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Desperate Souls, Dark City and the Legend of Midnight Cowboy

  • 2022
  • 1 घं 41 मि
IMDb रेटिंग
7.0/10
317
आपकी रेटिंग
Jon Voight in Desperate Souls, Dark City and the Legend of Midnight Cowboy (2022)
Official Trailer
trailer प्ले करें2:05
2 वीडियो
2 फ़ोटो
इतिहासडॉक्यूमेंट्री

अपनी भाषा में प्लॉट जोड़ेंFollows the behind-the-scenes odyssey to get मिडनाइट काउबॉय (1969) produced, as well as the tumultuous era in which the movie was released and embraced.Follows the behind-the-scenes odyssey to get मिडनाइट काउबॉय (1969) produced, as well as the tumultuous era in which the movie was released and embraced.Follows the behind-the-scenes odyssey to get मिडनाइट काउबॉय (1969) produced, as well as the tumultuous era in which the movie was released and embraced.

  • निर्देशक
    • Nancy Buirski
  • लेखक
    • Nancy Buirski
    • Glenn Frankel
  • स्टार
    • Jon Voight
    • Waldo Salt
    • Jennifer Salt
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.0/10
    317
    आपकी रेटिंग
    • निर्देशक
      • Nancy Buirski
    • लेखक
      • Nancy Buirski
      • Glenn Frankel
    • स्टार
      • Jon Voight
      • Waldo Salt
      • Jennifer Salt
    • 7यूज़र समीक्षाएं
    • 15आलोचक समीक्षाएं
    • 66मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 2 कुल नामांकन

    वीडियो2

    Desperate Souls, Dark City and the Legend of Midnight Cowboy
    Trailer 2:05
    Desperate Souls, Dark City and the Legend of Midnight Cowboy
    Desperate Souls, Dark City and the Legend of Midnight Cowboy - official trailer
    Trailer 2:05
    Desperate Souls, Dark City and the Legend of Midnight Cowboy - official trailer
    Desperate Souls, Dark City and the Legend of Midnight Cowboy - official trailer
    Trailer 2:05
    Desperate Souls, Dark City and the Legend of Midnight Cowboy - official trailer

    फ़ोटो1

    पोस्टर देखें

    टॉप कलाकार24

    बदलाव करें
    Jon Voight
    Jon Voight
    • Self
    Waldo Salt
    Waldo Salt
    • Self
    • (आर्काइव फ़ूटेज)
    • (वॉइस)
    Jennifer Salt
    Jennifer Salt
    • Self - Actor, Screewriter…
    John Schlesinger
    John Schlesinger
    • Self
    • (आर्काइव फ़ूटेज)
    Bob Balaban
    Bob Balaban
    • Self - Actor, Director
    Adam Holender
    Adam Holender
    • Self - Cinematographer
    • (आर्काइव फ़ूटेज)
    • (वॉइस)
    Lucy Sante
    Lucy Sante
    • Self - Author, 'Low Life'
    • (as Luc Sante)
    Ian Buruma
    • Self - Author…
    Dustin Hoffman
    Dustin Hoffman
    • Self
    • (आर्काइव फ़ूटेज)
    • (वॉइस)
    Edmund White
    • Self - Author, 'A Boys Own Story'
    Marsha P. Johnson
    Marsha P. Johnson
    • Self - Activist, Murdered July 6, 1992
    • (आर्काइव फ़ूटेज)
    • (सिर्फ़ क्रेडिट)
    Charles Kaiser
    Charles Kaiser
    • Self - Author, 'The Gay Metropolis'
    Mort Sahl
    Mort Sahl
    • Self
    • (आर्काइव फ़ूटेज)
    Joseph N. Welch
    Joseph N. Welch
    • Self - U.S. Army Chief Counsel
    • (आर्काइव फ़ूटेज)
    Joseph McCarthy
    Joseph McCarthy
    • Self
    • (आर्काइव फ़ूटेज)
    • (as Sen. Joseph McCarthy)
    Roy M. Cohn
    Roy M. Cohn
    • Self
    • (आर्काइव फ़ूटेज)
    Charles Socarides
    Charles Socarides
    • Self
    • (आर्काइव फ़ूटेज)
    • (as Dr. Charles Socarides)
    J. Hoberman
    • Self - Film Critic
    • निर्देशक
      • Nancy Buirski
    • लेखक
      • Nancy Buirski
      • Glenn Frankel
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं7

    7.0317
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    फ़ीचर्ड समीक्षाएं

    6MortSahlFan

    Too extracurricular

    Using the currency of the moment to tie in other trendy things.. A stockbroker mentality. Where was the "Midnight Cowboy" stuff? They took a short interview with Jon Voigt and spliced it up and inserted a bit every 15 minutes.. And there's one old Dustin Hoffman audio they used.. I'm a left-winger, and this trendy justice whorior thing just bugged me. They are just making money off the latest thing that makes money. Nothing else.

    It's a great movie, but I would have loved to have heard more interviews, more archives.. I don't need some 24-year old to explain the movie to me. It was nice to have some audio from the writer, who has been forgotten in cinema.
    4brentsbulletinboard

    All Over the Map

    It's unfortunate when a filmmaker sets out to pay tribute to a cinematic classic yet somehow manages to mangle the effort, but, regrettably, that's precisely what happened in writer-director Nancy Buirski's attempted homage to John Schlesinger's "Midnight Cowboy" (1969), the only X-rated release ever to win the Oscar for best picture. The scattered narrative of this poorly constructed documentary seems to focus on virtually everything except the film itself, drawing upon an everything-but-the-kitchen-sink approach to explaining what influenced this screen epic rather than what went into the making of the picture itself. While it's certainly enlightening and helpful to provide viewers with sufficient back story about the timing of a movie's production and the filmmaking influences that helped shape it, these practices nevertheless become a burdensome distraction when they dominate the documentary's content and overshadow what made its supposed subject matter so noteworthy in the first place. As a consequence, the flow of this offering is about as unwieldy as its title, jumping around from ancillary subject to ancillary subject and often providing only the most tangential connections to its alleged core material. Granted, there are a few moderately interesting anecdotes here and there, as well as a few insightful references to how "Midnight Cowboy" went on to influence a number of subsequent film productions. But even the contemporary and archive interviews with director John Schlesinger, screenwriters Waldo Salt and James Leo Herlihy, and cast members Jon Voight, Dustin Hoffman, Brenda Vaccaro, Jennifer Salt and Bob Balaban shed little meaningful new light on this highly regarded offering. Perhaps the biggest problem here is that the underlying story of this documentary turned out to be inherently thinner than the filmmaker thought it was and that she chose to pad the material to artificially extend its length (although coming up with an entirely different narrative or editing the current one down to a film short would have been better options). It's too bad this one fared as it has, as it's a release that I truly looked forward to screening. It's indeed one thing to establish a story in the context of its times and influences and to do it correctly (as was very much the case, for example, with the David Bowie documentary "Moonage Daydream" (2022)), but this offering, sadly, is a prime example of how not to do it. "Midnight Cowboy" certainly deserved better than this, and one's time would definitely be better spent watching the original than this failed attempt at honoring it.
    7boblipton

    Not For Old Film Fans Like Me, But...

    Nancy Buirski's documentary recounts the society, making, and impact of John Schlesinger's movie.

    Because it begins by assuming that the audience watching this movie has no idea that the 1960s happened, let alone what went on, I found myself annoyed at first. Yes, I remember the uproar about the the Viet Nam War. Yes, I knew that the New York City I visited once or twice a week was not the one seen in Hollywood musicals of the 1940s. So that was wasted time for me. Yet, in making this documentary, I believe Ms Buirski made a good choice. Every year, new audiences come up, more and more divorced from the 1960s.

    Otherwise, it's good to put faces to names, like Jon Voigt more than half a century later, and Lucy Sante, who wrote Low Life, a great book about the City's lower classes. I don't think this is of much utility to me or people like me, but to a younger audience, or one less versed in film history, it will prove invaluable.
    7mossgrymk

    desperate souls, dark city, legend of midnight cowboy

    The stuff about John Schlesinger was interesting and I like how director Nancy Buirski connected this great film of his with the transformation of homosexuality into gay that was occurring in western society in the 60s. I also like how she placed "Cowboy" in the underground NYC tradition of Warhol and Scorsese (although a nod to previous such works like "Shadows" and "Sweet Smell Of Success" would have been nice). However, I cannot go along with Buirski in what I take to be her belief that this film is somehow unique in its expression of 60s edginess and rebellion. I can easily think of several works with an equal claim to 60s envelope pushing personification, such as "Wild Bunch", "Easy Rider" and, especially, "Bonnie And Clyde", which goes strangely unmentioned. I also could have done with more Dustin Hoffman and less Jon Voight. That MAGA maniac from Yonkers is never more off putting than when putting on a Texas charm offensive, as he does here.

    So, a mixed bag. Ultimately, my biggest positive takeaway was being introduced to the work of documentarian Buirski who I was sorry to hear had died recently, only in her late 50s. TCM's showing two of her other docs and I look forward to seeing them. B minus.
    4MillieTheRedhead

    Rambling and ultimately a little shallow

    Midnight Cowboy is one of my all time favorites. I've loved it since I first saw it as a teenager, and repeat viewings have only made me appreciate it more. I've also read the novel by James Herlihy multiple times, getting something new out of it each time as age and new experiences give me new perspectives and interpretations. I was therefore disappointed with the documentary, which seems to take Midnight Cowboy as a starting point to recap the entire 1960s in a ramshackle and sloppy manner. At one point, I thought to myself, "Boy they threw in everything but the kitchen sink," and then the topic of British kitchen sink dramas was introduced! I saw the doc a few months ago but I'm reviewing it today after reading a book, Shooting Midnight Cowboy, by Glen Frankel, which I believe was the inspiration for this documentary. The book is terrific, offering exhaustive detail about the novel, the development and making of the film, casting, costuming, etc. But in a coherent, well edited format. It's interesting that a 400 page book can manage to be thorough yet succinct, while a 2 hour documentary needs to rely on a lot of padding and still missed some interesting content that was in the book. The title is pompous. There are lots of talking heads, some connected to Midnight Cowboy and others not. For instance, Lucy Sante is featured prominently and really doesn't add anything substantive. For the first hour or so, I got the feeling she didn't even know the film was based on a novel, although I think later she did mention Herlihy. I didn't get much out of a handful of "cool" people opining on their impressions of the movie and the seedier side of New York. The interviews with Jon Voight and others who were actually involved in the film were better. There was also a lot of stock footage that was at times misleading, as it appeared to be from the 70s, 80s, 50s, whatever, just to give a visual to the sledgehammered message that New York used to be sleazy and scary. The section on Michael Childers seemed tacked on at the end, and I felt it shortchanged his creative contributions, depicting him as John Schlesinger's muse/boy toy who saved him from misery in a rather cloying and condescending way. I'm also a bit tired of the solemn, American Masters approach to biography, which insists on wallowing in the artist's insecurities and character flaws. I guess John Schlesinger was tortured. Of course he was! Artists tend to be "troubled" and "tortured" people. They sublimate. It's not a tragedy! Interestingly for me, the director, Nancy Buriski, also made a very good documentary, The Loving Story. It was much more focused and reliant on original black and white footage. Some people found it boring, but I thought its lack of sensationalism gave it depth and highlighted the fact that a couple of quiet, ordinary, non-tortured people did something really extraordinary and important. There was a confidence to that documentary that this one lacked. If you're interested in the topic, read Shooting Midnight Cowboy and skip this doc.

    इस तरह के और

    Strange Bargain
    6.7
    Strange Bargain
    Friedkin Uncut
    7.1
    Friedkin Uncut
    Storm Fear
    6.3
    Storm Fear
    Pickup
    6.7
    Pickup
    The Loving Story
    7.7
    The Loving Story
    The League
    7.5
    The League
    A Compassionate Spy
    6.6
    A Compassionate Spy
    'Midnight Cowboy' Revisited
    7.2
    'Midnight Cowboy' Revisited
    Whiplash
    6.4
    Whiplash
    Woman in Hiding
    6.9
    Woman in Hiding
    Naked Alibi
    6.5
    Naked Alibi
    Cry Terror!
    6.7
    Cry Terror!

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      EPILOGUE: "On a budget of $3.6 million, मिडनाइट काउबॉय (1969) grossed $44.8 million. John Schlesinger won the Academy Award® for Best Director over Costa-Gavras, George Roy Hill, Arthur Penn and Sydney Pollack. Waldo Salt won the Academy Award® for Best Adapted Screenplay. John Schlesinger went on to make films in America and abroad, working again with Dustin Hoffman on the highly successful मैराथन मैन (1976). Jon Voight won an Academy Award® for Best Actor in Coming Home (1978), written by Waldo Salt. Jennifer Salt retired from acting and became a successful screenwriter like her father. She and Jon Voight bump into each other at the neighborhood Hollywood deli. James Leo Herlihy contracted AIDS in 1992. A year later, at the age of 66, he took his own life. मिडनाइट काउबॉय (1969)'s X rating was eventually changed to an R without altering any of the films content."
    • कनेक्शन
      Features Straight Shooting (1917)

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    • रिलीज़ की तारीख़
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