I Do

The complications inequality wreaks are deftly illustrated in this highly-polished independent film by newcomer writer David W Ross. The film also comes at a time when Prop 8 and DOMA are under the spotlight so couldn't be more appropriate. I was mightily impressed with the balanced story-telling, the pacing, the high production values and the excellent acting from the cast, particularly Jessica Tyler Brown who surely has a bright acting future ahead of her.

One thing that really makes the film work is the mix of tragedy, comedy, drama and intimacy that brings through the character of the film. Nothing is straightforward in the story, and that's the point with marriage inequality. It inflicts a web of complications and pushes people to break the law to be with someone they love, which can be felt emphatically. The issue doesn't just affect couples who wish to be together, but everyone close to them.

Fortunately the film isn't just a case of watching Jack Edwards's world slowly ebb away, and the anxieties it brings; it also has very touching and humorous moments which don't descend to the farcical. It's this mixture that would bring me back to watch it again. Sure you'll have a couple moments where your eyes may well up, but it thankfully hasn't been over-baked into a Lifetime-style drama. And you will laugh, or at least chuckle at the well-timed and appropriate comedy. I'm still highly impressed by this supposedly little indie film, which punches well above its weight. Go watch it if you get the chance.

This intelligent and charming NY indie feature has a lot going for it. The over-all premise is a sophisticated urbane justification for gay marriage, but it is presented as a family of friends drama with quite legitimate and compelling emotional drive. I live in Australia and saw it as a film festival presentation. At first I thought it was an Aussie film given the initial male actor, but it quickly revealed to be a NY feature and as a result, a feature that's international in tone and heart. Yes it could be set anywhere and about people we all know. Only occasionally does the script seem too TV with some over written sentences too mouthy for an actor, but this is a minor quibble in a strong film that brings forth a realistic relationship quandary among believable 30 somethings. Newcomer dude Mike Manning is a standout in an unforgiving role, and Alicia Witt proves again why she will inherit roles that Julianne Moore will miss out on. I won't see it again, but you should see it and bring along perhaps a friend who can offer intelligent and heartfelt comment over coffee afterwards. I can see a major remake with Gerard Butler and Antonio Banderas which possibly is the real income generator for the producers of this humane film.

Anyone who's hungry for a feel-good, studio-quality gay romance - with crisp photography, classy sets, clear sound, attractive actors with celebrity stubble, hot bods, pure hearts, and plenty of obstacles for true love to overcome - is going to love this movie. There are no others like it. Even lesbians are pretty well represented, within the movie's Hollywood-like straight-acting constraints. It's certainly as good and as believable as any straight romance Hollywood ever made. Even straight people might like it, because there's a very cute child, the gays are wonderfully domestic and straight-acting, and true love is true love regardless of gender.

The fact that this movie's objective - equal treatment of gay married couples under US immigration law - had, to the whole world's amazement, already been achieved by the time the DVD was released doesn't compromise its effectiveness as much as it could have. It really is a very romantic drama much more than an appeal for justice, so while the appeal already sounds dated it's a small enough part of the movie that it's easy to overlook.

For gay men like me, though, and others who aren't particularly romantic, this movie is not so great. The problem is the screenplay, written by David W. Ross, who also stars as Jack.

Nearly every point on which the highly melodramatic story turns is weak at best, and often ludicrous: Drag-racing taxis on a rainy Manhattan street at night? Jack suddenly losing his work visa after 20 steadily productive years in the US? Why? His lawyer says it's "because of 9/11"? Was every gainfully-employed British WASP deported ten years after 9/11? It makes no sense.

And after all those years of obviously successful employment (just look at his fabulous Manhattan loft apartment!), why doesn't he already HAVE a green card, or even citizenship? That's just the beginning; the contrived, nonsensical crises, one after another, are just too absurd to swallow. It's also hard to sympathize with affluent people who repeatedly make stupid choices.

But this is Hollywood (or might as well be). So while I found the movie mostly annoying (a few dynamite turns by Jamie-Lynn Sigler are the only exceptions), I strongly recommend it to my less cynical and more romantically-inclined brothers who've been waiting an unfairly long time for a movie just like this.

I saw this film at the BFI film festival in London at the weekend and was not really sure what to expect but went in with an open mind, I knew from the first twist in the film after just 5 minutes that it was going to be good.

The film deals with the DOMA issue which is currently big news in the USA but less so here so faced an uphill battle to educate British audiences on the subject which it achieved with ease, The fact that this film was independently produced just adds to the warmth and feeling of the film, It makes it more intimate without the Hollywood gloss.

The film plays with emotions on very different subjects as there are several unexpected twists and turns throughout and you are left not knowing right up until the closing scene what the final outcome will be.

The film has obviously been aimed at the gay market however like only a handful others before it is strong enough in its own right to break away from the genre and become a universal film for anyone to view without the need to be labelled as a gay film.

The acting, production, location and story line is simple yet stunning and the story has stayed with me and had me looking into the DOMA cause several days later - Certainly one of the most impactful stories i have seen in a long time and cant wait to watch again, I strongly recommend this film to anyone you will be left wanting more!

This is your usual "Green Card" story with your gay guy trying to get a green card through a fake marriage. After some drama along the way, with the lead actor a walking ad for hair mousse, everyone has a happy ending, floods of tears. The end! It was just pretty lame!