Swimmer

...or a poem. disturbing, strange, seductive. for cultural references. landscapes. music. photography . and the feeling growing up scene by scene. a film of a travel. across waters. or memory. or time. short, a film who must see. not for a precise reason. but for a state. who could be. useful.

Very arty, yes, but somehow captures the imagination - not least to wonder what its trying to say. The use of snippets of music and dialogue from a number of British films of the past 50 or so years - from the Loneliness of the Long Distance Runner, Lord of the Flies, and Walkabout and even perhaps Master and Commander ("Fantasia on a Theme by Thomas Tallis") sets up that slightly disturbing feeling of vague recognition and hunting around in the memory.

When coupled with the images it creates a dream-like state, with hints of things half-seen, half-heard and half-remembered. A dream that goes from calm to nightmare to arrival and awakening?

Others may be another interpretation entirely.

Lynne Ramsay does a great job here of taking the subject of swimming and making it interesting, something that could have been boring and monotonous in the wrong hands. The visuals and cinematography are on form and the black and white works well.

6/10

You can take whatever kind of idea out of this film, or you can take it as it is. For me, it was the fine stream of images and sentiments woven among each other that ultimately provided a pleasurable reflective experience. I just let the film flow through me. The rich gradients, the glimpses of life and activity, and the preserved loneliness are very good tools for introspection. This is the kind of film I'll get back to watching every once in a while to keep myself afloat.

Lynne Ramsay is a promising director. This is the second film I've seen from her and her other movies are already in my queue. Looking forward to hearing more from her in the coming years.

Though this film by Ramsay is undeniably Ramsay in stylistically. It is conservative in places, perhaps this is attributed to the fact that the film is a branded film for London Olympics. Though, this takes nothing away from its meditative, visceral trance-like tone. The sound is extraordinary, perfectly timed and lifting the film characteristically. It is beautifully composed and shot. It is merit to the director that she was able to conceive a film which is utterly her own whilst offering a conservative commercial audience a palatable cinema.