The Sixth Commandment

A dramatisation of actual events, the deaths of Peter Farquhar and Ann Moore-Martin, two mature residents and neighbours from the small village of Maids Moreton, who both died after meeting and falling in love with a younger man, one Ben Field.

Arguably the best drama of 2023 so far, it's been a little time since I've said it, but this is truly The BBC at its very best, this is an outstanding, uncomfortable, sometimes upsetting watch.

This story was big news when it broke, it never seemed to make any sense, what this dramatisation does, is give you an almost factual detail of events, I understand that much of it was obviously dramatised, but I think they've got the core essence of what happened.

It is remarkable just how much Eanna Hardwicke looks like the real life Ben Field. His performance here was quite exceptional, and whilst I will rave about Timothy Spall and Anne Reid, Hardwicke made the whole thing come to life.

Timothy Spall should win an award for his performance, he was incredible, Anne Reid also phenomenal.

Fantastic.

9/10.

To be transparent I live in Maids Moreton and both victims were near neighbours of mine. Many people here viewed this upcoming drama with a certain degree of trepidation as to how this extraordinary and shocking story would be told.

I think the producers have managed to create something that showed a lot of regard for the victims and it is not sensationalised, for that they should be congratulated.

If I were to make any criticism it is that both Peter and Ann's lives were shown only through the prism of their surviving relatives and it didn't show that, whilst to a certain degree they were private, they did engage with the local community, especially Peter. It was also not clear on the timelines involved sometimes as to the sequence of events and how long a period had elapsed between Peter's decline and death and Ann being taken to hospital. However, I am guessing there were lots of things not included due to time constraints and some were frankly too upsetting to cover.

I feel it would also have been better to have included a bit more backstory on Ben Field and his sidekick Martin...

I can't remember having watched such compelling drama in a very long time. The pacing is superb - a slow ratchet towards the climax of the jury's verdict.

What makes it work is a combination of brilliant performances and scripting together with the constant, horrible knowledge that this is a true story. This may be Timothy Spall's greatest performance in a splendid career, which is saying something. Every actor, though, delivers, even those in the minor roles.

One unusual achievement of this four parter is a shift in style. It begins as an indescribably tense psychological drama, rather like The Talented Mr Ripley. In part 3 it shifts to more of a police procedural, but manages to maintain the tension.

You will almost not want to watch, but find yourself compelled to. At the end I found myself exhausted and, I'm not ashamed to say, with a tear in my eye.

Sadly this is based on a rather horrible case that viewers in the UK will almost certainly remember. Its written by Sarah Phelps, well known for her series of Agatha Christie adaptations on the BBC in recent years. It was made with the full permission of the victim's families.

Its a quietly effective and moving drama which is a sometimes difficult and uncomfortable watch. Very well-written and made.

The use of hand-held camera gave it a documentary feel at times. For me it was very much an actor led piece and this is its greatest strength. The three principals, Tim Spall, Anne Reid and Eanna Hardwicke all deliver big time with understated and nuanced performances.

One of the strongest UK dramas of 2023.

A well done 4 parter, despite many omissions.

But I read that many things had to be omitted , just to fit into the allocated time. But surely even 1 line of dialogue would have sufficied instead of omission.

No mention of how the murderer got hold of psychotics, or why medics would not test for psychotics on first reports of symptoms.

The weakest part for me was the portrayal of the start of the fake relationship between the murder and first victim, quite not credible , although later parts of the script partly explain.

Unclear exactly how the murderer had some hold or influence over Martyn Smith.

One puzzling thing. What is the significance of the many shots of the clock tower, and tolling bell, in the last two episodes. Wasted moments maybe could have been used for wider dialogue about the omissions.

Strong performance by all the leads, and Éanna Hardwicke is positively creepy in this role, even down to the manufactured accent, which only slips in one few-seconds scene.

Marvellous to see Anne Reid, Timothy Spall, Sheila Hancock giving their all.