अपनी भाषा में प्लॉट जोड़ेंFascinated by an enigmatic woman who steals his attention, an ordinary man whose life is marked by monotony finds himself immersed in an intense romance that drags him into an unpredictable ... सभी पढ़ेंFascinated by an enigmatic woman who steals his attention, an ordinary man whose life is marked by monotony finds himself immersed in an intense romance that drags him into an unpredictable journey.Fascinated by an enigmatic woman who steals his attention, an ordinary man whose life is marked by monotony finds himself immersed in an intense romance that drags him into an unpredictable journey.
Sean Zerbe
- Rookie Cop
- (as Sean C. Zerbe)
Brandon Delsid
- Las Vegas Hotel Receptionist
- (as a different name)
फ़ीचर्ड समीक्षाएं
A really enjoyable, delightful movie, it was so refreshing to watch it. It's so typical of today's world that everybody finds something to criticise, to have a negative opinion on things. If there's an action movie, it's a problem that everybody is fighting, shooting, not getting hurt. If there's a romantic movie, it's full of unrealistic cliches. There's this movie, you will miss the sanity, the seriousness from it. But why? You should accept movies for what they are. This is an insane, funny, lovely story for an easy, light entertainment. And it also has a hidden message, you just have to find it. But don't think too hard, just sit down, relax and enjoy it.
First of all "Stand in the sun with me" what a great song by Alexiane.
Story is farfetched but it's the journey not the destination that matters and Luc Besson took me on a trip I didn't realised I needed. Do we do everything with our lives that's available to us or are we just existing for the sake of existence. That's a question everyone will have to answer themselves. Sure movie looks amateurish at times. But that's were it charm lays. I would say give it a go. Not everyone does jumping without a parachute. But sometimes that's what you need to do... Ps. I will never look at tree hugging with confusion again.
Story is farfetched but it's the journey not the destination that matters and Luc Besson took me on a trip I didn't realised I needed. Do we do everything with our lives that's available to us or are we just existing for the sake of existence. That's a question everyone will have to answer themselves. Sure movie looks amateurish at times. But that's were it charm lays. I would say give it a go. Not everyone does jumping without a parachute. But sometimes that's what you need to do... Ps. I will never look at tree hugging with confusion again.
"June and John" is an anarchic fable disguised as a love story, a small bomb thrown into the heart of post-industrial bourgeois, politically correct values. Watching it feels like being pulled by the hand into a dream where the rules of work, family, legality-even sanity-begin to dissolve, and what remains is a raw, poetic urge for freedom.
June isn't just a character; she's a spark-wild, intuitive, dangerously alive. John, her opposite, starts as a prisoner of routine, almost a parody of the modern man: alienated, passive, half-asleep. Their encounter is explosive. They don't "fall in love" in any traditional sense-they ignite, and with them, the film burns down the empty temples of productivity, respectability, and all the tired ideals of a society obsessed with stability.
There's something utopian and childish in their rebellion, as if they were trying to live a life no one dares to even imagine anymore. It's not about crime or politics-it's about refusing to live according to someone else's script. The film doesn't preach, but it seduces you into wondering what would happen if you stopped obeying.
More than a story, June and John is a provocation: gentle, surreal, but with teeth. It reminded me that under the skin of our neatly arranged lives, something wild and urgent still pulses. Not everything in it works, but maybe that's the point. It's a mess you don't want to clean up.
June isn't just a character; she's a spark-wild, intuitive, dangerously alive. John, her opposite, starts as a prisoner of routine, almost a parody of the modern man: alienated, passive, half-asleep. Their encounter is explosive. They don't "fall in love" in any traditional sense-they ignite, and with them, the film burns down the empty temples of productivity, respectability, and all the tired ideals of a society obsessed with stability.
There's something utopian and childish in their rebellion, as if they were trying to live a life no one dares to even imagine anymore. It's not about crime or politics-it's about refusing to live according to someone else's script. The film doesn't preach, but it seduces you into wondering what would happen if you stopped obeying.
More than a story, June and John is a provocation: gentle, surreal, but with teeth. It reminded me that under the skin of our neatly arranged lives, something wild and urgent still pulses. Not everything in it works, but maybe that's the point. It's a mess you don't want to clean up.
The "manic pixie dream girl" trope has been dissected to death, and I get it. But I'm not one of those people. I actually love the trope when it's handled with care and creativity. We've probably seen hundreds of films that play with some variation of it. Some are good, some are great, and some are downright terrible.
This film falls squarely in the terrible category.
Nothing works here. The acting is wooden, the story is painfully bland, and the direction is as uninspired as the atrocious dialogue. It feels like a soulless attempt to cash in on a trope without understanding what makes it compelling in the first place.
Compare this to Marmalade (2024), which came out just last year. That film completely reinvented the trope, giving it a fresh, meaningful twist that actually made it interesting again. This one? It's just a lazy mess.
This film falls squarely in the terrible category.
Nothing works here. The acting is wooden, the story is painfully bland, and the direction is as uninspired as the atrocious dialogue. It feels like a soulless attempt to cash in on a trope without understanding what makes it compelling in the first place.
Compare this to Marmalade (2024), which came out just last year. That film completely reinvented the trope, giving it a fresh, meaningful twist that actually made it interesting again. This one? It's just a lazy mess.
I read the title from song review once and it stuck to my mind. Now it's appropriate time to use it. The June character reminds me of Leeloo from 5th Element and theme is similar "love conquers all". Luc Besson wrote 5th Element as a teenager. I don't know when he wrote this story but it certainly feels like a work of teenager. Perhaps I'm just too old but this is very juvenile and unoriginal fairy-tale full of cliches.
The biggest problem however is that it does not really touch or raise any emotions other than cringe. I don't know if it works better when you are teenager watching it with your first date. I was just left wondering did teenage-Luc have some real-life free spirited girl he adored from distance and later used in this Leeloo / June character?
The biggest problem however is that it does not really touch or raise any emotions other than cringe. I don't know if it works better when you are teenager watching it with your first date. I was just left wondering did teenage-Luc have some real-life free spirited girl he adored from distance and later used in this Leeloo / June character?
क्या आपको पता है
- ट्रिवियाThe movie was filmed with a mobile phone
- साउंडट्रैकOsez Joséphine
Music by Alain Bashung
Lyrics by Alain Bashung and Jean Fauque
Performed by Alain Bashung
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is June and John?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $2,52,785
- चलने की अवधि1 घंटा 32 मिनट
- रंग
- पक्ष अनुपात
- 2.35 : 1
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