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12 Years a Slave

  • 2013
  • A
  • 2 घं 14 मि
IMDb रेटिंग
8.1/10
7.7 लाख
आपकी रेटिंग
लोकप्रियता
534
267
Chiwetel Ejiofor in 12 Years a Slave (2013)
In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery.
trailer प्ले करें2:27
38 वीडियो
99+ फ़ोटो
Costume DramaDocudramaEpicPeriod DramaPsychological DramaTragedyBiographyDramaHistory

एक मुक्त आफ़्रीकी अमेरिकी व्यक्ति सोलोमन नॉर्थप को, ब्राउन और हैमिल्टन द्वारा एक नौकरी देने का वादा किया जाता है. हालांकि वाशिंगटन डीसी पहुंचने के बाद, उसे पता चलता है कि उसे गुलामी में बेच ... सभी पढ़ेंएक मुक्त आफ़्रीकी अमेरिकी व्यक्ति सोलोमन नॉर्थप को, ब्राउन और हैमिल्टन द्वारा एक नौकरी देने का वादा किया जाता है. हालांकि वाशिंगटन डीसी पहुंचने के बाद, उसे पता चलता है कि उसे गुलामी में बेच दिया गया है.एक मुक्त आफ़्रीकी अमेरिकी व्यक्ति सोलोमन नॉर्थप को, ब्राउन और हैमिल्टन द्वारा एक नौकरी देने का वादा किया जाता है. हालांकि वाशिंगटन डीसी पहुंचने के बाद, उसे पता चलता है कि उसे गुलामी में बेच दिया गया है.

  • निर्देशक
    • Steve McQueen
  • लेखक
    • John Ridley
    • Solomon Northup
  • स्टार
    • Chiwetel Ejiofor
    • Michael Kenneth Williams
    • Michael Fassbender
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.1/10
    7.7 लाख
    आपकी रेटिंग
    लोकप्रियता
    534
    267
    • निर्देशक
      • Steve McQueen
    • लेखक
      • John Ridley
      • Solomon Northup
    • स्टार
      • Chiwetel Ejiofor
      • Michael Kenneth Williams
      • Michael Fassbender
    • 1Kयूज़र समीक्षाएं
    • 468आलोचक समीक्षाएं
    • 96मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • टॉप रेटेड मूवी #190
    • 3 ऑस्कर जीते
      • 244 जीत और कुल 338 नामांकन

    वीडियो38

    UK Trailer
    Trailer 2:27
    UK Trailer
    Trailer #1
    Trailer 2:29
    Trailer #1
    Trailer #1
    Trailer 2:29
    Trailer #1
    12 Years a Slave
    Trailer 2:21
    12 Years a Slave
    The Rise of Chiwetel Ejiofor
    Clip 4:09
    The Rise of Chiwetel Ejiofor
    12 Years a Slave
    Clip 0:41
    12 Years a Slave
    12 Years a Slave
    Clip 0:56
    12 Years a Slave

    फ़ोटो206

    पोस्टर देखें
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    पोस्टर देखें
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    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Chiwetel Ejiofor
    Chiwetel Ejiofor
    • Solomon Northup
    Michael Kenneth Williams
    Michael Kenneth Williams
    • Robert
    Michael Fassbender
    Michael Fassbender
    • Edwin Epps
    Brad Pitt
    Brad Pitt
    • Bass
    Dwight Henry
    Dwight Henry
    • Uncle Abram
    Dickie Gravois
    • Overseer
    Bryan Batt
    Bryan Batt
    • Judge Turner
    Ashley Dyke
    Ashley Dyke
    • Anna
    Kelsey Scott
    Kelsey Scott
    • Anne Northup
    Quvenzhané Wallis
    Quvenzhané Wallis
    • Margaret Northup
    Cameron Zeigler
    • Alonzo Northup
    Tony Bentley
    Tony Bentley
    • Mr. Moon
    Scoot McNairy
    Scoot McNairy
    • Brown
    Taran Killam
    Taran Killam
    • Hamilton
    Christopher Berry
    Christopher Berry
    • Burch
    Bill Camp
    Bill Camp
    • Radburn
    Mister Mackey Jr.
    • Randall
    Chris Chalk
    Chris Chalk
    • Clemens
    • निर्देशक
      • Steve McQueen
    • लेखक
      • John Ridley
      • Solomon Northup
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं1K

    8.1767.5K
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    सारांश

    Reviewers say '12 Years a Slave' is a powerful film highlighting the brutal realities of slavery through the true story of Solomon Northup. Themes of resilience and systemic racial oppression are prominent. Chiwetel Ejiofor, Michael Fassbender, and Lupita Nyong'o deliver intense, realistic performances. Some criticize the graphic violence as overwhelming, while others argue the film oversimplifies slavery by focusing on one individual. Despite these criticisms, it is widely regarded as significant and impactful.
    यूज़र की समीक्षाओं के टेक्स्ट से AI द्वारा जेनरेट किया गया

    फ़ीचर्ड समीक्षाएं

    8ferguson-6

    Live, not just Survive

    Greetings again from the darkness. Should this be labeled a historical drama? Is it one man's extraordinary tale of strength and survival? Does this fall into the "art film" category that so divides the movie-going public? The answer to all is YES, and I would add that it's a masterfully crafted film with exquisite story telling, stunning photography and top notch acting throughout.

    The movie is based on the real life and writings of Solomon Northrup, a free man who was kidnapped and sold into slavery from 1841-53. Northrup's story provides us a look inside the despicable institution of slavery. Needless to say, it's a painful and sad process made even more emotional by the work of director Steve McQueen (Hunger, Shame). McQueen takes a very direct approach. Not much is left to the imagination. Torture, abuse, cruelty and misery take up the full screen. The only subtlety comes from the terrific work of Chiwetel Ejiofor as Northrup. His facial expressions and eyes are more powerful and telling than any lines of dialogue could be.

    You will not find many details from the movie here. This is one to experience for yourself. It lacks the typical Hollywood agenda when it comes to American history. Instead this era is presented through the eyes of a single wronged man and his quest to return to his wife and kids, no matter the inhumane obstacles. We see Paul Giamatti as an emotionless, all-business slave trader. Benedict Cumberbatch is a plantation owner who has a heart, but lacks business savvy. And finally we enter the world of cotton farmer Michael Fassbender, who twists Bible scripture into threats directed at the slaves - his "property".

    Fassbender dives deep into evil to find his character, and along with Ejiofor, Sarah Paulsen (who plays Fassbender's icy wife), and Lupita Nyong'o (who plays slave Patsey, the center of the two most incredible scenes in the film), provide more Oscar worthy performances than any one movie can expect. You will also note Quvenzhane Wallis (as Northrup's daughter) and Dwight Henry (as a slave) in their first appearances since Beasts of the Southern Wild. Other strong support comes from Scoot McNairy, Taran Killam (SNL), Michael K Williams, Alfre Woodward, a nasty Paul Dano, Garret Dillahunt and Adepero Oduye.

    Steven Spielberg gave us a taste of the holocaust with Schindler's List, but not since the TV mini-series "Roots" has any project come so close to examining the realities of slavery. Northrup's story seems to be from a different universe than the charming slaves of Gone with the Wind. I would argue that what makes this watchable (though very difficult) is the focus on Northrup's story. While tragic, his ending actually deflects from the ongoing plight of those not so fortunate. It's a story of a man who states he doesn't wish to merely survive, he wants to live a life worth living.

    McQueen's direction will certainly be front and center come awards season, as will many of the actors, John Ridley (the screenwriter), Sean Bobbitt (cinematographer) and Hans Zimmer (score). The only question is whether the subject matter is too tough for Oscar voters, who traditionally lean towards projects a bit more mainstream.
    10lee_eisenberg

    nothing can show us the full brutality of slavery, but this comes close

    Solomon Northup's story of his kidnapping and sale into slavery got widely read upon its original publication but then disappeared as the Confederates built up an idealized image of the antebellum south (exemplified in "Gone with the Wind"). Now that Northup's story has gotten brought to the screen, it's important for everyone to see it. "12 Years a Slave" not only takes an uncompromising look at the sheer brutality of slavery, but also shows how nothing could take away Northup's dignity and his hope that he would one day be a free man again. One of the ugliest scenes is the whipping of a slave for perceived disobedience.

    Most of the credit goes to Chiwetel Ejiofor as Northup, showing him to be a man who wouldn't let even the most vicious treatment break him. The rest of the cast deserves ample kudos, but Steve McQueen deserves credit for bringing to the screen a story that got suppressed for over a century.

    This movie should also motivate us all to take a serious look at the plantation system and the fact that the US economy got built on it. George Washington and Thomas Jefferson owned slaves, and the White House is the product of slave labor.

    In the end, this definitely deserved Best Picture. Three quarters of a century after the pro-Confederate "Gone with the End" won big, we are finally seeing atonement. If you see only one movie this year, make it "12 Years a Slave".
    10thamanidelgardo-822-410218

    And the Oscar goes to...

    chitchens fan • 2 hours ago △ ▽

    −

    Well, to begin, I cannot remember the last time I could not get up at the end of a movie. I literally could not rise up from my seat. My body felt as though it were being weighed down by something considerably larger and heavier than myself... History had it's way with me( I am an African American woman). Thank you Mr. McQueen, Mr. Ejiofor, Ms. Nyong'o, Ms. Paulson and others, and yes, even Mr. Fassbender. I am not a film critic nor a movie hobbyist, although I try to stay current, but what I am is a human being trying to understand the various problems and issues within our country. This movie is a potent reminder of why we are where we are as a society today. How man can be so unflinchingly cruel to his fellow man, especially if he looks, speaks or behaves differently, I will never understand.
    rogerdarlington

    A very special piece of film making

    Let's be honest about it: this spotlight on the darkest days of American history is a particularly British triumph. The brilliant director (and artist) Steve McQueen and outstanding Chiwetel Ejiofor, as the eponymous Solomon Northup, are both British; even Michael Fassbender, in the main support role as a sadistically brutal slave-owner, is half British; and Benedict Cumberbatch makes an appearance as a 'kinder' slave owner.

    But, of course, there is a vast array of American talent here too. As always, Sean Bobbitt is inspiring as director of photography, making full use of the Louisiana locations. And a host of fine US actors make cameo appearances, notably Brad Pitt (who was one of the 10 producers), Paul Giamatti (looking as if he had walked straight out of the TV mini series "John Adams"), Sarah Paulson and Alfre Woodard. In her first film role, Lupita Nyong'o gives a heart-rending performance as a young slave who is horrendously abused. Original music by Hans Zimmer and use of contemporary songs add to the searing atmosphere of the work

    McQueen is unrelenting in his focus: except for short pieces at the beginning and the end of the film, all the time is the period in captivity and, except for occasional glimpses of humanity, we see the slaves subjected to humiliation and horror again and again and again. McQueen's style is slow and penetrating with some long and wordless scenes totally captivating.

    As a piece of social history, this movie is simply stunning - a virtual blow to the solar plexus. As a cinematic work, it has some challenges: there is no conventional narrative arc in which a plot unfolds or a character develops because Northrup is confined to a small geographical space where he can only survive by keeping as low a profile as possible; the characters are literally black and white with little subtlety or nuance; and there is not really a sense that the period of incarceration is more than a decade.

    At the start and finish of the film, we are reminded that this is a true story based on the book written by Northup in 1853, once he finally re-acquired his freedom (in a pedestrian act of bureaucracy rather than anything more dramatic or violent). As if Northup has not suffered enough, we learn that his legal actions against both those who sold and bought him failed in the courts. A special award should go to McQueen's Dutch partner Bianca Stigter who discovered Northup's book and recommended it to the director.
    9Sergeant_Tibbs

    12 Years A Slave earns the right to be called one of the best films of the year.

    If any contemporary director deserves to be in the mainstream spotlight without compromising their style, it's Steve McQueen. His debut, Hunger, already had the hand of a confident filmmaker taking a fly-on-the-wall style to the grimy art-house. Shame was one of the finest films of its year for its impeccable depiction of an addiction to one of humanity's primal survival instincts resulting in self-destruction. I'm so happy that his latest film has gracefully conquered early Oscar favourites from the output of David O. Russell, Martin Scorsese and the now delayed film from George Clooney to become this year's Oscar frontrunner. During its festival run when the buzz first began, I took it upon myself to read the screenplay. While I can usually sink scripts within a few hours, the poetic density of 12 Years A Slave took several sittings across a week or two. Even on the page it was a harrowing, exhausting experience. It's a film that needs a have a gut to truly display the length of time, but the script is bloated in its brilliance.

    Naturally, scenes were cut (whether in the editing room or pre-production I don't know) and that's a blessing and a curse. Now in the film, we rush to Solomon Northup's capture, opening with scenes we shall revisit later on. I understand the decision to enter the world as quickly as possible, but I do feel it hurts its first act. As much as I jump for joy every time Scoot McNairy hides himself in a film, the transition from ordinary life to becoming kidnapped feels jarring and contrived. Who is Solomon Northup as a free man? What does he want? Maybe we don't know because there is no source for the matter. Maybe McQueen isn't interested in telling that story. At the very least, we definitely know that Solomon is a compelling character during his capture. Chiwetel Ejiofor is an actor I've always liked but he's never made an impression until now. His passion and commitment to his portrayal of Solomon is utterly captivating. While he can slink into the background of some scenes where he is not the focus, when it's time to shine he bursts a fuse.

    Unfortunately during this cluttered first act, it concerns itself too much with subplots that we know will not succeed. While they accomplish establishing the stakes at hand and rule out the 'why doesn't Solomon just…' there's just too many abridged tales. Perhaps this is distracting just because I know the full stories from the script, but they should've went all or nothing with them. It results in editing that frustratingly refuses to let us into Solomon's headspace. We're along for the ride, but too frequently not Solomon's ride. During then we only get rare and rewarding glimpses into how he feels and his perspective on his past life stolen from him. Fortunately the film vastly improves once Solomon is free from the deliciously cruel Paul Giamatti to the spiteful live-wire Paul Dano. As the film focuses on his one-on-one conflicts and moral dilemmas, the film reaches intimate and truly challenging moments which is where the film's power lies. Fruitless subplots are dropped in favour of heartbreaking ones as we're introduced to the pitiful Patsey on the pathetic Edwin Epps' plantation.

    Michael Fassbender and Steve McQueen have been one of the most enthralling director/actor combination in recent years. They always bring out the best in each other. Here, it feels like they've reached their finest work yet, but still feels like their collaboration has just began. Fassbender's Edwin Epps is the film's most fascinating and complex character, a man who sincerely refuses to believe he is evil. He demonstrates the thesis of the film in that the authoritative caucasians didn't believe they were doing anything wrong. Many people have laid claim that he is pure evil, but I don't think that's the point, he belongs in a misguided world where he thinks his lust and affection is apt praise for Patsey's talent. While I may not have sympathy for him, he is a tortured soul, a regrettable and irreversible tragedy of mankind and this is thanks to Fassbender's incredible performance. His victim Patsey, played by talented newcomer Lupita Nyong'o, is an utter revelation. She may not have a fully developed character but in at least two powerful scenes, she makes the best out of what she can for a character that warrants the tears you will inevitably shed.

    One of the most consistent aspects of McQueen's films is the magnificent taste in cinematography and production design. Presumably from his art background, he's great at immersing you into his bleak visual worlds. Working with Sean Bobbit again, the cinematography is reliably enchanting. In true McQueen style, if a character must endure patiently, in this case Solomon hanging from a noose on the tips of his toes, we must endure with them. No shot this year, not even in the extraordinary Gravity, has been as stunning and unforgettable as the infamous long take of Patsey's lashes. It's a filmmaking masterclass in just a few short minutes. Despite the shaky first half hour, it's all redeemed in its harrowing final 15 minutes. It's the greatest sequence I've seen in a long time and I've never had a scene make me a blubbering mess quite like it. Yes, the jump to his kidnapping feels abrupt and there's no sense of relief to his inevitable freedom, but this is all calculated to mirror the struggle of his experience and we've felt every beat. 12 Years A Slave is a powerful testament to the endurance of the human spirit with its theme of injustice applicable to any point in history that earns the right to be one of the best of the year. After a string of lightweight Best Picture choices from the Academy, this will be a refreshing choice.

    9/10

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The tree where Solomon sees several men being lynched was actually used for lynching, and is surrounded by the graves of murdered slaves.
    • गूफ़
      When "Platt" is explaining how to bring the logs down the river, the overseer scornfully asks him where he became an expert in engineering and "terraforming." This a word coined by science fiction author Jack Williamson in 1942, almost exactly 100 years after the scene takes place.
    • भाव

      Edwin Epps: If something rubs you wrongly, I offer you the opportunity to speak on it.

      Bass: [exhales] Well, you ask plainly, so I will tell you plainly. What amused me just then was your concern for my wellbeing in this heat when, quite frankly, the condition of your laborers...

      Edwin Epps: The condition of my laborers?

      Bass: It is horrid.

      Edwin Epps: The hell?

      [chuckles]

      Bass: It's all wrong. All wrong, Mr. Epps.

      Edwin Epps: They ain't hired help. They're my property.

      Bass: You say that with pride.

      Edwin Epps: I say it as fact.

      Bass: If this conversation concerns what is factual and what is not, then it must be said that there is no justice nor righteousness in their slavery. But you do open up an interesting question. What right have you to your niggers, when you come down to the point?

      Edwin Epps: What right?

      Bass: Mmm

      Edwin Epps: I bought 'em. I paid for 'em.

      Bass: Well, of course you did, and the law says you have the right to hold a nigger. But begging the law's pardon, it lies. Suppose they pass a law taking away your liberty, making you a slave. Suppose.

      Edwin Epps: That ain't a supposable case.

      Bass: Laws change, Epps. Universal truths are constant. It is a fact, a plain and simple fact, that what is true and right is true and right for all. White and black alike.

      Edwin Epps: You comparing me to a nigger, Bass?

      Bass: I'm only asking, in the eyes of God, what is the difference?

      Edwin Epps: You might as well ask what the difference is between a white man and a baboon.

      [chuckles]

      Edwin Epps: I seen one of them critters in Orleans. Know just as much as any nigger I got.

      Bass: Listen, Epps, these niggers are human beings. If they are allowed to climb no higher than brute animals, you and men like you will have to answer for it. There is an ill, Mr. Epps. A fearful ill resting upon this nation. And there will be a day of reckoning yet.

    • क्रेज़ी क्रेडिट
      "Solomon brought the men responsible for his abduction to trial. Unable to testify against whites in the nation's capital, he lost the case against the slave pen owner, James Burch. After lengthy legal proceedings in New York, his kidnappers Hamilton and Brown also avoided prosecution."
    • कनेक्शन
      Featured in The Onion Film Standard: 12 Years a Slave (2013)
    • साउंडट्रैक
      My Lord, Sunshine
      Written by Nicholas Britell

      Performed by Roosevelt Credit and David Hughey

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल30

    • How long is 12 Years a Slave?Alexa द्वारा संचालित
    • Was that slave girl at the beginning raping Solomon?
    • Is '12 Years a Slave' based on a book?
    • Did Solomon really play the violin?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
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