Spellbound

Somehow Ye-jin Son's movies had impressed me earlier and this one followed; maybe its her innocent acting or attraction or charisma which binds and hooks me to keep watching. However, saying so, that does not mean the storyline and acting are not good. I mean look at her movies like A moment to remember, the classic or April Snow, all were good.

Coming back to this movie, it was a different way to represent romance refraining it getting into cliche. What also i found amusing were horror aspects plugged in which were scary in places and made hillarious in the later point of movie, like the small kids story, or her friends death etc.

I had a notion of it being another Pee Mak but its not. Instead it's different and yet entertaining. One time watch definitely.

"Spellbound" ("O-ssak-han Yeon-ae") aka "My Girlfriend Can See Ghosts" is another one of those sure win Korean movies. There is just something fantastic about so many of the movies that come from Korean cinema, and "Spellbound" is well worthy addition to the collection if you enjoy Asian movies.

The movie is about Kang Yeo-Ri (played by Ye-jin Son) who is a gloomy and mysterious woman who, by sheer luck and chance, ends up working with Ma Jo-Goo (played by Min-ki Lee) in his Horror Illusion magic show. Ma Jo-Goo soon finds out that perhaps he gotten a bit more than he bargained for when he starts to find out the haunting secrets that surrounds the enigmatic Kang Yeo-Ri.

"Spellbound" combines three genres of movies quite nicely; being romance, comedy and horror. And the end result is a very enjoyable movie with a story that sinks into you and sticks with you. Especially because the director, In-ho Hwang, did a really good job with this movie and delivered right on the money.

The characters in the movie are well-detailed and stand out as very believable characters, and this is, of course, helped quite well along the way by the talents of the people on the cast list, who all contributed quite nicely to the movie, especially the two leads who really had great on-screen chemistry, but also great charisma on their own.

The effects are quite nice in the movie, although this is not a movie that rides high on special effects. But those put to use are really spectacular and serves their purpose quite well; be it the magic tricks, the make-up, or the ghost.

The odd mixture of romance, comedy and horror does make for a very peculiar mixture, but it worked out quite nicely, and I am very happy that I sat down to see this movie, and can strongly recommend it to any fans of Asian or Korean cinema in particular.

"Spellbound" gets a definite 8 out of 10 stars from me. Thumbs up for this movie, way, way up...

Maybe I was expecting too much from Spellbound, as most of the reviews and comments about this movie were possitive. However, even though it was a decent movie, it lacked some intensity for me. Plus, the romance happened kind of fast, but the progress of it was good. I also enjoyed the performances, especially from the couple, who had chemistry. The ending was good too and the scary scenes were mild, so even I, who's a scary cat, had no problem watching this one. So, six out of ten.

The romance is super cliché. The horror is also very cliché. The humour, well, maybe less cliché.

But to combine those, you make quite a great movie. At first, I really don't know how it would feel to see a "romantic comedy ghost" movie. I know you will agree with me. You can't scream your lungs out in a funny movie, nor can you enjoy the romance and humour in a ghost movie.

But I did. I laughed. Then I screamed. Then I smiled. Then I laughed and screamed again. This movie gave me mixed feeling. Very entertaining, I must say.

Seriously, if you don't believe me, check it out!

What would happen if the little boy in The Sixth Sense, who has this gift of seeing and ultimately interacting with ghosts, was to grow up? It's probably something that Son Ye Jin's character of Yeo-Ri would have experienced, being left alone and ostracized by many because of this ability that will spook just about anyone. It's little wonder why this Korean beauty was made to look doom, gloom and glum in the first half of the film, being as miserable as can be because she has no friends, and family has shun her, preferring to live a life of safety thousands of miles away.

Written and directed by Hwang In-Ho, who was responsible for one of my favourite films then in Two Faces of My Girlfriend, his latest film takes the romantic comedy genre and fuses it with a very effective horror element, though at times making it seem like watching a film with two separate, schizophrenic identities rolled into one. It's a good thing that both parts are equally strong, with the romantic comedy element being very much dripped in saccharine sweetness, and the horror element dipping into the bag of tricks with the usual jump cuts to scare, coupled with realistic, scary makeup and costumes that will make you flinch in your seat and turn your gaze away from the screen.

The strength of the film is in its story, throwing us into the deep end with magician Jo-Goo (Lee Min-Ki) being mesmerized by a strangely glum looking lass Yeo-Ri, having her demeanour inspire a hugely successful horror box illusion perfected to bring in the dough. Recruiting her for his magic company, the troupe never really got any opportunity to get her to join in their post-work drinking session, only because she harbours a secret that she intends to keep under wraps, one that involves periodic visits by spirits from the netherworld seeking her help in their unfinished business, and a prolonged spooking by a mysterious long haired ghoul whose identity intertwines closely with Yeo-Ri's tragic past, intricately linked with her supernatural ability.

In-Ho creates likable leading characters in both Jo-Goo and Yeo-Ri as the inevitable lovebirds who have to overcome obstacles placed in their path toward a relationship. After all, the main ghoul at play is adamant in making Yeo-Ri's life as miserable as possible. You'll soon find yourself rooting for the two to get together, and In-Ho's story provides spectrum for the usual boy-meets-girl and the follow up scenarios to happen. The romanticism here extends also toward Yeo-Ri's seeking of help from pals over the phone as they serve as her only friends who do keep their arms length for a period. And who better to play Yeo-Ri than the Son Ye-Jin, sharing great chemistry opposite Lee Min-Ki as they battle the crazy odds thrown at their characters.

And as mentioned, this film is pretty much strong in its horror aspects, while relying on the usual jump cuts, loud sound scapes, creepy atmosphere and make up. In-Ho managed to come up with a strong storyline related to the hauntings experienced by the characters, and managed to keep audiences in suspense before all gets revealed in due course. Perhaps the end credits, which contained a sustained scene involving the primary ghoul, felt a little bit out of place for its slapstick nature. But if you can deal with minor inconsistencies involving who can see which ghoul, and are looking for a film that's apt as a date movie, then you may be bold enough to give this a go.