Bodkin

But in the end, I could barely finish this thing.

The overall vibe reminded me of Hot Fuzz with Only Murders in the Building.

I've been a fan of Only Murders since s1 and was hoping this show to be pretty good. It is said to be a dark comedy but it didn't feel like it most of the time.

I also sense some Hot Fuzz vibe out of it but maybe it is because of the setting. I would honestly love it more if it was like Hot Fuzz too.

I think it was just too slow and not that interesting. I got lost in the overall plot and was too lazy to backtrack to catch up with it in the end.

So yeah... it was just another meh series for me.

First of all: I really love the absurd and hilarious scenes in this series.

For example, when a farmer offers the protagonists a lift. Next scene: the women are sitting on a tractor chugging through the countryside at 10 kilometres per hour. Cut. The whole tractor is shown from the side, lit up like a party mobile in colourful neon lights and continues to chug through the countryside at 10km/h.

The story itself is rather semi-interesting. It feels endlessly drawn out and uninteresting in places. Yes, it's supposed to represent the usual dead ends in this genre, but it's just not 'catchy' enough.

A very ambivalent series for me. Sometimes really absurdly funny, sometimes incredibly boring. But always beautifully filmed.

The pluses? The cast, including the dozens of extras that add layers of believability to the odd little Irish town.

The story, a cold case about a long ago trio of missing persons, combines with a creaky Pod-cast Scooby Do adventure, and it meanders a lot. This makes the early episodes a bit slow. The action picks up in the later episodes starting with #5. However, the narrative begins to jump around a lot, flashbacks from other characters perspectives, and hops from one character to another too often.

The eventual resolution of the multiple threads is both a bit of a letdown, and a whirlpool of wrong assumptions getting vetted one by one.

The comedy isn't as non-stop as some reviews and the trailer suggests. It's dark and filled with the personal demons of the heroes complicating their efforts. The personal renaissance each person goes through is satisfying, if a little too neatly accomplished. There are some sly funny moments though, filled with irony and a lack of self awareness.

The three protagonists are conflicted individuals, performed very well by a surprising cast. Siobhan Cullen's Dove is an unrepentant b!+@# who has big problems brewing back home in London. Robyn Cara, who has made a career of playing ditzy characters, at first seems to be playing true to form, but her character Emmy reveals more depth and complexity as each episode unspools. Will Forte is an acquired taste, and his character, Gilbert, is a doofus who's made big mistakes that are nipping at his heels. He continually gets in his own way trying to be nice. Fortunately he becomes less of a tool as the season nears its conclusion.

David Wilmot turns in a great performance as Seamus Gallagher, the mysterious townsman with a scary past, who is trying to embrace a "normal" life.

I recommend it, it isn't high art but there are some laughs and good performances..

I thoroughly enjoyed Bodkin and highly recommend it to mystery fans who like small town mysteries with quirky characters.

This was so much fun...it starts with an American podcaster named Gilbert Power, who is played endearingly by the funny Will Forte. He had success in his first podcast season solving a cold case. The key to his success was really the fact that he opened up emotionally and shared what he and his dying wife were going through. Since the first season his podcast has struggled, but he is on a trip sponsored by a British newspaper to look into a missing person's case in the small Irish town of Bodkin. To accompany him on this trip is a Pollyanna-like young assistant named Emmy (Robyn Cara) and a dour investigative journalist named Dove Maloney (Siobhán Cullen). Dove wants to be anywhere but playing sidekick to a fake journalist like the podcaster Gilbert.

The beauty of this small town mystery is all the quirky characters...like their driver Seán, who thinks he is an Albanian orphan adopted by his single mom and as such listens to Albanian rap music, Seamus who may or may not be a smuggler, Teddy who sings like an angel and is an amazing blacksmith...but has suffered a brain trauma, Maeve and Frank who live like hippies...or their own version of it "Peace, Love, and Pay your xxx debts.", a nun named Mother Bernadette who is running a nunnery that is more like a spa/yoga retreat, then there is the local boy Fintan who made big with his server farm etc and now is back home wanting to reinstate the town's Samhain...then there is the thespian undertaker...the list just goes on and on.

The town hasn't celebrated Samhain since three locals went missing twenty years prior on that night. This is the mystery that our gang of three is looking into. The podcasting element was entertaining, especially since they poke fun of it and it's popularity. The mystery was actually decent and I loved the twists and turns. The one character I found difficult to watch was Dove, her ends justifies the mean's attitude was really tiring and frankly watching her be downright cruel to people was not entertaining. The reverse was true about Seamus and his kind treatment of Gilbert especially over his troubles with his wife...which was surprisingly tender and heartfelt.

The comedy was great and we found ourselves laughing out loud...the mystery however is what really kept us involved till the very end. I loved seeing everything come together. I was able to solve parts of the mystery before they were revealed, but it didn't hamper my enjoyment.

Bodkin starts off wonderfully -- great acting, great scenery, great direction. And Will Forte turns in a terrific performance as an overly cheery Midwestern loser trying so, so hard to redeem his life -- his acting is superb. Actually, so is everyone else's: there's not a weak link in the cast.

There is a weak link in the script, however. That superb start ends up getting drowned in red herrings and weird turns and an overly complicated plot that disintegrates by the last episode. A shame, because for at least half if not more of the show, it knowingly mixes comedy, crime and even a bit of surrealism perfectly. They just didn't know how to end it.

One other note: someone in this show really, really doesn't like dogs. If you do, you might want to skip it. Seriously? Gratuitous canine violence??