Los agitadores

I thought of Marco Berger in quite a positive light after seeing two of his films, The Blonde One (2019), and Hawaii (2013). Both were excellent. Both were mature works, and visually interesting, with very engaging plot lines.

Having since watched The Carnival (2021), Young Hunter (2020), Taekwondo (2016), and this film, I've pretty much changed my mind about this director.

I thought Taekwondo was extremely slow moving and boring, with little to no discernible plot. Horseplay follows in the footsteps of Taekwondo, but with a bit more sexy visual confection (which is really the only reason I even assigned it the extra star.). There are definitely some sexy guys, and sexy scenes. But it doesn't offer much more.

Okay, actually, the vacation house where all this horseplay takes place is pretty to look at too.

But the movie seems to go on and on, magically making 1 hour 40 minutes seem like about 6 hours. The dialog is vapid, and repetitive.

It's filled with testosterone, but has virtually no substance.

There might almost be a couple of plots hidden in this film, but they're so well hidden that they cannot be seen. When you think there might be a story line starting to materialize, it invariably turns out to be a red herring that goes nowhere. A quiet gay man amongst a group of rambunctious young friends who constantly insult each other by calling each other "homo," while taking endless pictures of themselves engaging in gay sex (horseplay, I guess)? The sexual violation of a girl visiting the house, against her will, by one of the guys? Nope. The leaking of an embarrassing "homo" image of one of the guys whose wife sees it and worries her family will be defamed on social media? Those didn't go anywhere.

There is one searing moment at the end of the film that might hint at a story line. But hey, everyone's gone home, and the credits are rolling.

If all you're looking for are some glimpses of young guys at their sexual summit, you might enjoy this. But even there, there's just so much boredom in between that it's not really worth it.

Horseplay is just a remake of Taekwondo, but with more nudity and homoerotic moments. There are identifiable themes emerging from the horsing around, but none of these were explored. Therefore, it leaves the film lacking in substance. I believe the person who made Taekwondo is responsible for Horseply, so I am at a loss as to why they would make a similar film without building the characters or explore the hinted themes to build a narrative that is relateable and teachabe! To be honest, I have seen adult films with better plots. So watch for the eye-candies and not for the storyline because one doesn't exist.

A new Marco Berger film is always an occasion so I sat down yesterday evening to treat myself to what I hoped would be an event. I needn't have bothered with the little saucissons, cherry tomatoes and box of chocolates beside me - what was presented on screen was crass and uninteresting.

We were regaled to a veritable eyefest of horny, attractive, semi-naked or naked hunks on screen for 100 minutes. Yes, for those who find lads like this attractive, this was eye candy to the extreme. But what they were doing was neither credible nor interesting. The whole time, apart from when some girlfriends turned up, was spent getting into homosexual positions, pretend humping of each other, dares that random guys would snog each other with tongues, taking photos of each others willies. Yes, yes, straight guys muck around but this was relentless. It's not crédible at all.

A previous reviewer has alleged that this particular film at least has a plot, unlike previous films from this director. My assessment is that the film is virtually plotless unlike several of the more recent films he made. There were little things happening but never followed through on, such as the probable rape of one of the girls. And there was the theme of the two closeted guys (one of whom rejects reality) amongst the multitude of alleged straights which was so barely touched upon that the first time we see them making out, it's impossible to discern who one of them is. This plot line is the one that leads to an act of violence that is not explored further in the film and to whose build-up is not plausible.

OK, I watched it all. Apart from drinking in the bodies on display, I was waiting for something consequential to come about. It didn't, not even at the end.

I'd marked this as a four. Reading back on my review, I've reduced it to a three. Watch if you like, but with very low expectations.

One of the worst movies I've ever seen. There is zero plot. The characters aren't believable and frankly it's just boring from beginning to end. It could have been so much better if the perspective of Poli and his (maybe unrequited) relationship with his friend had been explored. Instead Poli is mostly mute and we get no sense of how he thinks about himself and his sexuality in this setting and friend group.

The dialogue is extremely repetitive and not credible. Almost half the movie is just the characters calling each other 'homo'. I think even homophobes would get bored of this chat pretty quickly.

I really don't understand why this is being considered a queer movie. It's a movie about straight men. It's not even homoerotic, the nudity is sterile and not sexy. Much of it is actually disgusting (one character vomiting on another in a shower). I found it to be deeply unsexy. Ultimately it's a movie about a group of unpleasant straight men with one closeted character who barely speaks.

Do yourself a favour and avoid this.

The first temptation is to see it as a kind of Taekwondo II. And to appreciate more the first part.

Many guys, nude , talking, wasting time, gay, hetero, looking for love or define their sexual identity, girls, a lot of photos and a beautiful house.

Some homoerotism.

Real good looking guys.

And a very - very-very gentle suggested story if you have not impression of self illusion.

I can not be very critic about this film but its basic virtue is to send the thoughts to Taekwondo , working just as precious kick to see that , again.

Is it enough ?

I suppose so. I appreciate Marco Berger job and I respect his perspective about a theme who seems very closed by him. Cinema represents experiments and Los agitatores is one of them.