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Oliver Dahan's biopic of Hollywood's darling, Grace Kelly, has been pretty much thumped by critics universally. Most would have you believe Grace of Monaco is an arduous, dull swamp of a film on a par with Oliver Hirschbiegel flop, Diana.

It isn't. Not quite.

Described as a fictional story based on true events, Grace of Monaco looks at Grace Kelly's (Nicole Kidman) struggle to maintain her own identity as her marriage to Monaco's Prince Rainier III (Tim Roth) bounces around the rocks while her husband's subjects reject her and his staff resent her. Add to that Charles De Gaulle's impending invasion and the principality's nosedive into economic ruin, and all was not happy in Grace's life. Allegedly.

Grace of Monaco is a long way from Dahan's 2007 biopic triumph, La Vie en Rose. It is far too long, far too dull, with questionable 'truth' and rather too much melodrama. Dahan repeatedly cuts to lingering ECUs of Kidman's eyes, vainly hoping that soft focus shots of her regal visage will imbue his film with serenity and beauty. It doesn't. It merely serves to increase the boredom and slow the pace still further.

No matter how good Kidman and Roth are, they cannot raise Grace of Monaco above the status of star Sunday afternoon matinée to the magnificent period piece it desperately wants to be. Both actors are pleasant to watch here with Grace's relationship with Frank Langella's Father Tucker a highlight that allows Kidman to scratch under the veneer of the princess. Likewise, Roth is more than adequate as the overbearing monarch who occasionally remembers to show he cares about his wife, but it lacks the truth of his sensitive and truthful performance in last year's fantastic Broken.

When Roger Ashton Griffiths waddles onto the screen as Hitchcock aiming to seduce Grace Kelly back to Hollywood, the teeth begin to rattle as memories of Toby Jones pouring out the definitive depiction of Hitch in The Girl diminish anything that Ashton Grifiths can produce. Amongst the supporting cast Robert Lindsay, surprisingly cast as Aristotle Onassis, and Derek Jacobi as Count Fernando D'Aillieres engage the eye but there is a very odd collection of accents on display for a film set in an annex of France.

The production design is eye-catching and detracts momentarily from the clunky dialogue, but it isn't sufficient compensation. Contrary to popular opinion, Grace of Monaco is not a turkey. It is merely overlong and dull. Approach with low expectations and you won't be disappointed.

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The bad thing about messing up history and making a movie about a real person that is not based on facts but fiction is that we tend to remember the movie. So, now thousands of people will believe that Kelly saved Monaco (de Gaulle never went to any ball, the situation was negotiated peacefully with France at the end). They will believe that the marriage with the prince did not include numerous extramarital affairs on both sides and they will believe that Grace was as tall and elegant as Nicole Kidman, the perfect princess. Too bad, because reality was good enough. The movie is beautiful, superbly esthetic, but that is all.

11 June 2014 Film of Choice at The Plaza Dorchester Tonight - Grace of Monaco. Generally slated by the critics I decided to see this film anyway and I was glad I did. A fictional story based on true events, this enjoyable film was a very haunting portrayal of Grace Kelly's move from Hollywood Princess to Royal Princess and the difficulties that arose during the transition. Centred around the very trying times when Charles de Gaulle was trying to gain control of Monaco, Grace Kelly was portrayed as a lost figure. Lost in her marriage, lost in her identity and lost in her way. Unfortunately, Nicole Kidman, although a very accomplished actress who was dressed well and at time did look very much the princess, did not convince me that she was Princess Grace. For starters physically she was too red, Grace Kelly was blonde, not a Marilyn Monroe sort of blonde but a regal blonde, and a serene blonde, Nicole just looked like a red head, furthermore she didn't make me believe that she was Grace Kelly, I just felt that I could see many of her other parts all tumbling together to try to encompass this icon of movie and Royal history. Having said that, I don't know exactly who could have played the part of Princess Grace of Monaco.........except perhaps ......... Grace Kelly!!!!!

A classic example of a fun and very watchable movie blighted by wrong expectations...biased sentiments...and unfathomable demands.

This film clearly states at the start that it is a "fictional story based on true events"...and as such should be viewed as pure entertainment.

It's a small movie with big aspirations...and just plain fun to watch.

Strong acting...not easily pulled off...and highly professional.

Watched it on Netflix with no expectations...found myself pleasantly and sometimes emotionally invested in the "fairytale"...and like all good fairy tales...this is dark in surprising ways.

Watch it for the cast...and don't be too harsh.

First of all, this is not a biography, it's about an event that apparently took place in Monaco in the early 1960's. The French President deciding Monaco should pay taxes to France? After all the negative reviews, I was expecting the worst, but was surprised I quite enjoyed it. Nicole Kidman was most effective as Grace Kelly, and I can't think of anyone else today who could have handled that difficult role so well. Tim Roth was not as good looking as the real Prince Rainier, and Nicole's 5'11" towered over him. I thought the guy who played Hitchcock was better than the recent screen versions! Perhaps the film should have been titled 'Monaco in Crisis' or some such, so as not to mislead people into thinking this would be a bio of Grace Kelly?