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The Wind Rises

ओरिजिनल टाइटल: Kaze tachinu
  • 2013
  • Not Rated
  • 2 घं 6 मि
IMDb रेटिंग
7.8/10
1.1 लाख
आपकी रेटिंग
लोकप्रियता
2,755
1
The Wind Rises (2013)
In Hayao Miyazaki's farewell film, he takes a look at the life of Jiro Horikoshi, the man who designed Japanese fighter planes during World War II.
trailer प्ले करें2:21
17 वीडियो
99+ फ़ोटो
आम ज़िंदगी की कहानीएडल्ट एनिमेशनएनिमेट्रेजेडीदुःखद रोमांसपीरियड ड्रामावर्कप्लेस ड्रामाहाथ से बनाया गया एनिमेशनइतिहासएनिमेशन

अपनी भाषा में प्लॉट जोड़ेंJiro Horikoshi studies assiduously to fulfill his aim of becoming an aeronautical engineer. As WWII begins, fighter aircraft designed by him end up getting used by the Japanese Empire agains... सभी पढ़ेंJiro Horikoshi studies assiduously to fulfill his aim of becoming an aeronautical engineer. As WWII begins, fighter aircraft designed by him end up getting used by the Japanese Empire against its foes.Jiro Horikoshi studies assiduously to fulfill his aim of becoming an aeronautical engineer. As WWII begins, fighter aircraft designed by him end up getting used by the Japanese Empire against its foes.

  • निर्देशक
    • Hayao Miyazaki
  • लेखक
    • Hayao Miyazaki
  • स्टार
    • Hideaki Anno
    • Hidetoshi Nishijima
    • Miori Takimoto
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.8/10
    1.1 लाख
    आपकी रेटिंग
    लोकप्रियता
    2,755
    1
    • निर्देशक
      • Hayao Miyazaki
    • लेखक
      • Hayao Miyazaki
    • स्टार
      • Hideaki Anno
      • Hidetoshi Nishijima
      • Miori Takimoto
    • 223यूज़र समीक्षाएं
    • 271आलोचक समीक्षाएं
    • 83मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 1 ऑस्कर के लिए नामांकित
      • 26 जीत और कुल 54 नामांकन

    वीडियो17

    Trailer #1
    Trailer 2:21
    Trailer #1
    A Guide to the Films of Hayao Miyazaki
    Clip 2:12
    A Guide to the Films of Hayao Miyazaki
    A Guide to the Films of Hayao Miyazaki
    Clip 2:12
    A Guide to the Films of Hayao Miyazaki
    Clip
    Clip 0:44
    Clip
    The Wind Rises: Flying Through Town
    Clip 0:39
    The Wind Rises: Flying Through Town
    The Wind Rises: Let The Wind Carry These Wings
    Clip 1:06
    The Wind Rises: Let The Wind Carry These Wings
    The Wind Rises: Creating Planes
    Clip 0:50
    The Wind Rises: Creating Planes

    फ़ोटो297

    पोस्टर देखें
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    + 291
    पोस्टर देखें

    टॉप कलाकार45

    बदलाव करें
    Hideaki Anno
    Hideaki Anno
    • Jirô Horikoshi
    • (वॉइस)
    Hidetoshi Nishijima
    Hidetoshi Nishijima
    • Honjô
    • (वॉइस)
    Miori Takimoto
    • Naoko Satomi
    • (वॉइस)
    Masahiko Nishimura
    Masahiko Nishimura
    • Kurokawa
    • (वॉइस)
    Mansai Nomura
    Mansai Nomura
    • Giovanni Battista Caproni
    • (वॉइस)
    Jun Kunimura
    Jun Kunimura
    • Hattori
    • (वॉइस)
    Mirai Shida
    Mirai Shida
    • Kayo Horikoshi
    • (वॉइस)
    Stephen Alpert
    • Castorp
    • (वॉइस)
    • (as Steve Alpert)
    Shinobu Ôtake
    • Kurokawa's Wife
    • (वॉइस)
    Morio Kazama
    • Satomi
    • (वॉइस)
    Keiko Takeshita
    • Jirô's Mother
    • (वॉइस)
    Joseph Gordon-Levitt
    Joseph Gordon-Levitt
    • Jirô Horikoshi
    • (English version)
    • (वॉइस)
    John Krasinski
    John Krasinski
    • Honjô
    • (English version)
    • (वॉइस)
    Emily Blunt
    Emily Blunt
    • Nahoko Satomi
    • (English version)
    • (वॉइस)
    Martin Short
    Martin Short
    • Kurokawa
    • (English version)
    • (वॉइस)
    Stanley Tucci
    Stanley Tucci
    • Caproni
    • (English version)
    • (वॉइस)
    Mandy Patinkin
    Mandy Patinkin
    • Hattori
    • (English version)
    • (वॉइस)
    Mae Whitman
    Mae Whitman
    • Kayo Horikoshi
    • (English version)
    • (वॉइस)
    • …
    • निर्देशक
      • Hayao Miyazaki
    • लेखक
      • Hayao Miyazaki
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं223

    7.8108.2K
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    फ़ीचर्ड समीक्षाएं

    9qiushibo

    The Most different Miyazaki's Film

    This film is totally different from Miyazaki's other films and I personally think, like what he's mentioned, a message to to world about how he looks at the war, war machines , peace, love and living. As I am a Taiwanese, who has once colonized and ruled by Japanese during the second world war, how Japanese coped with the war topic is always sensitive. However, what I saw in this film is truly reflecting that Miyazaki is peace loving and his point of view on war, life and love. He depicted about the beauty of dreams and surviving. You can see that everyone in this film try every hard to live, even though the time is hard and forced to strike a balance between dreams and reality. However, they are self fulfilling. So who is to blame? who ruined their lives and dreams? Those who leads them to the war to blame.

    In short, the film perfectly shows how the director's been telling in almost every his masterpiece but in a personally way, to the audience. Just like a final message he would like yo transmit to the world. I felt overwhelmed by the film and sad that he decided to retired. Please go to watch this film and you will do feel the courage to live hard and live well.
    10ElMaruecan82

    Half an engineer, half a poet, eternally a dreamer

    ... maybe that's Miyazaki's secret, finally unveiled in his latest movie: "The Wind Rises".

    You know, it's been three months since I discovered his work… and I never had to experience any kind of disappointment. And although I got used to his unequaled capability to catch my eyes and my heart, some of his movies really hit a sensitive chord, like "Kiki" or "Ponyo" and perhaps the action-less moments of "Nausicaa".

    But I can't really describe the effect "The Wind Rises" had on me. For one thing, I'm glad I'm discovering it late because it's the film that best captures Miyazaki's love for airplanes. His passion never went unnoticed; how could it be? Almost half of his movies involve airplanes, flying devices or stunts in the air, but there has always been an element of fantasy that distracted from the personal approach he had to flying, even in "Porco Rosso" which was the most explicit homage to the Italian contribution to aviation.

    But "The Wind Rises" made me realize how fantasy is perhaps the sincerest medium to convey passionate matters, because -to put it simply- it's all about dreams and vision that wait for the right wind to carry them a little and give them that extra push they need for flying. "The wind has risen, one must try to live" is the excerpt from Paul Valéry's poem that novelist Hori Tatsuo used as an inspiration for a tragic romance, and who else than Miyazaki could explore such a story, he who had dedicated all his life to things in the air, from feelings to… plain things (pun intended). One thing he had in common with Jiro Horikochi, the main protagonist.

    The film deals with planes in a way that has never been touched by Miyazaki, it's not about flying but about the dreams of flying, their very blossoming in the fertile soil of a man's mind. In fact, the film is less devoted to planes than to the devotion of a boy, then a man, who designed the Imperial Army's most notorious aircraft. They were used in the war but the film has a point to make about war. Miyazaki believes in Jiro's humanism and expresses it through very riveting dreamy moments. Jiro is a dreamer, literally, and whenever he dreams, he meets his all-time idol, Italian Giovanni Caproni. Together they share their views about planes, their universal appeal and sadly their belligerent uses (or misuses).

    But don't get it wrong, just because it's in the poetic vicinity of Miyazaki's usual works, the film is as realistic as any serious biography picture, although fictionalized with a romance adapted from the "Wind Has Risen" novel and many events that struck Japan from the Great Depression to Kanto's earthquake, and last but not least, the war. Jiro is portrayed as a witness of his time who must adapt to the evolution of society, a two-pace society with a feudal heritage yet trying to match the Meiji dream. The most emblematic image is the prototype being pulled by ox. This is Miyazaki's most personal film, it has Japan, it has humanism and well, it has planes.

    And to give you an idea, this film is far more revealing about Jiro than "A Beautiful Mind" with John Nash. There was something so catching in Jiro's passion, in the way he kept focused on his job. I could even feel I was venturing into his mind as if Miyazaki met him in his dreams before making this film. I have no clues about planes but I do love a movie about passion, this is a film about a man who loves planes by a man who loves them. To judge a good biopic, I guess it all comes to the area of passion driving the maker. Having thick glasses, Giro could never fly but Caproni almost rhymes with epiphany, the Italian icon tells him that he can't even fly a plane, but there's just something far more exhilarating than creating. And Miyazaki wouldn't disagree.

    The heart of the film is centered on the romance between Jiro and a gentle tuberculosis stricken girl, like Hori's wife who inspired the novel. And whenever they meet, the wind rises and make their encounter possible. Air is our universal heritage, in the film, it reunites people and give a proper meaning to their life. This air so fragile in "Nausicaa", this air that symbolizes peace in a world that prepares to war and about which the post-apocalyptic Nausicaa warned us. Miyazaki signs his best film. I enjoyed it so much it could have been twice longer, to the post-war period time.

    But the film culminates with the tragic ending and doesn't show much of the war. It is anticlimactic to use a technical term, but I guess it's a fine ending because there wasn't much to add about Jiro once he designed the prototype, once the plane that started as a concept hidden behind a fish bone became a technological marvel. The film is dedicated to the engineer and to the poet. And the verse "The Wind Rises, one must try to live" is so beautiful it could work as an epitaph for Hayao Miyazaki, summing up his best contribution to animation: inviting us to dream, to pursue our dreams and to take them seriously like a poet, a bit like an engineer, always like a dreamer.

    This is one of the greatest animated movies of recent times, and given how critical I was about "Frozen", I was shocked that it won the Oscar. From what I read, there was some controversy surrounding the peaceful nature of Jiro, a sugarcoating of the war and an overuse of smoking. I'd say "The Wind Rises" deserved better than being beaten by a film that tried to play the "socially relevant" card to death. But the masterpiece flies over "Frozen" like a zeppelin over a fish bone.
    10ShiiStyle

    Miyazaki's most mature film?

    The announcement of this film was a pleasant surprise after Ponyo and From Up on Poppy Hill, which both had simple, childish plots. Few films in Japan have tackled the lives of imperial period heroes; the ghosts of the 1960s urge people to denounce what really happened in that time and memorialize an imaginary anti-war movement, for example in this year's film "Shounen H". For Miyazaki to choose a subject like this showed that he was really going for a huge challenge. Miyazaki is of course anti-war and environmentalist. But Ghibli films are never negative. What sort of positive image of the Zero bomber inventor would Miyazaki produce?

    The result is astounding. As everyone has noted, this is not a children's movie. It's complex, so it doesn't have the epic sense of Miyazaki at his best, but history and adulthood are just as complex, and Miyazaki does justice to both. The film indeed stays positive throughout, by showing from start to finish how everyone wishes they themselves would behave, rewarding the viewer with virtue and beauty, but without being condescending about the hardships of real life. In a sense, the film is about the "importance of dreams", but it's also about what it means to be a dreamer in real life, and how our highest fantasies can be turned into beauty if we put our minds to it. The cartoon medium is put to full, extravagant use in dream sequences that merge right into the narrative. Certain elements at the end of the film leave the obvious unsaid in a peculiarly Japanese and fulfilling way. The most classic films of Japan, like the great works of Akira Kurosawa and Yasujiro Ozu, say something profound about the meaning of life, and Kaze Tachinu deserves a place among those ranks.
    9zetes

    Deeply beautiful

    Miyazaki's swan song, most likely. It's an animated biopic of Jiro Horikoshi, a Japanese aircraft engineer who developed the Zero, the plane which would eventually bomb Pearl Harbor and do kamikaze attacks in WWII. The man himself was a pacifist (at least according to this film). Most of the film just deals with the man's love for flight, which obviously makes the story very dear to Miyazaki. In fact, a good portion of the film takes place in Horikoshi's dreams, where he can invent any crazy contraption. First and foremost, the film is gorgeous. Though it mostly deals with the real world, it finds the beauty in it. As good as the film is, it isn't one of Miyazaki's best. It's a little long-winded and slow (definitely don't take your kids to it, even if they're big Ghibli fans). Miyazaki kind of neuters the militaristic history of Japan at that time. You can feel some terrible stuff going on in the background, but, outside of the Germans, whom our hero visits at one point, all the characters whom we meet are perfectly nice people. I would have liked a more detailed picture of history at the time. Also, the romance that is depicted in the film, which is entirely invented, is a tad too maudlin (though it is quite nice up front). And, though I won't hold it against the film itself, the English language dub is awful. This may be due to the film's specific, Japanese setting, but I really felt the voice actors were just dull as Hell. I hate to say it, but Joseph Gordon-Levitt in the lead role is the worst. The least offensive performances come from Martin Short and Mae Whitman (the latter is a professional voice actress who is great on Avatar: The Last Airbender, though she is best known for her role as Michael Cera's dull girlfriend Ann on Arrested Development). I wish I had just seen the subtitled version instead (it was playing here, but at an inconvenient theater). I might like the film better seeing it subtitled. All those criticisms don't amount to too much, though. It's a wonderful film.
    9siderite

    A poignant goodbye from Miyazaki

    The film is an interesting melange of Japanese literature, culture and history. It will also disappoint many of Miyazaki's fantasy fans, as this is a biographical movie. In truth, it is based on two different works, one is the diary of the aeronautical engineer who designed the famous Japanese Zero fighter, and the other is a story of two girls in a tuberculosis sanatorium (in truth, Jiro's wife did not have TBC).

    Yet the details capture also some of the things closer to Miyazaki's heart: a commentary on the current state of Japan, a hopeful dream for a person who is losing his sight and his passion for flying and for kind independent young women. All in all it might feel a little dry sometimes, but only until you understand that the source material was a diary that has 80% of it containing aeronautical design ideas and calculations.

    Perhaps a two hour film about a quiet dreamer of plane designs is not what I would have chosen for Miyazaki's last animation movie, but it wasn't my choice after all. While his artistic expression cannot be stopped - he is still drawing manga and doing other stuff - he publicly announced that this would be his last film, the reason being his worsening eyesight. Considering the first scene of the movie is of a myopic boy who dreams of flying a plane and then crashing because he can't see well, I would say that's a pretty direct statement from the genius animator.

    It doesn't matter if I recommend this movie or not. If you are a fan of Ghibli and Miyazaki you will watch it anyway, while if you are not, you can try some other stuff of his, become a die hard fan, and find yourself in a situation already solved previously (that's engineering humor, BTW)

    इस तरह के और

    Kurenai no buta
    7.7
    Kurenai no buta
    राजकुमारी नौसिका की जंग
    8.0
    राजकुमारी नौसिका की जंग
    The Boy and the Heron
    7.4
    The Boy and the Heron
    राजकुमारी मोनोनोके
    8.3
    राजकुमारी मोनोनोके
    Only Yesterday
    7.6
    Only Yesterday
    Gedo senki
    6.3
    Gedo senki
    Umi ga kikoeru
    6.6
    Umi ga kikoeru
    The Garden of Words
    7.4
    The Garden of Words
    Tumhaare Saath Apakshay
    7.5
    Tumhaare Saath Apakshay
    Grave of the Fireflies
    8.5
    Grave of the Fireflies
    Your Name.
    8.4
    Your Name.
    सुज़ूमी नो टोजीमारी
    7.6
    सुज़ूमी नो टोजीमारी

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Human voices are largely used as sound effects, such as engine roars and earthquake sounds.
    • गूफ़
      After Jiro tells Nahoko that he's finished designing his plane, he falls asleep. Nahoko removes his glasses and places them on the floor behind their heads. In the next shot, from behind their heads, there are no glasses on the floor.
    • भाव

      Caproni: Inspiration unlocks the future.

    • क्रेज़ी क्रेडिट
      [A quote in French from a poem by Paul Valéry that appears as a caption at the start of the movie.] The wind is rising! We must try to live!
    • कनेक्शन
      Edited into Miyazaki Dreams of Flying (2017)
    • साउंडट्रैक
      Hikouki-gumo
      (Contrails)

      Written by Yumi Matsutôya (as Arai Yumi)

      Performed by Yumi Matsutôya (as Arai Yumi)

      Courtesy of Toshiba EMI (Universal Music Japan)

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल22

    • How long is The Wind Rises?Alexa द्वारा संचालित
    • Is Naoko Satomi real or fictional?
    • Is this movie based on the novel of the same name?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 20 जुलाई 2013 (जापान)
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      • Kaze Tachinu
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      • Nippon Television Network (NTV)
      • Dentsu
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $3,00,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $52,09,580
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $3,13,751
      • 23 फ़र॰ 2014
    • दुनिया भर में सकल
      • $13,70,91,159
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      • 2 घं 6 मि(126 min)
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