What Comes Around

There is much to like with this movie. Grace Van Dien and the ever excellent Kyle Gallner are the two best reasons to watch this movie. Both are utterly convincing in their roles.

The direction and the editing, on the the other hand are, well, sub standard, is the polite way to say it. Some shots are dwelt on for too long and some of the scenes feel that they are 'acted' rather than having two people having a real conversation. The other actors are quite awful.

There is a nice little plot twist that comes in about half an hour into the movie that stops it falling into a schmaltzy Hallmark type movie.

Is it worth a watch? Kind of, but with some reservations.

I happened to come across "What Comes Around" on Hulu. Having no idea what it was, I decided to check it out. It had a routine plot (a girl hooks up with a boy who isn't exactly what he seems), but a twist saved it from being a total washout. Even so, it seemed like not much happened in the movie. Not terrible - there were some intense scenes - but an hour later I felt like I hadn't gotten anything out of the movie.

It's probably worth mentioning the nepotism behind the movie: director Amy Redford is Robert's daughter, while star Grace Van Dien is Robert Mitchum's great-granddaughter. Summer Phoenix is the younger sister of River and Joaquin.

An attemp at a shocking thriller unfortunately turns into a lengthy, dull and plain film with plenty of cliches and repetitive tropes. The story itself had a nice simple (although not original) plot twist that sadly got lost in completely ordinary unsophisticated script. I am not saying that to make a good film you need to present an extremely complicated story, but when you do have a simple tale you have to grab the viewer's attention with other elements like a solid script or engaging cinematography and production design - all of which this picture lacks. Yet the biggest downfall (out of many) of What Comes Around is its incredibly weak acting performances. The rising Grace Van Dien (Stranger Things) just could not capture the protagonists's personality believably and her portrayal felt deeply artificial and in some scenes even ridiculous.

Greetings again from the darkness. Not long ago, cable movie channels were filled with late night flicks that were easy enough to watch, and even easier to forget. Unfortunately, that description fits the second feature film from director Amy Redford (daughter of screen legend Robert Redford). Scott Organ adapted the screenplay from his own play, "The Thing with Feathers", and the title of the film has been changed ... it played the 2022 Toronto Film Festival as ROOST. It's one of those times where some individual pieces are better than the film as a whole.

Grace Van Dien ("Stranger Things, CHARLIE SAYS, 2018) stars as Anna, who is on the verge of her 17th birthday. She has been secretly online chatting with an older "college boy" named Eric. In a virtual 'meet cute', they read Emily Dickinson poetry to each other and talk for hours. Since he lives 900 miles away, the two have never met, but in typical teenage fashion, Anna says "he gets me." As an unexpected birthday surprise, Eric (Kyle Gallner, THE FINEST HOURS, "Interrogation") shows up at her door and drops off a thoughtful present. All of this is happening as Anna's mother Beth (Summer Phoenix, sister of Joaquin and the late River) announces her engagement to her cop boyfriend Tim (Jesse Garcia, QUINCEANERA, 2016).

The proverbial 'stuff' hits the fan when Anna introduces Eric to her mom. Not only is Eric a bit older than he let on (and the college story was a fabrication), his aw-shucks and overly apologetic demeanor don't seem to charm anyone except Anna. But more than that, there's a twist here that causes a cosmic shift in all of these relationships.

Grace Van Dien is the great-granddaughter of the late and legendary Robert Mitchum, and she's worked non-stop the past ten years, though I've only seen her in a couple of things. She clearly has screen presence, although this role doesn't stretch her much at all. I do hope she's offered some more challenging projects moving forward. The bulk of the film's second half focuses on creepy manipulation and the grooming of teenagers ... a hot and important topic lately due to the vulnerability of teenage girls. The message is appreciated, but this one would have benefitted from some script polishing so that the dialogue was more realistic.

Opens on August 4, 2023.

At first I thought this was a solid,muscular acted drama about a young teenage girl finding friendship then ' love' with a much older guy on the internet and the ramifications of how the internet can foster vulnerable girls into falling with much older men.

Cue a talky , arguments about the mother finding out and the girl expressing her love for this chap- who is old enough to know better... However, it doesn't really go down that way, a twist occurs mid way through that spins the entire film around completely.

This is a short,lean drama, clearly based on a play that gives weighty themes to adult responsibilities, childhood in peril and the sins of the past. Good performances around especially Kyle Gallner- my second film this week I've seen him in after 'The Passenger'; he's turning into an actor to watch.

A thought provoking and well made drama.