Sightseers

Tina and Chris on the road. Caravan behind being towed. Incident on a tram. An unfortunate ram. Due to litter incongruously stowed

Tina and Chris on the road. Caravan in front being towed. An unfortunate fall. Calamitous sprawl. The price for being rather high browed

Tina and Chris at the pub. Quiet drink and a spot of pub grub. Over she goes. A splash as she throws. All because of the smallest of snubs.

Tina and Chris on a ramble. A pleasant countryside amble. Ends with a bludgeon. Hefty wooden truncheon. Locking horns with the pair is a gamble.

Tina upfront, Chris in bed. A cyclist appears up ahead. After brakes are applied. There's a body to hide. Road rage satisfied and duly fed.

Tina and Chris sit with Martin. He's unconventional and quite spartan. He'll soon meet his god. In his coffin like pod. But Chris will be irked and disheartened.

Tina and Chris viaduct. Preparing to be jointly plucked. A hell of a ride. The pair side by side. An outstanding black comical construct.

Ben Wheatley provides one of the year's darkest and funniest comedies in this tale of true love, caravans and dead bodies.

Ever since her terrier Poppy died in a bizarre knitting accident, Tina (Darkplace's Alice Lowe) has lived a sheltered life with her mother. New boyfriend Chris (Steve Oram) decides to show her his world and takes her on a self-proclaimed "erotic odyssey" in his caravan to such wonders as the Crich Tramway Museum, Ribblehead Viaduct and, of course, Keswick Pencil Museum. But with litterbug, National Trust snobs and feral youths running rampant, Tina and Chris inadvertently leave a trail of dead bodies in their wake, as their holiday continues to spiral out of control.

Steve Oram heads up the fantastic cast as the muted, yet brutal, Chris, complementing Alice Lowe's awkward, yet creepy, Tina perfectly. However, the real star is the special effects, which provide some of the most realistic and memorable on screen deaths of the year. The unsettling, albeit hilarious, performances of the two leads is mirrored in the soundtrack, a mix of cheery '80s pop songs and a haunting minimalist score.

Shot in the beautiful Lake District, director Ben Wheatley uses lingering shots and slow-mo in an innovative way, making his comedy edgy whilst poignant. No doubt, this is a very British black comedy. Wheatley shows directorial flair, but reigns it in from his previous work Kill List, leading to a much tighter film, with a concentration on the biting wit of the script.

Sightseers, overall, plays out like a cross between Bonnie & Clyde and In Bruges, leading to a perfect pitch-black comedy that's not for the faint hearted.

I was glad that booking this hilarious black comedy at the Melbourne International Film Festival was so worth it.

The story is centered around an odd couple; Chris (Steve Oram); who takes his girlfriend Tina (Alice Lowe) around the British towns of rural England for inspiration for a book he's writing, However their circumstances take unusual turns until things go horribly wrong.

I may of heard about director Ben Weatley's earlier films' but haven't caught up yet. This film however show he's a skilled filmmaker able to bring a promising film like this to viewers of adult comedy.

Sightseers is woefully original, full of witty dialouge, charming characters and some of the best British Black Humour I have seen in a long time if not ever. There's so many laugh out loud moments I just really feel that this film should be given a limited release in Australia. Its was such a great surprise, by far my favourite film of the Melbourne Intrnational Film Festival.

I do highly recommend this gem of recent British cinema.

4/5

When you think of all the millions of dollars invested into epic Hollywood blockbusters, then they turn out to be complete turkeys, you'll be heartened to know that there are still brilliant films being made on a fraction of the budget.

If Lord of the Rings was basically an advert for New Zealand's magnificent landscape, then Sightseers does the same job for the north of England. It's about your 'average' couple as they take their first holiday together, i.e. a romantic caravaning tour of the countryside. However, things soon start taking a turn for the worse and the dead bodies soon start piling up.

I won't go into too much detail about the plot. Some films are better that you know as little as possible about them. All you really need to know about Sightseers is that it comprises of the blackest of comedy around. The humour and tone is very dark indeed. If you think you can laugh at some characters with real human frailties, as they come to terms with each other and how they see life, then you should enjoy this.

It really is a true gem. Sadly Sightseers will never attain the dizzy heights of Hollywood's output, but it really deserves its place as a great British film.

Sightseers is a black comedy that favours a few really good and highly quotable jokes over a constant stream of them. It's a suitably bleak depiction of a caravan holiday that goes wrong with a story of tainted love at its centre revolving around two people who truly bring out the worst in each other.

Alice Lowe and Steve Oram are a wonderful pairing as they constantly switch from being madly in love to literally at each other's throats. It's really impressive how quickly they can switch between the two and Alice Lowe in particular, is amazing at using a childlike innocence to hide the fact that she's got a real darkness inside.

Ben Wheatley's direction makes everything look bleak whilst still finding time for some more surreal dream sequences that fit in naturally. All the kills are executed in an unflinching fashion as they happen quickly and without warning, plus the soundtrack is surprisingly good with the songs employed in the most twisted ways.