Semmelweis

Semmelweis was indeed a admirable historical figure, but the movie has added too much romanticized fantasy to the story up to the point where some people would shout "historical inauthenticity".

I understand the need to dramatise the story for the moviegoer audience, but some casting accuracies and factual authenticity wouldn't have hurt the overall enjoyability of the film, but at the same time the struggle of that particular era was really palpable.

In general it was a movie to be seen once, but it won't become a cinema classic, but compromises between drama, authenticity and production budget led to this outcome. You should watch it at least once, to see why science is held back by authority.

I'm quite disappointed to be honest. The technical side of the movie is totally ok. A little bit claustrophobic for me as basically there are no open spaces in the movie but still technically the film is ok.

The real downside is the storyline itself. Basically nothing was as it's in the movie. The whole austrian-hungarian rivalry is a lie. Klein did not even exist. As such the whole laundry scandal is made up too. Emma is fictional too just as the espionage line. The autopsy of Kolletschka wasn't preformed by Semmelweis as he wasn't even in the country at the time of Kolletschka's death. Semmelweis only studied the notes of the autopsy. As such it couldn't not be a scandal.

If you watch the movie you just see a brainless propaganda movie. It's an absolute disgrace that wants you to think that mean austrians mistreated a hungarian genius just because his nationality. It's not better than those stupid soviet heroic movies.

Too bad that the filmmakers made a cheap and dumb propaganda movie instead of a historically accurate objective adaptation. Semmelweis should deserve more than that.

I've got to admit, overall, there were parts of the movie that really worked for me. The cinematography, the original score, visual effects, costume design, locations, set planning, even the furniture-all of it was seriously well done. The color palette and scene composition were beautiful, and the settings felt authentic and thoughtfully put together. It really gave off a strong, believable vibe of the era.

As for the acting... aside from a few seasoned standouts like László Gálffi, Lajos Kovács, Anna György, and maybe Ferenc Elek, it felt a bit shaky. Semmelweis himself came across as overacted and a bit immature. The younger cast members either overdid it or lacked presence. Makes you wonder if that's on the director or maybe the casting choices?

Costume design deserves another shout-out-it was excellent. The cinematography really helped highlight the period details in the sets and wardrobe.

That said, it's kind of a shame that the film is overwhelmed by melodramatic characters and lines. The key scenes are sometimes way too basic, or they hinge on overly dramatic "quotes" that just don't land.

Also, Semmelweis is constantly sweating-like, drenched. I'm not quite sure why that choice was made. Maybe there's a deeper meaning behind it, but if there is, it went over my head.

It's not the first time that more money is poured into a film, whose end result is far from good.

I recognized actors in it who generally perform very well, but here it somehow didn't come across. Summing up the acting, I'd give it a 10/2. They couldn't make me feel their situation; at times, the monologues seemed as if they were pondering what their next line should be.

I find the two-hour runtime of this film unnecessary. Often, less is more; here, many parts of the film became boring, lacking sufficient plot.

The costumes, backgrounds, and the overall visual appearance were fine; it's a shame that they adapted this outstanding story so poorly.

The story of Semmelweis is definitely worthy of a movie but this is barely a biography, its more of an "inspired by". They added huge amounts of fiction. If you check what happened in real life, you aren't going to find the stuff that was shown in this movie. The anti Hungarian sentiment, the conspiracy against Semmelweis, the entire (and totally unnecessary) romantic storyline. At the same time we don't see that much of the protagonist's life, the plot revolves around his research and how his colleagues refuse to acknowledge him. The movie does touch on problems like racism, misogyny and politics but it is superficial and as I mentioned, not historically accurate. This would have been way better if they had chose to give a biography similar to Nolan's Oppenheimer, but they went with a mostly fictional plot and what is worse, most of the made up stuff doesn't elevate the interesting nature of the story that much, it just inflates it with clichés.

The story is filled with drama but its very artificial. I understand that they wanted to make it watchable but the sacrifices they made were too big. All the scenes (especially the court one) feels so unbelievably "epic" that you almost laugh at it. It's so overdone you can be certain it did not happened that way. They wanted to portray Semmelweis so much as a hero that the scenes feel like the hyperbolic mythical songs they used to sing about the heroic quests of kings.

Acting doesn't help either. All the characters are one sided.

• Semmelweis can't be bothered with anything else than his patients. He constantly preaches about the importance of saving lives, just to make sure everybody gets how big of a hero he is. I don't meant to disrespect or undermine his super important achievements, but the way he is portrayed here, is just exaggerated. It is hard to believe he acted like this. Historical evidence recorded that he was a hard man, which is shown in the movie, but the overdetermined way he constantly acts is nonsense. Miklós H. Vecsei's performance emphasized this. It wasn't bad, but he just strengthened the one sided, unrealistically heroic character by overplaying this perfect martyr fantasy role.

• Emma Hoffman was mostly there as a love interest but what is worse was Katica Nagy performance. She has literally one emotion: none. Her lifeless speech and character that meant to fuel the unneeded romantic subplot was boring, unenergetic and lacked the slightest passion.

• Sabina Hoffmann's existence was pure plot fuel and Lilla Kizlinger's mumbling was barely understandable. I get it that they meant to portray siblings living in hardship, but the acting didn't delivered their suffering, just their lack of emotion.

• Jakob Kolletschka's character was shallow with his singular duty of reminding Semmelweis to hedonistically enjoy life, but at least Ferenc Elek's performance was enjoyable. He delivered in the most enjoyable way.

What saves this movie is the picture. Except from the ball scene (which is comically yellow) It is well shot and lit. The setting and the costumes are immersive. Visually it is a quality product. Despite all the negatives, even with this amount of inflation, the story is still watchable, thanks to the interesting nature of the case and probably our national connection. Thanks to this, it deserves a singular watch, but it was disappointing knowing it could have been way better.