बुक क्लब 2: अगला अध्याय

It has scenes that make you smile like in the first episode. You can choose to watch if you want to spend a pleasant time. Watching Italy through Bill Holderman's eyes is a different pleasure. Diane Keaton and Andy Garcia go well together. I wish they would come together in a different movie. It is a great chance for us to still see these beautiful people on the cinema screen despite their ages. If I come to Don Johnson's age, I want to look good like him. It is a great pleasure to be able to watch Giancarlo Giannini in this episode. Long live Giancarlo. Thanks to this movie, I realized how much I miss Italy. Wait for me Italy, I'll be there as soon as possible.

By the way, I hope the same cast can make another episode.

This appears to be a good excuse for four actors, who seem to get on quite well together, to get someone to fund an all expenses paid trip to Italy to make a movie underpinned by the thinnest of plots. That plot sees the group emerging from lockdown when they finally manage to meet for their routine bookclub. It's at this get-together that "Vivian" (Jane Fonda) announces that she - a lifelong opponent of the institution - is to marry "Arthur" (Don Johnson). "Carol" (Mary Steenbergen) comes up with the idea of a hen trip to Italy and after a bit of scepticism from "Diane" (Diane Keanton) and the timely death of the cat of judge "Sharon" (Candice Bergen) they embark on their trip of a lifetime. What now ensues is a rather predictable and lightweight comedy drama that starts off entertainingly enough but runs out of steam quickly and permanently. The last twenty minutes take us into cheesy territory that really did have me looking around the cinema at the ceiling thinking - "oh, just get on with it". There are a few fun contributions from Giancarlo Giannini as the rather dishevelled police chief and a few cameos from Andy Garcia, but for the most part this is just four folks having a jolly time whilst those of us sitting down remember (or discover) just how beautiful Venice is. It's all instantly forgettable stuff, this, but Bergen has her tongue firmly in her cheek and Jane Fonda just seems to look more android the more films she precariously totters through nowadays.

Book Club was one the surprise hits of the summer of 2018 and was a film I enjoyed a lot more than I expected. It was no classic, but it was a breezy way to spend a few summer hours. Surprisingly, or unsurprisingly if you know Hollywood, a sequel was commissioned. The Next Chapter really doesn't have much of the charm of the original and doesn't make a compelling case for existing.

There are a few laughs here and there, but not enough to overcome the mountains of painful double entendres and speeches about friendship. Everyone seems to just be going through the motions and ready to collect their paychecks. But hey, at least there is some stunning Italian scenery to enjoy.

I waited for this movie with great anticipation. The actors have done fine work in the past, and the previous Book Club movie was nicely done.

But this Book Club: The Next Chapter is so flimsy it is embarrassing, mainly to women in general. As if women live in a world of teenage dreams and have no way of solidifying their identity without resorting to superficial concerns and external validations.

For instance, the constant emphasis on clothes, or on how men love or do not love the women, or on the ideal, magical trip that is supposed to liberate you, or on what the fates want for you, or on what signs you are being given about your "destiny" - all this is just so tiresome and empty.

The characters never seemed to be concerned about anything except their own private selves.

And the ending was preposterous. It made the women seem as if they were completely inconsistent.

Book Club: The Next Chapter is a film so lazy it almost feels as if it were written by AI instead of living, breathing human beings. It's got plenty of zingers and the cast tries their best to deliver them as best they can, but even the finest thespians in the world can't make this dialogue sound realistic. The story is non-existent as the four lead characters go from tourist spot to tourist spot, drinking wine, telling corny sex jokes, and offering up cliche proverbs about friendship that are so stale and tired that they're gag inducing. The first film was no fine masterpiece, but it at least had a little more substance to it. This is simply a waste of a fine cast, but I hope they enjoyed their trip to Italy.