IMDb रेटिंग
6.7/10
6.2 हज़ार
आपकी रेटिंग
एक अनुभवी राजनेता और उसके बेटे को एक हिंसक सत्ता संघर्ष में खींच लिया जाता है, जब एक निर्दयी राजनीतिक वंशज प्रतिशोध की भावना से आगे बढ़ता है।एक अनुभवी राजनेता और उसके बेटे को एक हिंसक सत्ता संघर्ष में खींच लिया जाता है, जब एक निर्दयी राजनीतिक वंशज प्रतिशोध की भावना से आगे बढ़ता है।एक अनुभवी राजनेता और उसके बेटे को एक हिंसक सत्ता संघर्ष में खींच लिया जाता है, जब एक निर्दयी राजनीतिक वंशज प्रतिशोध की भावना से आगे बढ़ता है।
- पुरस्कार
- 2 जीत और कुल 11 नामांकन
फ़ीचर्ड समीक्षाएं
Mari Selvaraj is refining his stance on caste politics through his movies. Karnan and Maamannan did not come close to Pariyerum Perumal in regards to the number of days the movie stayed with me after the watch. However, from a scale perspective, the later movies are much bigger and impressive from a grandeur standpoint.
Fahad Fazil is back! Very much a director's actor, Mari has utilized the actor very well for a very convincing portrayal of the upper caste protagonist.
A R Rahman did great work in the movie. Unlike Malaykunju where Rahman's symphonies were not aligning with the rustic backdrop, Rahman has been able to align his work with the movie very well on this one. Some of the songs are very touching. Background music is the king in many scenes.
Great dialogue less aura from Udhayanidhi Stalin, seasoned performance from Vadivelu.
First half script and delivery was top notch. Lot of action (and violence) with matching background scores bring out the stance/spirit/emotion that the movie is taking.
Feels like Mari is deeply bothered by the caste based injustices, and is trying to discover and present his perspectives through his movies.
Fahad Fazil is back! Very much a director's actor, Mari has utilized the actor very well for a very convincing portrayal of the upper caste protagonist.
A R Rahman did great work in the movie. Unlike Malaykunju where Rahman's symphonies were not aligning with the rustic backdrop, Rahman has been able to align his work with the movie very well on this one. Some of the songs are very touching. Background music is the king in many scenes.
Great dialogue less aura from Udhayanidhi Stalin, seasoned performance from Vadivelu.
First half script and delivery was top notch. Lot of action (and violence) with matching background scores bring out the stance/spirit/emotion that the movie is taking.
Feels like Mari is deeply bothered by the caste based injustices, and is trying to discover and present his perspectives through his movies.
The movie seems to be okay.. Vadivelu and Fahadh Fasil sealed it with awesome amazing performances. Vadivelu surprised me as well other audience, with his stellar perfromance. Didnt know he had this much in him. Fahad did good justice to the role that was given to him, and never disappointed anyone.
I wish to ask a question.. Can't Udayanidhi Stalin pause his acting stint, until he learns to do os ?? Completely blank expressions, be it in sad scenes or the happier ones. The plot was was very weak; first half was good, but the overall plot wasnt good enough, and the movie would have tanked in the absence of stellar roles from FaFa & Vadivelu Sir.
I wish to ask a question.. Can't Udayanidhi Stalin pause his acting stint, until he learns to do os ?? Completely blank expressions, be it in sad scenes or the happier ones. The plot was was very weak; first half was good, but the overall plot wasnt good enough, and the movie would have tanked in the absence of stellar roles from FaFa & Vadivelu Sir.
Maamannan started off with commendable first half followed by average second half . Plot and its depth in first half with character establishment was on the spot , especially interval block was total banger and literal high point of the whole movie . Second half mostly lacked in depth & high point and literally failed to create impact as first half did . In fact if we saw previous works of Mari Selvaraj climax portion or post climax create great impact upon audience , but here he missed that trick . Vadivelu just nailed it in his performance , real comeback of this man but totally in different Avatar . Fahad Faasil as antagonist was different vibe , even though if he plays simple villain role he somehow maintain the tension around his character . Udhay and Keerthi did their job well . Asusual Mari Selvaraj as director did great in his crafting , on other side well supported by Theni Eswar's camera work . AR Rahman once again delivered mind blowing background scores and songs .
Overall , despite some flaws and let down in second half its totally worth and watchable flick . Keep your expectations down .
Overall , despite some flaws and let down in second half its totally worth and watchable flick . Keep your expectations down .
What worked for Pariyerum Perumaal & Karnan was it was more grounded in reality. It was relatable, I was able to sympathize with the director's view. It felt like some dialogues were intentionally planted for Udhayanidhi's gain. The film felt too dramatic & lost the touch of reality. Casting Fahadh only added more to it. He did deliver what he was paid for, but I just couldn't see him as his given role. At times, the pacing feels slightly uneven, with certain scenes dragging on longer than necessary. Also Keerthy suresh was not justified. Felt like she was there just for the sake of having a female lead.
These days it's becoming easy to guess a Tamil movie's plot and you can easily guess the central theme of this movie. At times the movie gets slow-paced and I fast-forwarded many portions.
Fahad Fazil is cracking all the roles he is getting and he was the main highlight of this movie. He played the antagonist role nicely. Moreover, it's time to recognize the talent of Vadivelu. He has been typecast for a long time and it's time to give him some serious roles, just like Mollywood did for Suraj Venjaramood. Mari Selvaraj proves that he can do movies like Maamannan and I hope we will get more cool movies from him in the future.
Fahad Fazil is cracking all the roles he is getting and he was the main highlight of this movie. He played the antagonist role nicely. Moreover, it's time to recognize the talent of Vadivelu. He has been typecast for a long time and it's time to give him some serious roles, just like Mollywood did for Suraj Venjaramood. Mari Selvaraj proves that he can do movies like Maamannan and I hope we will get more cool movies from him in the future.
क्या आपको पता है
- ट्रिवियाThis is said to be the final film for the lead actor, Udayanidhi Stalin.
- गूफ़None of the characters speak a Salem accent, although the film is set here.
- भाव
Rathinavelu: I have seen for many days here. He would not sit down no matter who says, at my house.
Veeran: Did you tell him?
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Maamannan?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $44,63,992
- चलने की अवधि
- 2 घं 37 मि(157 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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