Slutet på sommaren

It is a six-episode Swedish drama that tells a mysterious and emotional story. It begins in 1984 when young Vera sees her mother die by suicide. Years later, Vera is a grief counsellor still haunted by her past. A man named Isak visits her and talks about his adoption and the disappearance of a friend from childhood. Vera starts to wonder if Isak could actually be her missing brother, Billy. She returns to her hometown with him to try and uncover the truth.

The story switches between the present and the past, and this format works really well. The young actress playing Vera in flashbacks is excellent. Julia Ragnarsson, who plays adult Vera, also gives a strong and believable performance. The mystery unfolds slowly, with many twists and surprises. True, one might still guess parts of the ending, but the truth was revealed in a smart and satisfying way.

There are still some flaws: some parts, like how easily people access the investigation or how slow they are to use DNA tests, seem unrealistic-especially in a country like Sweden. A couple of characters feel overplayed or unnecessary. Also, the main character's career choice feels a bit forced. But once the story gets going, it becomes more gripping and emotional.

The show's atmosphere is beautiful, especially the flashback scenes of 1980s summer. It doesn't waste time with side plots or modern "woke" themes. It sticks to the mystery, which makes it more focused and enjoyable.

Overall, this Series is a well-acted, well-written Nordic thriller. It has heart, mystery, and beautiful visuals. If you enjoy Scandinavian crime dramas, this is worth watching - particularly if you have already watched the "classics" starting from The Killing and The Bridge... 😊

... as you do NOT want to learn any of the details of anything that's happening in this wonderful production before watching any of it... this to easily be one of the best series have seen so far this year

... casting leads all parts going into the making of this program... each-every cast member is outstanding in their role... there's not a weakened performance among the entire group... and now in her early thirties, she is a true-star... just perfect every minute she's onscreen

... every episode done without flaws, there's not anything to be faulted... Nordic countries through recent years have put out some incredible programming... EOS standing alongside-equal to any of the best... do-NOT-miss seeing-it.

This is a classy piece of work. Starting right at the top, the writing is superb. Most screenplays slap on big, chunky layers of intrigue, a bit like lasagne, but End of Summer is so much more subtle, creating layers, so quietly introduced you hardly notice, like Filo pastry. Its a guessing game right to the end and no-one will guess in advance, even though they might think they have the answer. The casting is excellent, acting top notch and direction makes the complex screenplay hang together almost effortlessly. This is screen production of the higher order. And of course you need very strong screen talent to carry it, especially in the early episodes when the intrigue hasn't really had a chance to ratchet up yet. This is where Julia Ragnarsson excels as Vera ( and the young actress who plays her child self). Both so very good and totally believable being the same person. To the entire crew and team, thank you for an excellent screen drama.

Intially promising, good plot and well known actors. But unfortunately this production failed miserably. What exactly is wrong you might ask? It's a combination of several factors according to my opinion Firstly the character build up is not done right. The story it self is either unfolding too fast or too slow. The different scenes dont follow each other in a smooth way. They are kind of disconnected. Some of the supporting scenes that should tell a story behind each character are sometimes unnecessary or don't really make sense to the audience.

Main thing lacking is that this show fails in building up a suspense. I quickly became uninterested in what happens and didn't know what or who I was rooting for.

The acting is overall good, so is the script and how it's executed.

My guess to why it fails is the pre planning of this production, what scenes to shoot to tell the story and how to build suspense. Could the team be more used to typical drama and not crime/who dunit?

This Swedish drama opens in the summer of 1984 as young Vera witnesses her mother committing suicide by jumping into a lake. Twenty years later Vera is working as a grief councillor. A man, identifying himself as Isak talks about how he recently learnt that he was adopted; one of his only early memories concerns the disappearance of a childhood friend. Vera starts to wonder if Isak could in fact be her young brother Billy who vanished shortly before her mother's death. Returning to her rural home town with Isak she tries to discover what happened to her brother. Everybody seems to think local ne'er-do-well Tommy killed him before disappearing himself but is it that simple?

I thought this was a really solid series. There was a good sense of mystery and an impressive '80s feel to the numerous extended flashback scenes. The truth is gradually revealed and doesn't become guessable until it is almost time for the reveal; and even then it is a case of 'I think this might have happened' rather than certainty. The cast impresses, most obviously Julia Ragnarsson who does a fine job as Vera. Six episodes in length it doesn't feel rushed, nor does it ever drag. The setting is great; the flashback scenes beautifully captured the languid feel of childhood summers years ago. Overall I'd certainly recommend this to fans of Scandinavian drama.