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As much as its focus is technological, it’s an emotional exploration too – a wry and thoughtful magnification of what life feels like when you lose and re-discover your purpose, or you learn to see yourself through someone else’s eyes.

It’s a sweeping, sweet and unique romance that works across different mediums to deliver something thoughtful that isn’t afraid to wear its heart on its sleeve.

The Zucheros’ creation is audacious and original, but also suffers from some of the same ADHD issues that afflicted “Everything Everywhere All at Once” (both are movies made for multitaskers with brains wired for constantly switching between screens).

Unfortunately, the film tends to underline its points, turning a clever idea into a fairly obvious one, and Love Me’s self-consciously innocent/sweet tone can become grating. But what holds the film together is the intelligence and commitment the two stars bring to this occasionally mawkish tale.

Love Me has its flaws. But the cast is endearing, the robots are cute, and if you enjoy a romance movie, you won't be disappointed in this.

As Love Me unfolds, it becomes an exercise to explore how very human emotions affect evolving artificial intelligence beings. Although referring to it as an exercise sounds unfairly cold. The movie is certainly not that. Both Stewart and Yeun bring passion to their characters. . . But something feels off.

It feels like a short that’s been stretched to breaking point.

By the time the movie arrives at its broadly sweet but emotionally hollow final scene, it seems clear that the Zucheros want the audience to feel everything, but all I felt was nothing.

It feels like a short that was expanded without enough thought for how it might work as a whole movie and by the end, even that curiosity has faded too.

Taking two of the most magnetic actors on the planet, Kristen Stewart and Steven Yeun, and transforming them into emotionally stunted virtual avatars for more than half the running time is the least of the miscalculations.