IMDb रेटिंग
5.5/10
6.2 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA reclusive, blind photojournalist lives quietly in a New York penthouse, until a smooth but sadistic criminal looking for a hidden fortune enters her life.A reclusive, blind photojournalist lives quietly in a New York penthouse, until a smooth but sadistic criminal looking for a hidden fortune enters her life.A reclusive, blind photojournalist lives quietly in a New York penthouse, until a smooth but sadistic criminal looking for a hidden fortune enters her life.
Andrew W. Walker
- Ryan
- (as Andrew Walker)
Kaniehtiio Horn
- Blake
- (as Tiio Horn)
Namukasa Basudde
- BG Girl in Park
- (बिना क्रेडिट के)
Zhaida Uddin
- Passerby
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Michelle Monaghan and Michael Keaton star in "Blindsided," a 2013 straight-to-video film coproduced by Keaton for reasons known only to him.
Monaghan plays a former photojournalist, Sara, who was blinded by a suicide bomber while covering a war and still suffers from PTSD. If she didn't suffer from it, she would have been by the time the action in this film finished.
On New Year's Eve, the man she is living with, Ryan (Andrew Walker) is killed by a former associate from whom he stole a fortune in diamonds. Sara has been out, and it takes her a while after she returns home to stumble across the body, and the perpetrator (Barry Sloane) is still in the apartment. He is joined by the brains of the organization, Hollander (Keaton) and together they try by various sadistic means to find out where the loot is.
This is really cliché-ridden claptrap, derivative, predictable, and how dare anyone compare it to Wait Until Dark. You know every move the villains are going to make. What's more, you know where the diamonds are hidden. You also know what the end of the film is going to be. It's all too obvious.
Michael Keaton does a terrific job, but this is a generic mean guy role. Michelle Monaghan does okay, but these are all generic characters there to serve the predictable action.
There were a lot of holes in this thing. First off, why not look for the diamonds in the apartment? Or a key to a safe deposit box? How do you know Sara knows where they are? Quite possibly she knows nothing of Ryan's past and therefore nothing about any theft. And what a place to hide them. If this had been shown in a theater, the entire place would be yelling out the hiding place.
Secondly - and this I really didn't understand - this is a 2013 release. Okay, Sara gets into a room and locks the door. She gets on her computer, which takes vocal commands. And she's going to send an email. Well, I hope the person is checking messages.
No cell phone with a quick connection to 911? A phone she can keep on so she can be found, should she not be able to get out her address? Though in the time it took her to get onto her email, she certainly could have.
The woman is blind, and all she has if she needs help is a computer where she can e-mail someone? We know she had one while she was out. I think someone physically challenged would have it on her at all times.
I can't go on. Skip this movie. Rent Wait Until Dark where an entire audience screamed OUT LOUD at one part. They would have screamed here too - at the box office for their money back.
Monaghan plays a former photojournalist, Sara, who was blinded by a suicide bomber while covering a war and still suffers from PTSD. If she didn't suffer from it, she would have been by the time the action in this film finished.
On New Year's Eve, the man she is living with, Ryan (Andrew Walker) is killed by a former associate from whom he stole a fortune in diamonds. Sara has been out, and it takes her a while after she returns home to stumble across the body, and the perpetrator (Barry Sloane) is still in the apartment. He is joined by the brains of the organization, Hollander (Keaton) and together they try by various sadistic means to find out where the loot is.
This is really cliché-ridden claptrap, derivative, predictable, and how dare anyone compare it to Wait Until Dark. You know every move the villains are going to make. What's more, you know where the diamonds are hidden. You also know what the end of the film is going to be. It's all too obvious.
Michael Keaton does a terrific job, but this is a generic mean guy role. Michelle Monaghan does okay, but these are all generic characters there to serve the predictable action.
There were a lot of holes in this thing. First off, why not look for the diamonds in the apartment? Or a key to a safe deposit box? How do you know Sara knows where they are? Quite possibly she knows nothing of Ryan's past and therefore nothing about any theft. And what a place to hide them. If this had been shown in a theater, the entire place would be yelling out the hiding place.
Secondly - and this I really didn't understand - this is a 2013 release. Okay, Sara gets into a room and locks the door. She gets on her computer, which takes vocal commands. And she's going to send an email. Well, I hope the person is checking messages.
No cell phone with a quick connection to 911? A phone she can keep on so she can be found, should she not be able to get out her address? Though in the time it took her to get onto her email, she certainly could have.
The woman is blind, and all she has if she needs help is a computer where she can e-mail someone? We know she had one while she was out. I think someone physically challenged would have it on her at all times.
I can't go on. Skip this movie. Rent Wait Until Dark where an entire audience screamed OUT LOUD at one part. They would have screamed here too - at the box office for their money back.
The storyline in "Penthouse North" was fairly generic and predictable, but it still made for an entertaining enough movie. However, it is not the type of movie that you watch more than once.
The story is about a war photographer by the name of Sara, who loses her eyesight while on assignment. Years later, living a reclusive life with her boyfriend, Sara comes home to find her boyfriend murdered and the killer still in the apartment.
Story-wise then "Penthouse North" wasn't particularly innovative or outstanding, but it was entertaining enough for what it turned out to be. It was adequately paced, but didn't really have many 'edge-of-your-seat' moments, which a good thriller should have.
What made the movie watchable was the acting performances of Michelle Monaghan and Michael Keaton.
There are far better and exciting thrillers available, but "Penthouse North" is still worth giving a chance. Who knows, it might just be what you have been looking for.
The story is about a war photographer by the name of Sara, who loses her eyesight while on assignment. Years later, living a reclusive life with her boyfriend, Sara comes home to find her boyfriend murdered and the killer still in the apartment.
Story-wise then "Penthouse North" wasn't particularly innovative or outstanding, but it was entertaining enough for what it turned out to be. It was adequately paced, but didn't really have many 'edge-of-your-seat' moments, which a good thriller should have.
What made the movie watchable was the acting performances of Michelle Monaghan and Michael Keaton.
There are far better and exciting thrillers available, but "Penthouse North" is still worth giving a chance. Who knows, it might just be what you have been looking for.
Almost came close to giving it a 6 but I don't really think it has much replay value so I'll just leave it at a five.
Got interested in watching this after being pleasantly surprised by Michael Keaton's performance as a hit-man in MERRY GENTLEMAN so I was a little let down when he hadn't shown up in the first 25 minutes, but once he pops up (closer to the 30 minute mark), he becomes one of the key characters in the film.
Has a bit of a rough start in terms of truly getting going and feels slightly amateurish but once it gets going it gets decent enough to keep watching, Michelle Monaghan initially felt a little miscast during the war-segments but once she goes blind she feels more natural.
And even though Michael Keaton never feels truly threatening his screen-presence speaks for itself and makes it work somehow, it helps that Monaghan portrays her characters fear very well.
Barry Sloane is the third lead in the film and he's just okay, not bad but he doesn't come across as terribly menacing either and doesn't have the same star-power charisma that helped Keaton to make his role a bit better than it was.
As far as the story goes, we've kinda seen it all before although minor details feel fresh but they could have done so much more with it.
Yeah overall not a great movie, but not a complete disaster either.
Decent to watch on a slow Sunday afternoon perhaps.
Got interested in watching this after being pleasantly surprised by Michael Keaton's performance as a hit-man in MERRY GENTLEMAN so I was a little let down when he hadn't shown up in the first 25 minutes, but once he pops up (closer to the 30 minute mark), he becomes one of the key characters in the film.
Has a bit of a rough start in terms of truly getting going and feels slightly amateurish but once it gets going it gets decent enough to keep watching, Michelle Monaghan initially felt a little miscast during the war-segments but once she goes blind she feels more natural.
And even though Michael Keaton never feels truly threatening his screen-presence speaks for itself and makes it work somehow, it helps that Monaghan portrays her characters fear very well.
Barry Sloane is the third lead in the film and he's just okay, not bad but he doesn't come across as terribly menacing either and doesn't have the same star-power charisma that helped Keaton to make his role a bit better than it was.
As far as the story goes, we've kinda seen it all before although minor details feel fresh but they could have done so much more with it.
Yeah overall not a great movie, but not a complete disaster either.
Decent to watch on a slow Sunday afternoon perhaps.
Lifetime Channel movies are getting better...a little. They are using more well known movie actors, like Michael Keaton in this one. Blindsided is still not an award winning script or performance but it's much better than some (mind you I'm a Lifetime movie watcher, no matter how sappy, although I'm using a bit more discretion with my time nowadays) This movie has decent acting & suspense. It's still a bit predictable, but keeps you interested. The lead Michelle Monaghan is believable (and pretty) as a blind woman pursued by criminals, who think she knows where their "goods" are hidden. It reminds me of Audrey Hepburn's, 1967 classic film, Wait Until Dark, a much better movie. If you need something to watch on a slow weekend this will do. If you are a Lifetime movie watcher, this is a good one. 6.5 stars in my humble opinion. Jan 2014 (watched when first aired on TV)
You might like this movie if you enjoyed: Columbus Circle (1996), Brake (2012)
Long Story Short: Sarah (Michelle Monaghan), a former Military photojournalist, has lost her sight due to an incident in Afghanistan. She lives in a penthouse with her boyfriend Ryan (Andrew W. Walker) and feels safe there even though her sister (Kaniehtiio Horn) and brother-in law (Trevor Hayes) constantly tell her that they don't trust Ryan. It turns out that Ryan does have a secret and, which gets Sarah in great danger.
Review: I have never heard of that movie before but I thought I give it a shot, and it was not a bog let down, but I wasn't blown away either. The beginning is very strong and has a few "Edge- of- your- seat" – moments, but it doesn't keep this pace up, especially since there aren't any twists besides one tiny one at the beginning. I am not sure how her past of being a photojournalist in Afghanistan helped developing the story either, as far as I am concerned they didn't even have to mention why she was blind. All these flashbacks from her past seemed like fillers to me. The acting was decent, I saw a few nice skyscraper shots, but I was hoping for a big reveal at the end which didn't happen. Penthouse House is definitely a one- time watch but not a bad one.
Rating: 5.5
Long Story Short: Sarah (Michelle Monaghan), a former Military photojournalist, has lost her sight due to an incident in Afghanistan. She lives in a penthouse with her boyfriend Ryan (Andrew W. Walker) and feels safe there even though her sister (Kaniehtiio Horn) and brother-in law (Trevor Hayes) constantly tell her that they don't trust Ryan. It turns out that Ryan does have a secret and, which gets Sarah in great danger.
Review: I have never heard of that movie before but I thought I give it a shot, and it was not a bog let down, but I wasn't blown away either. The beginning is very strong and has a few "Edge- of- your- seat" – moments, but it doesn't keep this pace up, especially since there aren't any twists besides one tiny one at the beginning. I am not sure how her past of being a photojournalist in Afghanistan helped developing the story either, as far as I am concerned they didn't even have to mention why she was blind. All these flashbacks from her past seemed like fillers to me. The acting was decent, I saw a few nice skyscraper shots, but I was hoping for a big reveal at the end which didn't happen. Penthouse House is definitely a one- time watch but not a bad one.
Rating: 5.5
क्या आपको पता है
- ट्रिवियाThis movie is being offered on Netflix under the alternate title "Blindsided".
- गूफ़Blood in large quantities has a strong metallic odor. The blind have heightened senses, so Sara would have noticed the smell of such a large pool of blood long before she stepped in it. Similarly, she would be able to detect the scent of an intruder, especially due to how close he was to her. She later said she smelled the men that were in her apartment.
- कनेक्शनReferenced in 60 Minutes: Prince vs. Spy/Running Dry/Michael Keaton (2021)
- साउंडट्रैकBullsh*t
By Umi NiiLampti
Performed by Umi
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Blindsided?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Blindsided
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $3,72,209
- चलने की अवधि
- 1 घं 30 मि(90 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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