अपनी भाषा में प्लॉट जोड़ेंIndifferent to the notion of inheriting his father's estate, a restless, aging New Yorker passes time with his friends in games of mock sincerity and irreverence.Indifferent to the notion of inheriting his father's estate, a restless, aging New Yorker passes time with his friends in games of mock sincerity and irreverence.Indifferent to the notion of inheriting his father's estate, a restless, aging New Yorker passes time with his friends in games of mock sincerity and irreverence.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 जीत और कुल 2 नामांकन
- Male nurse
- (as Seth Koen)
फ़ीचर्ड समीक्षाएं
The most striking and obvious theme of the movie is hit dead on, as no matter how much "fun" the characters are portrayed as having a deep seeded loneliness constantly lingers on the screen. Even as Heidecker's character forms relationship or merely interacts with a stranger you can feel the unhappiness he extrudes.
One thing about The Comedy that is for sure, is that while it may make you chuckle and even get a gut laugh is far from a comedy. No, The Comedy is ironic portrait of how ironic it is that a life fueled by irony is without a doubt sincerely unfulfilled.
If you are looking for the laugh riot of the year I suggest you pass on The Comedy. If you are looking for a serious film on flippant lives it might be the best of 2012.
As you watch The Comedy, you will laugh. There are definitely scenes of laugh out loud silliness and gross out humor. But this is not a comedy! The jokes all have a point and it's a point that is most definitely not funny.
Rick Alverson was in attendance and did a Q&A after the show. He said he deliberately wanted to make a film that provoked noting how tired he was of seeing people leave mainstream films like violent action films completely unphased. He only wrote a 20 page script and let the actors improvise extensively. He also simply emailed the actors, including Tim Heidecker, to see if they were interested and they jumped at the opportunity. Alverson thought the discomfort inherent in the comedy of Tim Heidecker and Eric Wareheim would translate well into this dramatic picture and with that he succeeded. You will squirm, guaranteed! Whether or not you will pick up on the deeper commentary, or if there even is a deeper point, depends really on the person.
We watch a bunch of genuinely unpleasant people go from place to place, and in a nutshell that's it. At least on the surface that is.
This is could be a commentary on what freedom can do to someone. Our main character seems to have no real connection with people outside of his small group of friends. He has the possibility to inherit his father's fortune, instead goes from place to place and seems to exists.
The protagonist is a deplorable person, don't get me wrong, but you can connect with him in his longing to have something meaningful to happen. I can see some people not liking the fact that nothing seems to really happen in the film, but because our main character doesn't have anything purposeful happen to him, the film reflects that.
The cinematography in the film has a lot of up close shots allowing us to really read into the emotions of the main character.
One thing I haven't really mentioned is that the dialog is very interesting. It can go from something funny and seemingly lighthearted, but then does a complete 180. There we're several scenes where the humor is really there.
Overall, this film is not for really a wide crowd, but if any of this sounds interesting, I wholly recommend it.
क्या आपको पता है
- ट्रिवियाThe black males Swanson (Tim Heidecker) encounters at a Brooklyn bar were not actors but participants. Their reactions from Heidecker stereotyping them were genuine.
- भाव
Swanson: [affecting a southern accent while talking to his sister-in-law, who remains silent] Oh Liza, Liza. Them slaves be workin' hawd out heah. Dyin' out there in, in the thousands. In de sun. Just keelin' over from de heat. From de HEAT-UH. Come on, now. Ain't it good, ain't it right, to see them die? How hawd dey work? For dis fam'ly? Poppa use dem skin for makin' nice furniture. He tans 'em out dere, and makes a nice - that couch you on, in dere is all slave meat. Slave skin. As it should be. Lawd bless 'em. Slave penis and vagina. Come on, that's funny. I know you think that's funny. You ain't-your sense of humor ain't died. It's a good crop of slaves we have this year, innit? Real nice, nice bunch. I got to know 'em personally. Some of 'em, I know 'em by their first name! Old man be dead by now, I 'spect. Ain't breathin' too good. I 'spect he won't, he won't, shine too, too kindly on our family. He got one son out dere on a boat. He got another boy up dere, inna looneybin. Married to some whore. Who sh-who, who rubs, uh, who, who rubs, rubs sh-rubs shit on her vagina! Some whore, got, you-you are, you the kind of whore that, you the kind of whore that swallows cum. You are my only cum-swallowing sister-in-law, and I appreciate it. Cum swallower. That's the proudest thing to be, in this family.
- कनेक्शनFeatured in Half in the Bag: Django Unchained and 2012 Recap (2012)
- साउंडट्रैकBaby
Written by Donnie Emerson
Performed by Donnie & Joe Emerson
टॉप पसंद
- How long is The Comedy?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Комедія
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $41,113
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $6,000
- 11 नव॰ 2012
- दुनिया भर में सकल
- $41,113
- चलने की अवधि1 घंटा 35 मिनट
- रंग
- पक्ष अनुपात
- 1.85 : 1