The Hunt

This is a really tough movie to watch. I don't know how they do it, but keeping it "real" is not an issue with Mr. Vinterberg and others as it seems. Having a real situation that will throw you and others off balance and play it as straight as possible sounds simple, but it really isn't. You need actors like Mads Mikkelsen to convey the story and be able to portray all the facets of his character.

The kid actors in this are very important too and as is said in the making of, none were told the whole truth or what the implications might be. Which is especially important to those who might think kids were exposed to things they shouldn't have been. Which brings us right back to the theme of the movie and the question, if we are over protective or if the world around us has changed too much? There are a lot of other questions too that are raised and not all can be answered with certainty or any satisfying result. Which makes the movie even more disturbing and good.

I saw this movie yesterday. I agree with previous reviewers, this is an excellent, moving, wonderfully acted movie. It is impossible I think to go through it without being brought to tears at one point or another. You also feel like screaming at some characters sometimes - "what are you doing? Open your eyes! Listen!" But the great thing is you always understand where each character is coming from- you might not agree with their actions, but nothing they do feels forced or unrealistic. Mikkelsen is amazing in this. I had seen him in a few movies before, and always thought highly of him, but here he is just incredible. It's a tough subject matter, and the movie does not shy away from it, but at the same time it is not vulgar or "in your face", it's tactful. I really loved it.

In Thomas Vinterberg's superb psychological thriller, The Hunt, a town turns on its kindergarten teacher, Lucas (Mads Mikkelsen), from the erroneous testimony of a little girl, Klara (Annika Wedderkopp), who accuses him of molesting her. She's also the daughter of his best friend, Theo (Thomas Bo Larsen), who believes along with the town that Lucas is guilty because children, especially his daughter, don't lie. Although Klara claims throughout she said a stupid thing and Lucas did nothing, his parents are convinced she is just reacting to the gravity and changing her story. Tragic blindness is not just the province of Oedipus.

The film's title, with bookending male hunting rituals, is obviously figurative for the hunt by the town's people for Lucas's well being. Only too swift is their condemnation, their righteous indignation, blinded by Salem-witch like certainty that he is guilty. The town's vigilante-like attitude is reminiscent of Frankenstein's townsfolk, hounding the monster without even trying to understand.

Beyond the figurative display of crowd wrong-headed mentality is the disturbing suggestion that at any time a life can be turned upside down without even being responsible. It also suggests that the only antidote is to keep believing in yourself.

Maybe more powerful is a sense of humor, which occurs occasionally in the film and is best exemplified when a friend, upon Lucas's return from police headquarters, shouts as Lucas embraces his son, "Hey! If you fondle your kid, you'll go back to jail." It's gallows humor, but it is effective. Just as effective as the ironic humor is the low-key, natural lighting, consistent close-ups, and ubiquitous hand-held camera work. It is an intimate business that closes in on everyone in the town, not just the innocent victim.

Having witnessed through this intense work of art the vulnerability all have in the face of a crowd mentality, we should remember the Chorus's final warning in Oedipus Rex: "Therefore wait to see life's ending ere thou count one mortal blest; Wait till free from pain and sorrow he has gained his final rest."

Disturbing tale, very uncomfortable film, to watch what happens to this man. Simple and one-sided, but still a good portrayal of a tragedy that feels very real.

A story about how to destroy a good person on the count of three; and the child is not even to blame. adults themselves have grown a huge fruit of evil, like wizards - from nothing