13 Sins

I will start this by saying: YOU need to watch it!

2013 was quite the year for horror and 2014 looks promising also. 13 sins is one of the most intriguing movies I've seen in quite a while, something of a "Identity" that will keep you there, craving for more even getting your mind twisted a little. It was perfect, from start to finish, and I can't believe I didn't hear more about it. Sadly, a lot of good horrors lately remain completely unknown even after they are release and it is quite the shame, but fanatics will always find a way of digging them up.

The cast was good, Mark Webber did an excellent job, Ron Perlman is always good on screen and Pruitt Taylor Vince always offers a dark touch to his films. The plot was not the most original, but not one of those over used subjects either, the execution is the key here. Pretty much everything was done the way it supposed to and all horror fans will have a big smile at the end of it. 13 sins is indeed a good horror!

I will end this by saying: YOU need to watch it!

I truly liked this movie. This movie was of the puppeteer type as I like to call them. A person or person(s) are committing atrocities yet someone else is pulling the strings.

13 Sins is about a man, Elliott Brindle (Mark Webber), who is down on his luck when he's offered an opportunity to win loads of money to help alleviate his woes. There are 13 tasks to complete and the rules are such that once he starts he pretty much has to continue to completion. Of course the game is anything but harmless.

I was impressed with the plot and the build up. Before having some random person launch into a morbid game we first got to see the type of person Brindle was and the type of issues he had to deal with. Pregnant fiancé, disabled brother, elderly father, and recently terminated from his job. This information wasn't thrust in there as an aside, we were given it organically within the flow of the movie.

It's also a movie that makes you think: "How far would I go for a sizable sum of money?" The puppeteer type movies always find human weaknesses to prey upon and they are usually either greed or survival. Where movies like "Saw", "Die", "Vile", "Circle" and others are about pure survival at its core, "13 Sins" is about social survival. Elliott could've easily opted not to play but what quality of life would he have given his situation?

There were some small flaws with the movie but overall it was a good product. They took a known premise and freshened it. It helped that the actors were good and you didn't totally know what was the end game. Yes, I truly liked this movie.

OK so I admit I was a bit under educated going into this one and found out in my usual prepping that 13 Sins is actually an American remake of a Thai Horror/comedy, 13 Beloved that came out in 2006. I was drawn to it immediately being the huge Ron Perlman fan that I am, I was pleasantly surprised when I started watching and saw another familiar face in Rutina Wesley (True Blood) playing the pregnant fiancée.' there is another familiar face from True Blood as well in the unnamed father in law to Rutina, Tom Bower, who played in several episodes of the series. the film is full of notable character actors, all leading you to expect a great film.

Elliot (Mark Webber) is expecting a promotion to go along with his upcoming nuptials pregnant bride to be Shelby (Rutina). It looks like life is going to be roses for the couple, but looks are often deceiving and upon closer inspection we find the couple is in dire financial straights. The couple is struggling with a wedding pending, baby on the way and Elliots special needs brother, and it looks as though Elliot needs to rescue his destitute father as well.

Upon arriving at work he finds instead of a promotion, his problems are compiled with a pink slip. How can things get worse you ask? Just as it seems all hope is gone for poor Elliot, he gets a mysterious call offering a solution, 13 tasks each more strange and difficult than the last but for every task completed his bank account will grow, but once you start this game there is no turning back! How far would you be willing to go to make ends meet and find your financial freedom?

So to start with there's nothing all that new about this one, but it does offer up some nice little twists as you go. The characters are each interesting in their own right. The cast is fantastic, but not particularly challenged by the story, so although they do well they don't necessarily shine the way I had hoped for.The film has its moments of dark humor, some good action sequences, and interesting kills. The tasks put in front of Elliot will definitely lead to a discussion and some internal battles of conscious for the viewer.

All in all this film is a fun watch, a bit predictable but it it will also more than likely throw you a few curve balls. Its not a film that is going to change cinema history, but its worth a watch for sure. I will eventually add this one to the collection, as I could watch it again, and I do love some of the cast, but its not as fresh as I had hoped for, yet somehow its still interesting enough to be enjoyable and keep you watching.

HeatherOmen TheHorrorNation.net

A desperate salesman in need of money to support his family agrees to take part in a series of challenges to gain money.

The set up is pretty clumsy but the fun of this film is seeing what the challenges are and how the salesman completes them. The challenges start simple but quickly get more and more sinister.

The film is greatly helped by a good and likable performance from the lead Mark Webber as the everyman put in situations he doesn't want to be in. Good, solid support is provided from the rest of the cast including Ron Perlman. The film is fast paced and there is a great air of tension built up as the tasks escalate and the web closes in. It does become a little SAW like and at times it does become a bit hard to watch. However it does always manage to keep your attention.

This is a film not to think too much about but just to enjoy and on that score this film delivered for me.

I will say it now: if you watch this film, don't quit until the 90 minutes have expired. Otherwise you will miss the devilishly clever final twists which are well-foreshadowed. In fact it is textbook screen writing. Fiction writers from all genres should take note - this is how you do it.

However, it's easy to change channels when watching 13 Sins. The low budget and (at times) pedestrian acting make it unremarkable to the eye, and it's tempting to go looking for something better. But stick with it, as what 13 Sins lacks in scale and scope it makes up for with suspense and intelligent twists. If you're very good, you might see it coming. The events of the third act are telegraphed clearly in the first, although you'll have to be smart to put the pieces together. This is where the film succeeds. Mysteries should always give the viewer a chance to solve the puzzle, and while 13 Sins doesn't make it easy, you can certainly do it. In fact I'm laughing out loud at myself for not seeing it coming.

That said, 13 Sins is a flawed film. It's tried to blur the lines between a suspense thriller and horror film. There are some hackneyed horror moments that could have been handled more effectively. A handful of gory scenes were obtuse and unnecessary, and perhaps would have been better if done with more subtlety. This seems to be the fault of the director who is apparently influenced by the style of independent horror-film makers of the 90s and 2000s who don't understand the value of tension. Gore on its own is ineffective. Horror is equal parts what we see and don't see. Case study: the original Alien showed us everywhere the creature could be, and in turn revealed them to be empty, letting our minds wander, letting us experience what the terrified characters were feeling. When the ultimate moment comes, it's done logically, and with nuance and flair. There's no gore on screen that didn't need to be there. All horror writers should study this.

The other problem lies with the film's occasional desire to go beyond it's limitations and try to establish a grander scale. There's an "escape" set piece that falls short of competency because they didn't have the money for good special effects, and it showed. You could have just left it out. An independent film should work around its budget instead of stretching it.

Anyway, out of all the slim pickings of 2014 so far - which is shaping up to be another terrible year for film - this low-budget suspense thriller has actually impressed me. Elliot's (the protagonist's) transformation was mostly plausible, aside from a few nonsense moments. It's sheer intelligence and gripping, relentless pace kept me watching until the bitter end. However, while I have said that the final act is quite good, it is let down by an incompetent epilogue which leaves us with a Downer Ending instead of one which is left open to the audience to interpret.

I recommend it as a rental only, but I DO recommend you see it.