Girl in the Picture

This is an utterly awful story and that is what makes it captivating. I didn't think the film itself was anything remarkable and am perplexed at the reviews that mark it out as a different way of presenting a real life tragedy. The film was well done and it did spend time trying to bring things together to give the subject respect and a sense of closure for the family but if I am honest I think that is a mechanism for making the voyeurism of this kind of film palatable.

It was not in and of itself a remarkable bit of film making.

I enjoy documentaries and am fascinated mainly by what motivates these crimes, how we can spot clues to these kind of behaviour etc but I am more than a little concerned that Netflix seems to be becoming known for glamourising this genre, reading reviews of how amazing it was left me wondering if we are so detached from the fact that it is real we are becoming numb to real life horror and are we getting used to dining out on other peoples misery?

I'd seen this same story told on 48 hours, but this was so much more informative and heartfelt; the tragedy of Suzanne's life from beginning to heartbreaking end is told so poignantly and precisely.

One walks away from this and can only feel that her life was so tumultuous- from her ridiculous mother and the affair while the child's father was fighting a pointless war that left him a shell of his former self, birthing two additional children, then marrying and divorcing that man, decides to go it alone and her story goes from bad to worse, ultimately loosing all 3 girls to the state (there's no definitive answer to this, only the pathetic mother offering incredibly poor excuses) to find her falling for this pathetic excuse for a man, who would ultimately dump the two younger girls at an orphanage and embarking on the travesty that became Suzanne's life.

At one point, this adorable and incredibly intelligent girl had the world in the palm of her hand, only to have this monster destroy it again, tear her from a likely successful collegiate career, and turns her again upside down to further destroy what little joy she'd gathered. That she was able to turn her horrific adolescence into a brilliant success speaks greatly to her character, despite the monstrous influence of this horrible, pathetic man.

She eventually finds herself forced into a life she'd never imagined; having children, forced into exotic dancing and prostitution- surrounded at every turn by devastation and depression.

So many people refused to give up, refused to let her fade into obscurity. An author, a retired FBI agent, and an incredibly brilliant group of DNA genealogists combined forces to finally give this girl the name and proper headstone she deserved, in spite of the monster who'd taken it upon himself to destroy her, her son, and their lives.

This story is so wonderfully done and pays tribute to a brilliant star in the sky who was never able to realize the power of her shine. What a complete and total tragedy that befell this child, and it's an honorable group of people that ultimately ensured her death would not be the end of who she was. What a tragedy that even she never knew who she really was, how many people failed her, and hopefully, her daughter lives a long and love-filled life, as a legacy of what her mother was.

When a young woman's body is found in Oklahoma, her identity is a fake one, her story, harrowing.

I'm a little late watching this, I was a little put off by the long running time, being so used to hour long documentaries, it was a big mistake, this was compelling viewing, the time flew by.

I think this is one of those stories that will love with me for some time, it's thought provoking, remarkable and chilling, what they poor young woman endured will quite literally break your heart. Nobody should have to suffer, ensure and experience what she did, she also seemed such a wonderful person.

Very well made and edited, it flowed incredibly well. This really was a triumph, a story that needed to be told.

9/10.

The documentary starts off as a typical hit-and-run case, eventually branching out into a spiral of unending twists and hidden mysteries. While it spends the entirety of the first act on the perpetrator and his doings, director Skye Borgman ensures that the piece lends ample time on unraveling the mystery around the titular girl's identity. That's when the documentary comes into its own, never letting us forget that it's not the inhumanity meted out to the victim that she needs to be remembered for, but for who she was, as a person (friend, peer, mother). Skye wants to tell us that even under the most difficult circumstances, the victim was always trying to be her best version. The final stretch is incredibly moving, especially when we get to know of more people related to her, and what she meant (or still means) to each of them.

Netflix crime documentaries are usually too long, and spread needlessly over multiple episodes. This feature-length doc is too short, and could have done with an extra couple of hours too tell more about the real parents, Michael's possible father, and the little brother "Philip" who was abducted with the three sisters at the beginning, and who (according to Wikipedia) showed up in 2019.

A very good documentary, nonetheless, and one that I will remember for a long time.