Runoff

I like slice of life films where not much happens, but this one is pretty weak. The acting unspectacular. The audio is bad, and they obviously couldn't afford a dialect coach. There is no real insight into any of the character's lives, and none of the characters are the least bit colorful. The portrayal of the local environment that usually makes this kind of movie interesting is almost nonexistent. There is no real drama. There is only occasional visual interest.

I wasn't planning on reviewing this movie, but after seeing all the ten star reviews I had to object. I wish IMDb could do something about this. I realize it's hard if not impossible to control this activity. Anyone can easily see what's going on. Still, it is annoying.

I wish a six month period of membership were required before someone could write a review, but this wouldn't be fair to IMDb or to impartial reviewers.

At least the reviewer should have to check off a box saying they are unbiased and have no affiliation with the movie's production or distribution.

This kind of activity is all over IMDb and detracts from a really great site. THESE REVIEWERS SHOULD BE ASHAMED OF THEMSELVES!

The critics got it right. The movie is at best mediocre.

I can't say that the film didn't actually surprise me with its pace. I can take slow though, but the meat of what the film was really about is what struck more. There's a unique sensibility that it has that sort of makes it stand apart from others of its ilk. Even then, the directing is really impressive and helps to underline what's underneath. The performances in the film are also impressive. I first saw Joanne Kelly in Don't Blink and was impressed by her, and again I'm struck by her natural screen presence. She comes off as someone who's been doing this kind of thing for a long career. I don't think the film is amazing or anything, or even all that great, but it's definitely worth a watch.

I think I was expecting something preachy, something heavy handed. But instead Kimberly Levin succeeded in doing something that's very difficult to pull off: she wrote and directed an incredibly engaging story that MIGHT have an agenda, but instead entices the viewer to ask questions not only of the motivations of the characters, but of themselves. There wasn't a moment in which I felt bullied into a point of view. It's provocative in the best way possible. I loved this movie so much I watched it twice. The cinematography was beautiful and the acting heart felt and honest. The mother's choices were complex, and portrayed very convincingly by Joanne Kelly. I wanted to hug the children, who also did a great acting job. It left me wanting to know more about them and watch to see what kind of people they would grow into. Well done!

I love movies, but my most frequent complaint is that they tend to wrap everything up so nicely in a 90-minute package that it's like eating artificially flavored candy. In most movies, the story is too strong, the flavors are too calculated. I don't think I've ever encountered a film like this that takes its time and trusts the viewer to come into the film. The story of RUNOFF is simple, a mother and father are at loggerheads over how to deal with the fact that they're about to lose their farm, and they start keeping secrets from each other (no spoiler). This was filmed in Kentucky, and the land is a beautiful character. Meditative shots of the water and land are there to give the audience time to think, in between the action. Watching this film is in some ways more like reading a book than seeing a typical film -- I hope this is a new way forward for cinema. Bravo.

The writing, cinematography, and actors' performances were brilliant. This was the first time I saw Joanne Kelly (Betty) in a film, and I was enthralled with her acting and her beauty. Kudos to Kim Levine (Director) who created an outstanding film! Kim's former career as a biochemist and then a playwright collide to create an attention grabbing, thought provoking movie. The film was set in rural Kentucky and there are beautiful shots of Kentucky farmland that create a 'calm' in the middle of a 'storm'. As the film progresses, the tension between morality and desperation builds … and the resulting emotions linger when one leaves the cinema.