Noise

This is one of the worst movies I've ever seen. It's like a bunch of people had a bunch of ideas and they just threw them all into a hat and put them together into a movie that makes absolutely no sense! There is zero backstory so you have no clue what's going on. The main male character is trying to figure out some sort of mystery about his father's old factory that has nothing to do with the other theme of the movie. People in town are rude to the main female character but we are never given a reason why! I've never seen writing this poor on the screen! I wish I could get the time back I was waiting for the story to come together and make sense but it never did. Skip this one!

As "Noise" (2023 release from Belgium; 90 min.) opens, we are introduced to Matthias and Liv, a young couple with a newborn son. They are moving into the house where Matthias gre up with his dad. His dad is now in a seniors center. Matthias is having a hard time coping with the baby waking him up every night. Then one day, Matthias finds out that his dad was the CEO of a nearby chemical plant, which now stands abandoned. Why? At this point we are 10 min. Into the movie.

Couple of comments: this is a full-ledged production from Flanders, Belgium (the Dutch-speaking side of Belgium). I hail from Flanders, Belgium myself, and when I saw this in the newly added titles of Netflix, I just had to watch it. Alas, this is not a great movie. For that, the story line is simply too thin and scattered. This is not a "mystery" or a "thriller" or even a "psychological drama". It's a hodge-podge of lots of genres but in the end can't decide what it really wants to be. The most interesting thing about the movie is the sound construction, piecing together all kinds of irritating noises, none more so than the baby cries, again and again, and again, but also things like the car wash sounds, a fruit blender, etc. We get the point: Matthias is overwhelmed by noises. The cast features Sallie Harmsen as Liv (she also starred in "Blade Runner 2049").

"Noise" started streaming on Netflix just this weekend. Unless you are from Flanders, Belgium and are simply curious as to what a Flemish movie can do, I don't know that I can recommend this film in good conscience to anyone. Of course don't take my word for it, so check it out and draw your own conclusion.

This movie was a stream of non-coherent thoughts thrown together in a movie. There's nothing to follow because there is nothing there.

I watched this movie and still have no idea what the hell went on because It didn't make ANY sense... and where is the brother? We see that he hanging on for dear life then... nothing. Does he make it? Does his sister find out what happened to him?

How in the world did this movie get green lit?

If you need some noise while you vacuum, give it a go. But don't bother sitting down to give your full attention to this mess of a movie. You will be disappointed at the loss of 90 minutes of your life that you will never get back.

I wasn't going to review, but then I saw all these people raving about it and realized....if real people don't leave honest reviews, movies like this end up with inflated scores that make no sense.

This movie is a hot mess.

It attempts to carry off two parallel plots but it doesn't, really, do justice to either. The "twist" isn't actually a twist so much as a bait and switch kind of thing, where you're led to believe the big mystery is the main plot, and then toward the end you realize it was merely a device to illustrate the main characters deteriorating mental health. And, you also discover, the actual plot is something that's only been hinted at (main characters relationship with his father), which they're going to withhold a key detail on until the end.... I guess as some sort of weak explanation for the ninety minutes of SCREECHING crying baby and shenanigans you've endured.

Maybe it would have benefitted from some flashbacks, IDK. At the end of the day, it didn't do enough to make me care about any of the people involved....and it definitely didn't make me care enough that I wanted to do the work to figure out two thinly stretched together plots.

But, I mean, at least Ward Kerremans is fun to look at.

I keep wondering about the rationale behind Netflix producing films with such weak screenplays. The little intrigue that the film offers quickly evaporates once the second act comes on, and the hallucinatory visions the protagonist (Ward Kerremans) keeps having, lack purpose. The protagonist's wife (Sallie Harmsen) takes the perspective of the audience, trying to make sense of it all - hers is the only performance that I took fair notice of, in this mess. The mystery (or the lack of) is so terribly sketched that I felt it had nothing to achieve, even though the protagonist keeps making such a big, nonsensical fuss. The makers also add a couple of pointless jumpscares. In the end, it just feels like you wholly wasted 90-odd minutes.