The Art of Rap: Something from Nothing

This was a pretty good documentary, lots of nice insights and interviews...

I checked it out because I have that book which is similar, "How to Rap: The Art and Science of the Hip-Hop MC" which came out a few years ago and they interviewed many of the same rappers for that. In my opinion, that book goes into a lot more detail than this documentary, because it's wall-to-wall quotes and a lot more subjects are covered, but it was cool seeing a documentary that touched on some of the same topics.

Where it lacks actual extended discussion on writing rhymes, this doc makes up for it with quite a few interesting moments on screen -- most of the rappers kick a verse or two and they often go on tangents and happen upon some interesting topics even if they aren't really about the "craft" of rap, as the title suggests.

Well worth watching if you're a hip-hop fan, and a nice companion to the "How To Rap" book.

Ice-T does a documentary about rap. I wouldn't say that it's particularly focus. Mostly it's Ice-T chatting up other rappers about old times. It's not as enlightening as much as fascinating. There's some great stories. There's also some boring parts. If he could try to frame this as rap history, he could give this better structure. Although it does feel more free flowing like the rappers giving their own raps to this film. This is really just Ice-T traveling around, sitting and chatting with other rappers. Many people does a rap. They're not framing this as a definitive history of rap. Just people telling old stories.

I was quite looking forward to this film, having been away when it made its very brief appearance into UK cinemas. The film presents itself as a documentary on rap music in light of how massive it has become as a genre and, as a fan of some aspects of hip-hop, it was something that interested me. In reality it isn't actually a documentary so much as it is a very loose celebration of the genre and those involved in it from the start. Ice-T presents, directs and various other roles and the whole film is him chatting with fellow artists about their first introduction to the music, their thoughts on it, favourite lines and so on. There appears to be no real structure other than what has been put in afterwards and as a result the value of the film is limited.

If you are looking to learn about hip-hop as a genre of music and how it grew and developed then this is not the film to come to. Conversely, if you are already a fan of the music and know your history then this film will offer the same to you as it appears to have offered to Ice-T – a chance to shoot the breeze with lots of artists all talking with passion about the music they love. This is where the film works best and it is not a good thing that it does so. Even fans of the music will struggle with some of the ways time is spent here because it feels padded at times and also some of the artists don't really have a great deal to say. The interviews are quite weak in terms of their direction and I did get the feeling that they had not been particularly well prepared for and that the film was relying on the subjects to just be good. Luckily some of them really are but of course this trust also means that at times the contributions aren't worth a great deal other than the name of the person involved.

As much as I love him, Q-Tip was one such example; it was great to have so many names involved but it would have been better to have had fewer and make more use of them. The credit for the many, many artists involved rests with Ice-T but unfortunately as presenter he is unable to draw the best from his subjects. Indeed he often seems too fond of himself and there are multiple slow-motion walking shots of him along with far too many obvious helicopter cityscapes. He is not bad per se, but at times he gets in the way of his own film and some of this selection of material seems to speak to his ego rather than the content of the film.

There is plenty here for older fans of the genre though, but this is different from it being a good film, because it really isn't that good. As a documentary it offers little and it really does need the viewer to already be in the right place to watch it. As a fan of the music and the culture, I liked it, but I would be lying if I said it were a good film in and of itself.

I saw this at a screening with about 600 people and the crowd went mental. The crowd was really mixed which goes to show you rap is not just for black kids anymore. The fact that Ice is friends with everyone makes a big difference as you can tell that the artist are being 100% real. The overall production value is top notch and the music is mind blowing. If you have never seen free styling seeing KRS and Eminem do it will blow your mind. Another thing that was cool was Kanye's interview, I know there is a lot of negativity about him but in this movie he comes off super humble and sincere. This is a doc that is best seen in a theater as the crowd makes it really fun and seeing these guys HUGE on a screen is fantastic.

There's hardly from the south, Bun B; but other than that, where's the south. You can go to all the states down south, Texas, Louisiana, Alabama, Georgia, Tennessee, Florida, Arkansas, and you got successful artist coming from there. I don't know anyone that's said to me, "oh yea lemme put on that new Rakim track." Bur I guarantee they remember alotta tracks from the Cash Money Records days in NYC. Jay Z's 'Big Pimpin' wasn't hot cause of Jay Z; it was hot cause UGK, and more specifically Pimp C (RIP). But yea, until they start recognizing what the South has done for Hip Hop/Rap I'm not trying to hear it.