Raze

On the down side a somewhat well worn storyline of people suddenly waking up in some undisclosed secure location and have to fight or kill follow abductees to find freedom. Has been done in many manifestations before. Nothing new here; same cameras with our hidden captor at first known only through their voice. Typical cage fighting - martial arts or whatever one can come up with for fighting. Back story, also done before, of wealthy audience being entertained throughout as inmates fight-for-life. Overacting, bad person roles especially; thus, not too believable. Ending scenes came across as even less believable and therefore viewer engaging.

On the up side, follow up with the slightly similar "The Seasoning House".

I'm going to start this review with a secret: I decided to watch this movie because it looked hot. I mean, hot chicks brawling in prison, there's bound to be at least a nip-slip and if it sucks, there's a good chance I'll see some nudity, so I still win. So, as soon as the girlfriend left, I pressed play. Then I saw Zoe Bell cave some chicks head in.... game changer, not what I was expecting at all. At that point I realized there probably won't be a lesbian shower scene. But, as soon as I recognized Zoe from "Death Proof" I got a little excited in another way because I also remembered that she's a freaking awesome stunt performer. From that point on, the movie went in the direction I hoped it would. The action was quality and ruthless. Zoe Bell should star in more action movies, she's one of the few females in Hollywood (I know she's Australian, but you know what I mean, don't be a smart ass.) that I could easily take seriously as an action hero. I'm not sexist, it's just that many women in Hollywood are super skinny and frail looking (like, how much would getting punched by Kate Beckinsale really hurt? seriously?). There were even moments in this movie where I uncontrollably cheered aloud, at home... by myself... in my underwear.

For the people with children, if you're even considering showing this to your kids, you're a bad parent. For the dudes with significant others, you might want to watch this one alone. She probably won't like it, and she might question you're sanity because you'll like it.. which will probably come up again in some sort of fight 3 months later. So I recommend putting it on a shelf with the porn and wait till she's out to watch it. For the ladies, if your the metal-head/horror movie type, you'll probably like this and somehow find it empowering.

I just noticed that all I did was praise this movie and you're probably wondering why I gave it a 7? The story was a little weak and nothing can be perfect...except for "South Park: Bigger, Longer and Uncut" Dave

Not a bad film. It's different, pretty brutal and bloody so if that's your thing, check it out.

My only complaints about it are that we didn't get enough info on the reasons why. There is a brief explanation but I would've liked elaboration and a better look at who the members of this society really were.

I'm on the fence about the ending. Some will love it. Some will hate it. I just don't know which group I fit into yet.

I say check it out. It's found a place amongst my "So Glad I Gave It A Chance" films.

This was a great action/horror flick with excellent acting and many touching scenes as well as some gruesome ones. The characters bring you inside them and you feel the psychological torture that precedes the physical one. Each fight scene is unique and the dialogue is superbly crafted. You can feel the female touch in the making of this movie as the actors are not presented as titillation but as human beings undergoing the most extreme situation. I wish there was more elaboration on the purpose of the cult. It reminded me a bit of the atmosphere of Martyrs, bringing that sense of intrigue and shock. I would definitely see a sequel.

The subject matter of this prison/cage fighting movie is pure exploitation, and it is marketed as such rather adroitly. However, by the time the first fight scene has concluded, there is little in the way of cheap thrills to be had from this sort of thing, and instead, we're presented with the kind of gritty brutality that only comes along in indy, low-budget concept pieces like this, from Josh Waller, directing his feature film debut with a lot of grass-roots style and a panache that is all the more skillful in its' lack of show-off techniques. Instead, we're given a very raw, lean piece of work which focuses on violence, rather on well-crafted fight scenes, despite the presence of a well-choreographed team of stunt performers, fronted by one of the most physically talented stuntwomen in the business, Zoe Bell.

There is little time devoted to navel-gazing, and yet the characterisation does sometimes feel a little on the clunky side, although it is doubtful that its' absence would provide us with anything better. Without it, there would be fight after fight, followed by scenes of painful silence, and the full horror of the situation. Whilst the teary eyed drama makes a precarious balance with the blood and guts of the fight scenes, perhaps the most impressive feature here is the sense of hopelessness which is created. Hopeful, this movie isn't, and in many ways, it's an adult, and female, version of "Lord of the Flies", only with a more artificially constructed set up. The idea here, is that by fighting, killing and surviving, the survivor of this ordeal will become somehow awakened, enlightened, and open themselves up to a wider world of awareness. That this idea is set up by a bunch of mad-eyed religious fanatics strains credibility, although the contrast between opulent upper class, and filthy stone-walled dungeons is nothing new, yet remains valid. The ending tells us, quite simply, that this is a load of rubbish, and, rather than being designed for this purpose, the idea of nobility through killing, of a "Napoleon" complex, is a myth, and that killing actually provides nothing but thrills for the rich, and that, for the survivor, no matter how tough she is, they will always be stronger. Contrived? Perhaps. But the drama is played out convincingly, and the power of the hellish fight scenes is arguably as anti-stereotypical as anything seen in films. There are not a series of carefully contrived, well-scripted and erotically filmed scenes of rolling around and grunting. This is brutal, survival of the fittest stuff, and the edginess of the movie's central dilemma – kill to save your loved ones, or do nothing and let them die – is well utilised. The tagline; "No man could handle this" is well put; This scenario with a male cast would scarcely feature the same level of horror, and uneasiness, and the reversion to savagery would be far less of a shock.

Acting is generally nothing special, but then, the real drama of this situation comes not from the script, or the over-embellishment of certain of the actresses, but in the heat of the fight sequences, in the minute reactions, in the bursting of the welled up emotions and fears, and in sharing that feeling. It's a film not so much about the journey of its characters, or their own personal features, but rather, about seeing how you would react in this situation yourself; in short, it is a film which speaks directly to the audience, with a well-shaped hell of anti-humanity. Throughout the entire ninety minutes, the feeling of impending doom, of inner pain, and futile hopelessness, as relationships build feebly, only to be broken down again minutes later, or as they realise just how little they can actually do.

Which is why, in the truest sense of the word, this is a horror film, about the horrors of being faced with that most primal of dramas. And be sure that this isn't just a bad excuse for trotting out some more niche genre fare; You will feel every punch, and every angry exhalation, and realise that fights are basically just someone pummelling bits of their body against bits of someone else's, in the hope that they'll break before you do, and that death isn't administered with a quick twist, or a carefully placed blow. It takes time, and it isn't exciting, or cool. It's actually the worst thing that you can imagine. Even the climactic fight scene, when Sabrina takes on the films supposed "villain" – i.e, the one who's enjoying it all – is deliberately restrained, rather than being played out for drama. Every kind of painful situation is played, and it is when the film is at its' most explicitly brutal, that it becomes the most emotionally painful. Hey, look. Someone has made violence in horror movies scary again. And all it took was a small, dedicated cast of women, and a director with a strong vision, and sense of purpose.