IMDb रेटिंग
5.9/10
20 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA pianist with stage fright endures a performance under the eyes of a mysterious sniper, who will shoot and kill him if a wrong note is played.A pianist with stage fright endures a performance under the eyes of a mysterious sniper, who will shoot and kill him if a wrong note is played.A pianist with stage fright endures a performance under the eyes of a mysterious sniper, who will shoot and kill him if a wrong note is played.
- पुरस्कार
- 5 जीत और कुल 12 नामांकन
Beth Rollan
- Emma's Publicist
- (as a different name)
Richard Newby
- Executive
- (as Richard A. Newby)
Eric Goode
- Tom's Chauffeur
- (as Eric L. Goode)
फ़ीचर्ड समीक्षाएं
The amount of inconsistencies and wildly implausible things in this film, not even related to the story but related to the art of piano playing, really shouldn't be addressed. The film doesn't take itself seriously and clearly seems to know how preposterous it is, and it doesn't care. It has a hell of a lot of fun in what its doing, and by that I mean I did. There's a vibrant energy to this that really makes it pop and work like music in the best scenes, those scenes involving the tense plot work along with the concertos being played. It's really interesting and doesn't feel half-baked like so many thrillers do. Very fun film, definitely recommended.
When pitched the idea might have seemed novel if hardly riveting, (a concert pianist about to perform finds a note on his sheet music telling him that if he plays a wrong note he and/or his wife will be killed), but this thriller, penned by current Hot Young Thing Damien Chazelle and directed by Eugenio Mira, is surprisingly suspenseful. Indeed this is the kind of conceit that Hitchcock might have toyed with, (something similar was seen some years back when Colin Farrell found himself trapped in a phone-box with a sniper's rifle trained on him). Of course, that movie, "Phone Booth" had the streets of the city to play with; the problem facing Mira is how to keep us glued to a limited set, (in this case a concert hall), and a fixed time span, not to mention 'inflicting', on perhaps a less than enthusiastic audience, a lot of semi-classical music. That he, and lead actor Elijah Woods, as well as the off-screen voice of potential killer John Cusack, pull it off is a credit to them all. Also, for something so seemingly insular, Mira makes excellent use of the widescreen. Perhaps more destined for cult status than mass consumption but certainly worth seeing.
Suspenseful? -- not so much. But you will want to watch to the end because there is just enough happening to keep your attention.
This is an odd little movie with Wood playing a rather nervous pianist about to perform one of the most complex and challenging music compositions ever written. Then he discovers his life is on the line.
My problem was the constant running off and on stage during the performance because he appears to suffer more from a bowel or bladder issue. He is constantly up and down and running around throughout the concert but always back --- just in time for his piano playing! It got funny after awhile.
The set is pleasing and there aren't many surprises in the plot ... but watch to the very end because something happens!
This is an odd little movie with Wood playing a rather nervous pianist about to perform one of the most complex and challenging music compositions ever written. Then he discovers his life is on the line.
My problem was the constant running off and on stage during the performance because he appears to suffer more from a bowel or bladder issue. He is constantly up and down and running around throughout the concert but always back --- just in time for his piano playing! It got funny after awhile.
The set is pleasing and there aren't many surprises in the plot ... but watch to the very end because something happens!
A film that has clearly started with a high concept - like Speed but playing a piano rather than driving a bus - and the plot has been fitted round that. Having started from that fairly ludicrous premise, you might hope that the film would either embrace it and not take itself seriously, or find clever twists to add. Unfortunately it does neither. It's short enough to avoid being boring, and competently shot and acted, but really has very little to offer.
It's hard to think of the target audience for this - a run of the mill thriller based around classical music? - and I am mystified by its inclusion at the London Film Festival.
It's hard to think of the target audience for this - a run of the mill thriller based around classical music? - and I am mystified by its inclusion at the London Film Festival.
"I play piano, this is just another gig. Nothing else." Tom Selznick (Wood) is one of the most famous concert pianists in the world but 5 years ago he had a breakdown on stage and disappeared. Finally ready to come back to the art form he loves he stages a comeback appearance. He is as nervous as he as ever been when he starts to play, then he sees a note written on his music that makes him forget about his stage fright. The only problem is that his next note may be his last. As you know by now I watch as many movies as I can without watching the trailer first. Going in I was thinking...a movie about a piano concert with Frodo, sounds exciting (sarcasm). From the beginning I was intrigued and then it hit me. This movie is nothing like what I expected at all. A movie I expected to be about love of classical music ended up being more like Speed or Phonebooth. It was tense and exciting the entire time and I really liked it more then expected. Overall, keeps you on the edge of your seat the entire time. Very fast paced and exciting. I recommend this. I give this a high B+.
क्या आपको पता है
- ट्रिवियाWood had worked with a teacher three weeks prior to going to Barcelona and found it stressful having to play the piano and speak at the same time saying, "It was incredibly technical [...] lots of moments where it was jumping from where I'd play, listen to a click, listen to music, have to be in the right place and the right time and hear dialogue and repeat dialogue".
- गूफ़The opening drive into Chicago begins southbound on Lake Shore Drive, then northbound on LaSalle (recognizable from the Batman films), then south on Wabash, then suddenly across the river, coming east on Washington, where the car finally stops at the Lyric Opera building. The interiors were shot elsewhere, so nothing looks like the actual hall.
- क्रेज़ी क्रेडिट"The Impossible Piece" plays as the end credits roll.
- कनेक्शनFeatured in Dont' Miss a Note: The Making of Grand Piano (2014)
- साउंडट्रैकTen Happy Fingers
Written by Dr. Seuss (as Theodore Geisel) and Friedrich Hollaender (as Frederick Hollander)
from The 5,000 Fingers of Dr. T. (1953) (uncredited)
Used by permission of Shapiro Bernstein Spain Mood Music Division
Courtesy of Columbia Pictures Industries,Inc.
Under license from Sony Pictures Music group
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विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- 關鍵琴聲
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $22,555
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,964
- 9 मार्च 2014
- दुनिया भर में सकल
- $16,18,085
- चलने की अवधि
- 1 घं 30 मि(90 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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