Jane Got a Gun

This film opens in a remote New Mexico homestead in 1871. Bill 'Ham' Hammond returns home to his wife Jane and their five year old daughter. He is seriously injured following a run in with the Bishop Gang; a group of outlaws he was once part of. He warns that they will be coming for him. She seeks help from neighbour Bill Frost but he is initially unwilling to help; it looks as if she will have to face the gang alone or abandon her husband and flee. As the story progresses as learn more of Jane's past; especially how she is linked to Frost and how she came to be with Ham. Inevitably it all end with a showdown with Bishop and his gang.

When I picked up this film on DVD I knew nothing about it but I enjoy a western so thought it was worth a go. It turned out to be a solid example of the genre even if it will never be considered a classic. The story is simple, which isn't a problem, but it also lacks action for long spell which is. Until the final showdown, which is fairly exciting, we only get a couple of action scenes set in the present and one flashback of Ham rescuing Jane several years previously. The main cast is small. Natalie Portman effectively carries the film as Jane with Joel Egderton providing solid support as Bill. Ewan McGregor is suitably menacing as John Bishop although we don't really see enough of the character. The location used is effective; it looks great and gives a real sense of isolation. Overall I'd say this isn't a must see but would still recommend it to fans of the genre.

Jane Got a Gun is directed by Gavin O'Connor and collectively written by Brian Duffield, Anthony Tambakis and Joel Edgerton. It stars Natalie Portman, Joel Edgerton, Ewan McGregor, Noah Emmerich, Boyd Holbrook and Rodrigo Santoro. Music is by Marcello De Francisci and Lisa Gerrard and cinematography is by Mandy Walker.

Jane Hammond (Portman) has to turn to her ex lover, Dan Frost (Edgerton), for help when it's revealed that the notorious Bishop gang are heading her way in search of her husband Bill (Emmerich).

It's going to be one of those films more talked about for what it could have been than what it is. Changes in production staff were unbound, from director, writer, photographer and some big name cast changes, it was a production blighted and destined to be on a loser. It hasn't helped that with it being a slow paced character based picture, and a Western at that, the market for a fan base was already running low on potential supporters. So what we left with?

It undoubtedly is one for hard core Western fans only, it's hard to envisage newcomers entering into the genre for the first time, perhaps lured by the casting of Portman, being won over to the point of seeking out other classic Westerns of past and present. Yet it's got a lot going for it, because if you have the want, then it may just take a second viewing to fully absorb and enjoy.

At its core it's a straight Oater of redemption, opportunities waylaid by fate, and of course a good old good versus bad axis. Relying on a flashback structure to set up the character dynamics, it can get a bit disorientating at times, hence the shout out for a second viewing. However, it may not be the perfect way to build the principal characters, but they are worth the investment for there's a big emotional pull there.

Having laid the foundation for the first two thirds of the pic, we shift to good old honest violence, for siege read backs against the wall, and not without invention, in fact there's much resourcefulness on show, with Jane at times very much leading the way. The last third pays off handsomely, even if there's the (arguably) inevitable sugar coated candy to swallow as part of the final deal. Cast are dandy and turning in perfs of note, though it needed more of McGregor's John Bishop, because with what little he gets he does make a villainous mark.

It looks terrific, Walker's photography bringing to mind the genre work of Roger Deakins, with the New Mexico locations blistering in their beauty, and while the sound mix for dialogue exchanges is a little poor, the musical score is thumping in its tonal appreciations. It's tricky to recommend with confidence even to Western fans, especially in a year when "Jane" had to compete with the more rambunctious Magificent Seven reboot, but give it a chance if you liked something like Slow West, and you may just be pleasantly surprised. 7/10

I went into this movie with no expectations, and was pleasantly surprised. It's being called "slow," which I suppose it is, by Thor and Iron Man standards, but not in a way that bothered me - I wasn't expecting an action-packed story, because, well, I don't mind if a movie has dialog. I thought the pacing was great, and I loved the way the audience slowly finds out what happened, through flashbacks from several different points of view. I didn't mind that Jane wasn't a super hero, just a determined woman, who was strong because life demanded it of her. It felt very realistic. It's not a perfect movie, but it's worth seeing for great performances and gorgeous scenery (filmed on location in New Mexico). I think this movie will do well on video or streaming, if it finds the right audience (that is, people like me) - I'm certainly telling my friends about it.

I was among the lucky people to have seen the movie premier in Paris tonight. Going in I was mildly excited for the film, wondering how much of an effect the tumultuous development had on the final product.

Jane Got a Gun is interesting for sure but it's slooow. The first two acts are desperately trying to built tension with a slow dead like pace, and long silences, that only puts the audience to sleep. I actually dozed off a few times. It's a shame because I think there's something special about it.

The story is good with a few minor surprises and solid acting. Even in the long silences the actors were engaged and conveyed the adequate emotions. Joel Edgerton and Natalie Portman have some great moments, their performances are riddles by subtleties that make for powerful scenes, ruined by shots a couple of seconds too long. The movie picks up though, it come as a breath of fresh air, after slogging our way through the first two acts.

So after all of the cast and recast of actors and directors what suffered? My guess the editing because some scenes could have been cut short while maintaining the message. Jane Got a Gun could probably be one of those movies that will become a cult classic.

By @garcwrites

.. a ranch and a bunch of other stuff (including something attributed to men when they are fearless/a lot of courage). While many have seen or rather predicted the death of the Western "genre" (some might argue it's not a genre itself, just putting this out there), it's still alive and kicking and this movie is testament to that fact.

Natalie Portman is a great actress and she saw something in the character here, that made her want to play the role. It had to do with both the toughness and the vulnerability of her. The script may be predictable (the flashbacks give out bits and peaces, but you can put it together far ahead of the time, so I don't think there are too many surprises, except maybe for the ending), but you can't fault the setups and everything the film does to portray what is going on. Some might feel it's too long and there is definitely not enough action for others, but those who stick with it get a nice story