Hacksaw Ridge

I watched it with zero expectations as i don't watch that many war movies.. this one had 8.1 imdb and the hero is andrew Garfield, so i gave it a shot.. 5 minutes into the movie , i was so intrigued. The love story felt so intimate even i smiled when they kissed.. then comes the real movie.. man, this is the best war movie I've watched so far. Hands down.. felt like i was in a real war.. the scenes are really brutal and shows the actual things that happen in a war field.. the gory makeups , the filmmaking quality, shots, music everything was at point.. definitely a great movie.. i was so frikin entertained till the end , and you know what? I felt like wanna scream at the end when it said directed by mel gibson.. i didn't know it was his masterwork until the credit.. midway through the movie i was wondering who the director was because of how good it's made.. anyway i recommend this to everyone.. not particularly to war movie fans but to everyone

Love from kerala, india.

"I have seen stalks of corn with better physiques." Sergeant Howell (Vince Vaughn)

Director Mel Gibson is an action genius and along with that compliment, let's add he knows his violence. Hacksaw Ridge is a true and heroic story of the first conscientious objector to receive the Medal of Honor for bravery in battle. Brave also could be any attempt to separate the film from its controversial director, but I'll let the film speak for itself.

The contradiction is real: Desmond T. Doss (Andrew Garfield) was a Seventh Day Adventist who not only refused to work on Saturdays, but he also refused even to touch a gun. Through the intervention at a court martial of his improbably brave and conflicted father (Hugo Weaving), Doss is allowed to serve as a medic under those conditions, proving to all that he could be braver saving men at Okinawa's Hacksaw Ridge than anyone else (75 men as a medic with a flair for ingenious rescuing).

Although Director Gibson is best known for his graphic depictions of violence in Apocalypto and The Passion of the Christ, he can also be accused, along with writers Andrew Knight and Robert Schenkkan, of clichéd story telling. The film's two parts, at home and at war, follow some pretty trite set-ups such as the mountain boy smitten by the nurse, the call to righteous service, the tough drill sergeant ( a terrific Vince Vaughn, see opening quote), and the sentimental trench dialogue.

Yet these flaws work when the story needs them to establish Doss's kind heart, courage, and the essential goodness of fellow combatants as they confess they misread him and his conscientious objection. If you can forgive the almost unreal, lush setting for his youth in Lynchburg, Virginia, and his mooning for his future wife, Dorothy (Teresa Palmer), then you will enjoy seeing a real hero in a real war.

Yes, Gibson knows how to depict action, not just pain, and it helps make Hacksaw Ridge a welcome addition to war films that tell true stories. And lest I forget, welcome back, Mel; you have been redeemed.

Not one of my favourite war films, like 1930's 'All Quiet on the Western Front', 'Paths of Glory', 'The Thin Red Line' and 'Apocalypse Now', but exceptionally well made and incredibly powerful.

It has been said about 'Hacksaw Ridge' that the second half is better than the first half, something that is agreed with by me. Not that the family/character study stuff is bad, far from it, it's beautifully filmed, even better acted and paints Doss as a very fascinating character that it's easy from the get go to identify with his wants to succeed against all catastrophic odds.

Just that the first third does take time to get going with a pedestrian pace, the dialogue is corny (in fact, to me the dialogue is the least good thing about 'Hacksaw Ridge' in general and the element that rings true the least) and the sentimentality is laid too thick (this is also particularly true in the slightly underdeveloped romance).

However this is made up for by the entertaining yet hard-hitting training scenes and in particular the truly jaw-droppingly brutal war/battle scenes that soar in nerve-shredding intensity and raw emotion, giving the first 30 minutes of 'Saving Private Ryan' a run for its money and perhaps making it tame in comparison (high praise for a film with one of the most gut-wrenching first 30 minutes on film, though to me the rest of the film isn't quite as good).

Throughout 'Hacksaw Ridge' has exceptional production values, in particular the cinematography in the battle scenes, and Gibson directs like his life was depending on it. Rupert Gregson-Williams' score has the right amount of pulsating energy and nuance, and the sound effects in the war/battle scenes have a terrifying authenticity.

For a vast majority of the time, the story is very compelling and makes the most of mature and very easy to relate with themes. It has a wide range of emotional impact, being for the second half intensely powerful, much of the film being poignant, some of it sardonically amusing (without it being out of place) and also all of it inspirational. Rather than straying from the facts for dramatic license, Gibson is surprisingly respectful this time round.

Andrew Garfield has yet to give a better performance than his astonishing turn here (though he is splendid too in Martin Scorsese's 'Silence'), and Gibson similarly brings the best out of Sam Worthington (often a charisma-free actor but here doubts were cast aside) and Vince Vaughn (at his sardonic best while also touchingly subdued, proof that he can be good if the material serves him all which too often in his career it hasn't but it does brilliantly here). Hugo Weaving is terrific, also giving some of his best work in some time. Teresa Palmer makes the most of her role.

In conclusion, a near-triumphant come-back. 8/10 Bethany Cox

We knew already that Mel Gibson is a filmmaker with a powerful vision and the craftsmanship to go with it. Extraordinary battle scenes. Violence, Gibson style, which means Peckinpah plus, because here there is such a personal intention that makes every frame, utterly compelling. The only drawback and I have to say it, Vince Vaughn. Why? In the moment he appears, this extraordinary film becomes a movie. It took me completely out of it. When you look at him you see an actor, acting. On the other hand, Andrew Garfield. Sublime. He makes totally believable a character that could be fictional. The humanity in Andrew Garfield's eyes makes everything real. It tells us, in no uncertain terms, that at the very center of it all, there is love. Love!

The action was true to form as a Mel Gibson directed film. From the research I have done looks like a fairly accurate representation of what happened. The usual Hollywood exaggeration aside many true to life stories. There are a large number of 10 star ratings and a number of 1 star reviews. This always amazes me that you can have that disparity. Then I realized the10 star ratings were those who were truly moved by the movie.while the 1 star ratings were those that thought the movie should somehow be a documentary with real footage exclusively. One genius self proclaimed vet of multiple wars had a problem with the cargo net used to ascend the ridge being in his view as not at all plausible. Well turns out there are photos of the real Doss on the ridge with, wait for it,,,,, a cargo net, albeit not near as high as the movie cliff.

This was a great movie for those of the Christian faith and a very good movie for those that like action and heroism in a war setting. The acting was very strong, directing, pace and back stories were also good. I try and use reviews and trailers to pick what I watch. It is becoming more difficult to do when you have reviewers that either had no clue what movie they were about to see or believe they somehow have their own story that is so much better. Hard to believe that a winner of 2 Oscars is a 1 star movie.(not my rating ..others)