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12 Years a Slave

  • 2013
  • A
  • 2 घं 14 मि
IMDb रेटिंग
8.1/10
7.7 लाख
आपकी रेटिंग
लोकप्रियता
534
267
Chiwetel Ejiofor in 12 Years a Slave (2013)
In the antebellum United States, Solomon Northup, a free black man from upstate New York, is abducted and sold into slavery.
trailer प्ले करें2:27
38 वीडियो
99+ फ़ोटो
Costume DramaDocudramaEpicPeriod DramaPsychological DramaTragedyBiographyDramaHistory

एक मुक्त आफ़्रीकी अमेरिकी व्यक्ति सोलोमन नॉर्थप को, ब्राउन और हैमिल्टन द्वारा एक नौकरी देने का वादा किया जाता है. हालांकि वाशिंगटन डीसी पहुंचने के बाद, उसे पता चलता है कि उसे गुलामी में बेच ... सभी पढ़ेंएक मुक्त आफ़्रीकी अमेरिकी व्यक्ति सोलोमन नॉर्थप को, ब्राउन और हैमिल्टन द्वारा एक नौकरी देने का वादा किया जाता है. हालांकि वाशिंगटन डीसी पहुंचने के बाद, उसे पता चलता है कि उसे गुलामी में बेच दिया गया है.एक मुक्त आफ़्रीकी अमेरिकी व्यक्ति सोलोमन नॉर्थप को, ब्राउन और हैमिल्टन द्वारा एक नौकरी देने का वादा किया जाता है. हालांकि वाशिंगटन डीसी पहुंचने के बाद, उसे पता चलता है कि उसे गुलामी में बेच दिया गया है.

  • निर्देशक
    • Steve McQueen
  • लेखक
    • John Ridley
    • Solomon Northup
  • स्टार
    • Chiwetel Ejiofor
    • Michael Kenneth Williams
    • Michael Fassbender
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    8.1/10
    7.7 लाख
    आपकी रेटिंग
    लोकप्रियता
    534
    267
    • निर्देशक
      • Steve McQueen
    • लेखक
      • John Ridley
      • Solomon Northup
    • स्टार
      • Chiwetel Ejiofor
      • Michael Kenneth Williams
      • Michael Fassbender
    • 1Kयूज़र समीक्षाएं
    • 468आलोचक समीक्षाएं
    • 96मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • टॉप रेटेड मूवी #190
    • 3 ऑस्कर जीते
      • 244 जीत और कुल 338 नामांकन

    वीडियो38

    UK Trailer
    Trailer 2:27
    UK Trailer
    Trailer #1
    Trailer 2:29
    Trailer #1
    Trailer #1
    Trailer 2:29
    Trailer #1
    12 Years a Slave
    Trailer 2:21
    12 Years a Slave
    The Rise of Chiwetel Ejiofor
    Clip 4:09
    The Rise of Chiwetel Ejiofor
    12 Years a Slave
    Clip 0:41
    12 Years a Slave
    12 Years a Slave
    Clip 0:56
    12 Years a Slave

    फ़ोटो206

    पोस्टर देखें
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    टॉप कलाकार99+

    बदलाव करें
    Chiwetel Ejiofor
    Chiwetel Ejiofor
    • Solomon Northup
    Michael Kenneth Williams
    Michael Kenneth Williams
    • Robert
    Michael Fassbender
    Michael Fassbender
    • Edwin Epps
    Brad Pitt
    Brad Pitt
    • Bass
    Dwight Henry
    Dwight Henry
    • Uncle Abram
    Dickie Gravois
    • Overseer
    Bryan Batt
    Bryan Batt
    • Judge Turner
    Ashley Dyke
    Ashley Dyke
    • Anna
    Kelsey Scott
    Kelsey Scott
    • Anne Northup
    Quvenzhané Wallis
    Quvenzhané Wallis
    • Margaret Northup
    Cameron Zeigler
    • Alonzo Northup
    Tony Bentley
    Tony Bentley
    • Mr. Moon
    Scoot McNairy
    Scoot McNairy
    • Brown
    Taran Killam
    Taran Killam
    • Hamilton
    Christopher Berry
    Christopher Berry
    • Burch
    Bill Camp
    Bill Camp
    • Radburn
    Mister Mackey Jr.
    • Randall
    Chris Chalk
    Chris Chalk
    • Clemens
    • निर्देशक
      • Steve McQueen
    • लेखक
      • John Ridley
      • Solomon Northup
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं1K

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    सारांश

    Reviewers say '12 Years a Slave' is a powerful film highlighting the brutal realities of slavery through the true story of Solomon Northup. Themes of resilience and systemic racial oppression are prominent. Chiwetel Ejiofor, Michael Fassbender, and Lupita Nyong'o deliver intense, realistic performances. Some criticize the graphic violence as overwhelming, while others argue the film oversimplifies slavery by focusing on one individual. Despite these criticisms, it is widely regarded as significant and impactful.
    यूज़र की समीक्षाओं के टेक्स्ट से AI द्वारा जेनरेट किया गया

    फ़ीचर्ड समीक्षाएं

    9Sergeant_Tibbs

    12 Years A Slave earns the right to be called one of the best films of the year.

    If any contemporary director deserves to be in the mainstream spotlight without compromising their style, it's Steve McQueen. His debut, Hunger, already had the hand of a confident filmmaker taking a fly-on-the-wall style to the grimy art-house. Shame was one of the finest films of its year for its impeccable depiction of an addiction to one of humanity's primal survival instincts resulting in self-destruction. I'm so happy that his latest film has gracefully conquered early Oscar favourites from the output of David O. Russell, Martin Scorsese and the now delayed film from George Clooney to become this year's Oscar frontrunner. During its festival run when the buzz first began, I took it upon myself to read the screenplay. While I can usually sink scripts within a few hours, the poetic density of 12 Years A Slave took several sittings across a week or two. Even on the page it was a harrowing, exhausting experience. It's a film that needs a have a gut to truly display the length of time, but the script is bloated in its brilliance.

    Naturally, scenes were cut (whether in the editing room or pre-production I don't know) and that's a blessing and a curse. Now in the film, we rush to Solomon Northup's capture, opening with scenes we shall revisit later on. I understand the decision to enter the world as quickly as possible, but I do feel it hurts its first act. As much as I jump for joy every time Scoot McNairy hides himself in a film, the transition from ordinary life to becoming kidnapped feels jarring and contrived. Who is Solomon Northup as a free man? What does he want? Maybe we don't know because there is no source for the matter. Maybe McQueen isn't interested in telling that story. At the very least, we definitely know that Solomon is a compelling character during his capture. Chiwetel Ejiofor is an actor I've always liked but he's never made an impression until now. His passion and commitment to his portrayal of Solomon is utterly captivating. While he can slink into the background of some scenes where he is not the focus, when it's time to shine he bursts a fuse.

    Unfortunately during this cluttered first act, it concerns itself too much with subplots that we know will not succeed. While they accomplish establishing the stakes at hand and rule out the 'why doesn't Solomon just…' there's just too many abridged tales. Perhaps this is distracting just because I know the full stories from the script, but they should've went all or nothing with them. It results in editing that frustratingly refuses to let us into Solomon's headspace. We're along for the ride, but too frequently not Solomon's ride. During then we only get rare and rewarding glimpses into how he feels and his perspective on his past life stolen from him. Fortunately the film vastly improves once Solomon is free from the deliciously cruel Paul Giamatti to the spiteful live-wire Paul Dano. As the film focuses on his one-on-one conflicts and moral dilemmas, the film reaches intimate and truly challenging moments which is where the film's power lies. Fruitless subplots are dropped in favour of heartbreaking ones as we're introduced to the pitiful Patsey on the pathetic Edwin Epps' plantation.

    Michael Fassbender and Steve McQueen have been one of the most enthralling director/actor combination in recent years. They always bring out the best in each other. Here, it feels like they've reached their finest work yet, but still feels like their collaboration has just began. Fassbender's Edwin Epps is the film's most fascinating and complex character, a man who sincerely refuses to believe he is evil. He demonstrates the thesis of the film in that the authoritative caucasians didn't believe they were doing anything wrong. Many people have laid claim that he is pure evil, but I don't think that's the point, he belongs in a misguided world where he thinks his lust and affection is apt praise for Patsey's talent. While I may not have sympathy for him, he is a tortured soul, a regrettable and irreversible tragedy of mankind and this is thanks to Fassbender's incredible performance. His victim Patsey, played by talented newcomer Lupita Nyong'o, is an utter revelation. She may not have a fully developed character but in at least two powerful scenes, she makes the best out of what she can for a character that warrants the tears you will inevitably shed.

    One of the most consistent aspects of McQueen's films is the magnificent taste in cinematography and production design. Presumably from his art background, he's great at immersing you into his bleak visual worlds. Working with Sean Bobbit again, the cinematography is reliably enchanting. In true McQueen style, if a character must endure patiently, in this case Solomon hanging from a noose on the tips of his toes, we must endure with them. No shot this year, not even in the extraordinary Gravity, has been as stunning and unforgettable as the infamous long take of Patsey's lashes. It's a filmmaking masterclass in just a few short minutes. Despite the shaky first half hour, it's all redeemed in its harrowing final 15 minutes. It's the greatest sequence I've seen in a long time and I've never had a scene make me a blubbering mess quite like it. Yes, the jump to his kidnapping feels abrupt and there's no sense of relief to his inevitable freedom, but this is all calculated to mirror the struggle of his experience and we've felt every beat. 12 Years A Slave is a powerful testament to the endurance of the human spirit with its theme of injustice applicable to any point in history that earns the right to be one of the best of the year. After a string of lightweight Best Picture choices from the Academy, this will be a refreshing choice.

    9/10
    10BackFire83

    Slavery is an evil that should befall none

    12 Years a Slave tells the true story of Solomon Northup, an educated and free black man living in New York during the 1840's who gets abducted, shipped to the south, and sold into slavery. It is a film that stimulates at both an emotional level and an intellectual one.

    Chiwetel Ejiofor plays Solomon Northup. He's been a "that guy" actor for sometime – film-goers may know his face but not his name. After this film his name will be known. He gives, quite simply, the best performance from a leading actor since Daniel Day Lewis in There Will Be Blood. Because of his character's position as a slave he is usually unable to speak his mind unless he is prepared to be beaten. As a result Ejiofor is forced to utilize body language and his eyes, which become enormous pools of emotion to express himself to the audience. He's forced to endure terrible things, but he always maintains a certain dignity and nobility that makes his plight even more affecting. It's a performance of incredible subtlety that may leave you speechless and in complete awe.

    Micheal Fassbender gives the best performance of his already extremely impressive career, even besting his previous high marks from the films Shame and Hunger (both directed by Steve McQueen, who also directed 12 Years a Slave). He plays Edwynn Epps, a vicious and demonic slaver and perhaps the most loathsome and disgusting character ever put on screen. If alive today, he'd likely be a drunk with severe anger management issues. By turns pathetic and terrifying, he embodies the ultimate nightmare of a deeply flawed man given absolute power over other human beings, and through that absolute power finds only madness, which drives him to deeper cruelty. He's always a menacing and malignant presence even when not on screen, as his slaves must always be aware and prepared for his seemingly random bouts of sadism.

    Other actors give excellent performances as well. Paul Giamatti, Paul Dano, Benedict Cumberbatch, Sarah Paulson, Alfre Woodard are all great in relatively small roles. But in this film of titans it's the one you've probably never heard of who perhaps stands above them all. In her first role in a feature film, Lupita Nyong'o, playing the pretty young slave Patsey - the object of Edwynn Epps demented and horrifying affections and the emotional epicenter of the entire picture, gives one of the most devastating performances I have ever seen. A portrait of unbearable sadness, her character is a mirror image of Solomon. While Solomon is a man who refuses to break and give up the dignity which he's known since birth, she is one who has long since been broken, and who never knew dignity in the first place. Her life is a living hell, forced to endure the "love" of Edwyn Epps and the brutal jealousy of his wife, she's trapped in a terrible triangle that she can't escape. Despite that, she retains a level of innocence that only heightens the tragedy of her character. It actually gets to the point where simply looking at this character might be enough to bring you to tears. It's a shattering performance.

    Starting his career as a video artist before making full length films, Steve McQueen has an uncanny eye for imagery and contrast. He's also a very patient film maker, utilizing long, steady single shots to emphasize various things. In his prior films this has felt like a purely stylistic choice, here, it's a choice aimed directly at our heart. When the events on screen become their most horrifying and ugly is when his camera becomes the most unflinching. At times feeling perhaps like we're seeing out of the solemn eyes of the ghost of some murdered slave, watching in sorrow and rage. This is both McQueen's most accessible and artistically searing film yet.

    There are also moments of stunning natural beauty that would make Terrence Malick proud. Alone, these shots would inspire wonder, but in the context of this film they make us feel more forlorn, as if the ugliness of man is encroaching on the natural beauty of the world.

    Perhaps the most noteworthy thing about 12 Years a Slave is the way that it portrays slavery itself. Instead of taking the easy way out and limiting his exploration of the topic solely to the slaves, Steve McQueen increases the scope and we see how it affects those who profited by it. Take Benedict Cumberbatch's character. A seemingly decent and caring man who treats his slaves with some semblance of respect and kindness. He comes off as a relatively good man who is trapped within the powerful confines of the institution of slavery. In 12 Years a Slave, slavery is shown as a horrifying and destructive social construct that drains the humanity from everyone it touches, turning good men into moral quandaries, turning flawed men into monsters, and turning an entire race of people into livestock and tools.

    To watch 12 Years a Slave is to be confronted with the grim reality of slavery in a way that's never been done before. To say this is the best film ever made about slavery feels trivial, as slavery is a subject in film that has been shown with naive romanticism from films like Gone With the Wind or silly exploitation from something like Django Unchained. Both of which serve to make the topic digestible. To watch 12 Years a Slave is to experience a level of despair and misery that can become overwhelming. It's a film of such ugliness, such blunt emotional trauma, that it may haunt you for hours if not days after seeing it. So why should you watch a film that could leave you reeling and devastated? Because, it's also one of the greatest cinematic achievements of our time.
    9tigerfish50

    Abducted to a Southern hell

    Considering the social and economic importance of slavery in America's history, the scarcity of serious films depicting the daily life of slaves in the Confederate States is significant - especially since the after-effects from this episode still echo through the culture. '12 Years a Slave' is based upon the memoirs of Solomon Northup, who endured a hellish period of enslavement in Louisiana.

    The story begins with him living with wife and children in upstate New York as a free man. After being lured to Washington by a couple of con-artists who promised him work, he was subsequently drugged, chained, beaten, stripped of his identity and shipped to New Orleans to be sold into slavery. Over the next twelve years, he was owned by two men who treated him in contrasting ways. The first was relatively civilized by slave-owner standards, but the plantation's half-wit manager was threatened by Northup's superior intelligence. Their mutual dislike produced a volatile situation, and unwilling to lose his investment, Northup's owner re-sold him to a neighbor. This individual regarded his slaves as property to be used for pleasure and profit, which caused them to live in perpetual fear that his moods would flare into sadistic lust or rage at any moment.

    It's noteworthy that a British director has chosen to tell this story, and the combination of John Ridley's script and McQueen's direction has inspired fine performances from the entire cast. Their dramatization of Northup's experiences is both riveting and uncomfortable to watch, as the film depicts the perverse nature of a society that permitted such barbarism. Hopefully a large US audience will learn how a Southern elite cruelly exploited their fellow humans in order to obtain an easier life for themselves.
    10thamanidelgardo-822-410218

    And the Oscar goes to...

    chitchens fan • 2 hours ago △ ▽

    −

    Well, to begin, I cannot remember the last time I could not get up at the end of a movie. I literally could not rise up from my seat. My body felt as though it were being weighed down by something considerably larger and heavier than myself... History had it's way with me( I am an African American woman). Thank you Mr. McQueen, Mr. Ejiofor, Ms. Nyong'o, Ms. Paulson and others, and yes, even Mr. Fassbender. I am not a film critic nor a movie hobbyist, although I try to stay current, but what I am is a human being trying to understand the various problems and issues within our country. This movie is a potent reminder of why we are where we are as a society today. How man can be so unflinchingly cruel to his fellow man, especially if he looks, speaks or behaves differently, I will never understand.
    7TruthSeeker82

    It's a summary of the book

    I watched this movie right after reading the book and it felt like watching the summary of it. Events mentioned in the book are presented mostly accurately but some events are squeezed to save time. Plus, I didn't feel like emotions of the book portrayed as well as they are portrayed in the book. For example, Solomon's life before enslavement and Eliza's Separation with kids, which is very emotional and difficult part of the book, seems rushed over. Probably because of it, viewers of movie can't connect with this part of story as well as the readers of the book. They also skipped one important event mentioned in the book. Solomon had a fight again with Tibeats and he successfully escaped to save his life but after some time, he returned back to Ford. They also didn't mentioned that why he didn't escape, like there were guards, hired by planters, patrolling the roads and anyone can ask slaves for the travel paper and in the absence of it can hand them over to authorities. There are also some other events mentioned in the book skipped in the movie for time or some other reason . Anyway, it is still a good movie and people who haven't read a book probably will enjoy mor.

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    बदलाव करें
    • ट्रिविया
      The tree where Solomon sees several men being lynched was actually used for lynching, and is surrounded by the graves of murdered slaves.
    • गूफ़
      When "Platt" is explaining how to bring the logs down the river, the overseer scornfully asks him where he became an expert in engineering and "terraforming." This a word coined by science fiction author Jack Williamson in 1942, almost exactly 100 years after the scene takes place.
    • भाव

      Edwin Epps: If something rubs you wrongly, I offer you the opportunity to speak on it.

      Bass: [exhales] Well, you ask plainly, so I will tell you plainly. What amused me just then was your concern for my wellbeing in this heat when, quite frankly, the condition of your laborers...

      Edwin Epps: The condition of my laborers?

      Bass: It is horrid.

      Edwin Epps: The hell?

      [chuckles]

      Bass: It's all wrong. All wrong, Mr. Epps.

      Edwin Epps: They ain't hired help. They're my property.

      Bass: You say that with pride.

      Edwin Epps: I say it as fact.

      Bass: If this conversation concerns what is factual and what is not, then it must be said that there is no justice nor righteousness in their slavery. But you do open up an interesting question. What right have you to your niggers, when you come down to the point?

      Edwin Epps: What right?

      Bass: Mmm

      Edwin Epps: I bought 'em. I paid for 'em.

      Bass: Well, of course you did, and the law says you have the right to hold a nigger. But begging the law's pardon, it lies. Suppose they pass a law taking away your liberty, making you a slave. Suppose.

      Edwin Epps: That ain't a supposable case.

      Bass: Laws change, Epps. Universal truths are constant. It is a fact, a plain and simple fact, that what is true and right is true and right for all. White and black alike.

      Edwin Epps: You comparing me to a nigger, Bass?

      Bass: I'm only asking, in the eyes of God, what is the difference?

      Edwin Epps: You might as well ask what the difference is between a white man and a baboon.

      [chuckles]

      Edwin Epps: I seen one of them critters in Orleans. Know just as much as any nigger I got.

      Bass: Listen, Epps, these niggers are human beings. If they are allowed to climb no higher than brute animals, you and men like you will have to answer for it. There is an ill, Mr. Epps. A fearful ill resting upon this nation. And there will be a day of reckoning yet.

    • क्रेज़ी क्रेडिट
      "Solomon brought the men responsible for his abduction to trial. Unable to testify against whites in the nation's capital, he lost the case against the slave pen owner, James Burch. After lengthy legal proceedings in New York, his kidnappers Hamilton and Brown also avoided prosecution."
    • कनेक्शन
      Featured in The Onion Film Standard: 12 Years a Slave (2013)
    • साउंडट्रैक
      My Lord, Sunshine
      Written by Nicholas Britell

      Performed by Roosevelt Credit and David Hughey

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल30

    • How long is 12 Years a Slave?Alexa द्वारा संचालित
    • Was that slave girl at the beginning raping Solomon?
    • Is '12 Years a Slave' based on a book?
    • Did Solomon really play the violin?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 31 जनवरी 2014 (भारत)
    • कंट्री ऑफ़ ओरिजिन
      • यूनाइटेड किंगडम
      • यूनाइटेड स्टेट्स
    • आधिकारिक साइट
      • Official Facebook
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • 12 años esclavo
    • फ़िल्माने की जगहें
      • Madame John's Legacy, the French Quarter, न्यू ऑरलियन्स, लुइसियाना, संयुक्त राज्य अमेरिका(slave pen)
    • उत्पादन कंपनियां
      • New Regency Productions
      • River Road Entertainment
      • Plan B Entertainment
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $2,00,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $5,66,71,993
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $9,23,715
      • 20 अक्टू॰ 2013
    • दुनिया भर में सकल
      • $18,77,34,091
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 14 मिनट
    • रंग
      • Color
    • ध्वनि मिश्रण
      • Dolby Digital
      • SDDS
      • Dolby Surround 7.1
    • पक्ष अनुपात
      • 2.35 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Chiwetel Ejiofor in 12 Years a Slave (2013)
    टॉप गैप
    What is the streaming release date of 12 Years a Slave (2013) in Canada?
    जवाब
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