that develops at their home: they can't ride away since Emmerich's Bill Hammond is too injured, so they'll have to set up some things to make sure they aren't caught like fish in a barrel when Ewan McGregor and his men come. But the bigger issue is that the movie has just a lot of peaks and valleys as far as compelling scenes; when people do pull guns on one another and there's set-up with that we see (the plan to fortify the outside of Jane's home with liquid explosives and such is clever), it's exciting.

What seemed to not work quite so well are the quieter scenes, where confessions are made and that drama has to be tapped as to who did what to who in relationships and the old wounds being scorched. There is one really tumultuous sequence where Bill discovers Jane inside of what seems to be a brothel (or it just is) and after he kills a bunch of people she starts sobbing. Moments of high drama register but it's the quiet moments that fall a little flat, or they don't register as they should in a movie that depends on their quiet moments for impact. And it's not so much the actors at fault - Portman and Edgerton are formidable, and McGregor makes a fine figure with that mustache (a bit of a chip off the Val Kilmer in Tombstone block), and one of America's underrated character actors, Noah Emmerich, is terrific even as a lot of his performance is post-shooting in a bed - but with the script.

Strange since the screenplay was originally on the "Black-List" (best scripts produced that got submitted, across the world basically), and Edgerton actually did work on the script too (whether this was before the production problems or during I'm sure I don't know). It's hard to know if it was due to the producers not allowing final cut - a big reason why Ramsey left, which might have been wise - but as a Weinstein Company release it seems a little fishy, like there may have been better material that got left out or moments put together that don't quite fit.

And yet for all these odd feelings watching it, overall I would recommend it to fans of Westerns (believe me, I've seen weaker offerings), and the climax is really solid. James Got a Gun has some original moments, and yet wrestles with becoming generic at the same time: bad-asses pulling guns on one another has been done for so long and in such gritty tones. Maybe it's missing... a tiny bit of humor(?) It's a strange movie to peg what doesn't work about it, but it's not all bad. For all the hard times it took to get to being completed, I'm glad it exists in some form.

Heck of a Western, I expected it would be good before I viewed it when I saw Joel Edgerton had a major role in the movie

Edgerton can really bring it as a lead or support role. And he didn't disappoint.

But I was extremely impressed with Portman. She has picked some stinker roles in the past however she proved IMO she is no longer just the pretty face and she has honed her craft to be a very good actor.

Blows my mind that IMDb is only giving this movie a rating of 5.9 I am a big fan of westerns and I don't hand out high ratings with a whim or fancy.

Good to see Ewan McGregor in a small role. I thought he nailed his part, as well.

I went into this movie with no expectations, and was pleasantly surprised. It's being called "slow," which I suppose it is, by Thor and Iron Man standards, but not in a way that bothered me - I wasn't expecting an action-packed story, because, well, I don't mind if a movie has dialog. I thought the pacing was great, and I loved the way the audience slowly finds out what happened, through flashbacks from several different points of view. I didn't mind that Jane wasn't a super hero, just a determined woman, who was strong because life demanded it of her. It felt very realistic. It's not a perfect movie, but it's worth seeing for great performances and gorgeous scenery (filmed on location in New Mexico). I think this movie will do well on video or streaming, if it finds the right audience (that is, people like me) - I'm certainly telling my friends about it.