Hacksaw Ridge

Not one of my favourite war films, like 1930's 'All Quiet on the Western Front', 'Paths of Glory', 'The Thin Red Line' and 'Apocalypse Now', but exceptionally well made and incredibly powerful.

It has been said about 'Hacksaw Ridge' that the second half is better than the first half, something that is agreed with by me. Not that the family/character study stuff is bad, far from it, it's beautifully filmed, even better acted and paints Doss as a very fascinating character that it's easy from the get go to identify with his wants to succeed against all catastrophic odds.

Just that the first third does take time to get going with a pedestrian pace, the dialogue is corny (in fact, to me the dialogue is the least good thing about 'Hacksaw Ridge' in general and the element that rings true the least) and the sentimentality is laid too thick (this is also particularly true in the slightly underdeveloped romance).

However this is made up for by the entertaining yet hard-hitting training scenes and in particular the truly jaw-droppingly brutal war/battle scenes that soar in nerve-shredding intensity and raw emotion, giving the first 30 minutes of 'Saving Private Ryan' a run for its money and perhaps making it tame in comparison (high praise for a film with one of the most gut-wrenching first 30 minutes on film, though to me the rest of the film isn't quite as good).

Throughout 'Hacksaw Ridge' has exceptional production values, in particular the cinematography in the battle scenes, and Gibson directs like his life was depending on it. Rupert Gregson-Williams' score has the right amount of pulsating energy and nuance, and the sound effects in the war/battle scenes have a terrifying authenticity.

For a vast majority of the time, the story is very compelling and makes the most of mature and very easy to relate with themes. It has a wide range of emotional impact, being for the second half intensely powerful, much of the film being poignant, some of it sardonically amusing (without it being out of place) and also all of it inspirational. Rather than straying from the facts for dramatic license, Gibson is surprisingly respectful this time round.

Andrew Garfield has yet to give a better performance than his astonishing turn here (though he is splendid too in Martin Scorsese's 'Silence'), and Gibson similarly brings the best out of Sam Worthington (often a charisma-free actor but here doubts were cast aside) and Vince Vaughn (at his sardonic best while also touchingly subdued, proof that he can be good if the material serves him all which too often in his career it hasn't but it does brilliantly here). Hugo Weaving is terrific, also giving some of his best work in some time. Teresa Palmer makes the most of her role.

In conclusion, a near-triumphant come-back. 8/10 Bethany Cox

I was fortunate enough to see an advanced screening of HACKSAW RIDGE in Hollywood and was impressed. The screenplay is authentically-driven to the last detail and portrays the horrors (and prejudices) of wartime conduct. I knew we were watching an epic film when at the conclusion, the audience was stunned so much so that the applause was delayed.

If you consider yourself a true patriot of America, this movie portrays YOUR values in a blessed light. For ONE gentlemen, amidst extremely adverse treatment by his own comrades and even more deadly hated by his enemy to have save SO many men... is simply epic.

I watched the advanced screening with members of the military and faith community alike. At no time did anyone retract from the horrors of war or add asinine political commentary. We all understood that soldiers fight for one another before they fight for a cause and that hatred of war is universal; even among soldiers.

When thinking about war films, it's very hard not to go straight to the classics such as Apocalypse Now, Platoon or Saving Private Ryan. You have to make something very special to be mentioned in the same sentence as films like those and in Hacksaw Ridge, I think Mel Gibson has made one of the all time great war films.

Some war films use a particular war from history to tell a fictional story, all three of the above for example however, a war film for me becomes something else entirely when it tells a true story, especially one as remarkable as the story that Hacksaw Ridge is based on.

Desmond T. Doss (Andrew Garfield) became the first Conscientious Objector in American history to be awarded the Medal of Honour even though he refused to kill or even carry a rifle while serving as a medic during the Battle of Okinawa in World War II. Doss' phenomenal story of courage saw him single-handedly save the lives of over 75 of his comrades while under constant enemy fire.

Hacksaw Ridge is very much a film of two halves; the first introducing us to Doss, exploring both his personal life and his motivations for choosing to become a Conscientious Objector and serve as a medic, the second depicting the Battle of Okinawa at Hacksaw Ridge, the site of one of the bravest human feats in history. Both tell the story of the determined individual that Doss was and Mel Gibson does a wonderful job in directing the film.

Gibson has attracted a lot of bad press over the years but there is no denying that he is a good director, and in Hacksaw Ridge, he may just have made his best film yet. It's the emotional power of the story that Gibson taps into so successfully that makes Hacksaw Ridge such compelling viewing, whether it be Doss' arduous journey through combat training or the visceral war sequences. I was an emotional wreck as the credits started to roll.

Speaking of war sequences, Hacksaw Ridge possesses some of the most brutal and harrowing you'll ever see, reminiscent of the opening to Saving Private Ryan. Due to the fact that Doss served as a medic, there are parts where a strong stomach is needed as he obviously has to tend to a number of seriously wounded soldiers. The relentlessness of the sequences is admirable from Gibson and they're wonderfully shot by Simon Duggan.

Coming to the performances, Hacksaw Ridge features an amazing lead performance from Andrew Garfield, who wanted to move away from his days as Spider-Man with a chance to play such an inspiring real life hero. I thought Garfield was always one of the best things about the Amazing Spider-Man films but it's great to see him really grow as an actor. His performance as Doss is one of the best of the year and I would love to see him get some form of recognition come awards season.

The supporting cast threw me a little but they all play their part in excelling the film, expected from the likes of Hugo Weaving and Teresa Palmer but the film surprised me with how good some of the cast were. Sam Worthington and Luke Bracey were two that come to mind but the real surprise was Vince Vaughn, who I never thought I'd see play a part in a war film, particularly that of an Army Sergeant.

Few films this year have hit me emotionally as Hacksaw Ridge did and that's why I have to say it's a most welcome return to filmmaking from Mel Gibson. It's right up there as one of the best films of the year and definitely one to see on the big screen.

I guess that Hacksaw Ridge could probably best be compared to the great Gary Cooper film Sergeant York which hewed pretty close to the truth about Alvin C. York, his background in Eastern Tennessee and his exploits in World War I.

Like our protagonist Desmond Doss here, York had a rural background and joined a pacifist religious sect. Unlike Doss, York grew up as a hunter and was a dead shot. He wasn't sure what he would do if a combat situation arose. But he did what he did and got every decoration imaginable including the Congressional Medal Of Honor.

Doss had a tougher row to hoe. He would not touch a weapon and the film will show you why. He felt it his patriotic duty to join, but as a combat medic, save lives rather than kill. With no weapon to defend his own person, this medic saved a lot of people at an engagement at a place dubbed Hacksaw Ridge in the Battle of Okinawa.

In Sergeant York, Walter Brennan's country preacher character says that Gary Cooper has the 'using kind of religion'. That might well be said of Andrew Garfield as Desmond Doss who got a Best Actor Oscar nomination as Doss. Cooper won one of his two Oscars for Sergeant York and Garfield really suggests his character in what he does with Doss.

The battle scenes are suggestive of Saving Private Ryan, director Mel Gibson staged them well. Hacksaw Ridge did win a pair of Oscars for its Sound. Gibson got nominated for Best Director and the film itself for Best Picture.

Hacksaw Ridge shows the horrors of war and from it the beauty of heroism when people have to summon their personal best and become more than themselves. The Doss story is one that deserves telling and retelling. Thanks to Mel Gibson it will be permanently retold.

We knew already that Mel Gibson is a filmmaker with a powerful vision and the craftsmanship to go with it. Extraordinary battle scenes. Violence, Gibson style, which means Peckinpah plus, because here there is such a personal intention that makes every frame, utterly compelling. The only drawback and I have to say it, Vince Vaughn. Why? In the moment he appears, this extraordinary film becomes a movie. It took me completely out of it. When you look at him you see an actor, acting. On the other hand, Andrew Garfield. Sublime. He makes totally believable a character that could be fictional. The humanity in Andrew Garfield's eyes makes everything real. It tells us, in no uncertain terms, that at the very center of it all, there is love. Love!