Jappeloup

Jappeloup is a beautifully shot film ostensibly about the titular horse, who with Pierre Durand aboard, won gold for France at the 1988 Seoul Olympic Games in the show - jumping event. Directed by Christian Duguay and co-scripted by lead, Guillaume Canet (himself surprisingly, a very experienced junior equestrian), playing Durand, it's really one of those films probably best appreciated by horsey people. It charts the extremely episodic rise of the pair, including a near disastrous stint at the 1984 Los Angles Olympics, before the grand finale at Seoul.

Unfortunately Jappeloup is mostly uninterested in the horse that it's titled after. It never goes any way to offering an explanation as to why Jappeloup himself, is recognised as a national hero in France, or even regarded internationally as one of the very great show-jumping equines. There's a post credits cursory reference to the fact that Jappeloup's competition retirement ceremony was held at the Eiffel Tower in Paris. But viewers of this extremely long biopic, are completely left in the dark, as to what really made the horse special, apart from a singular reference that he was small, but jumped well.

Instead we get a way too-detailed, decade long look at the life of Durand and his family members, with an overly special emphasis (Why, I have no idea.) placed on his father Serge, played very agreeably by Daniel Auteuil. Trials and tribulations are met and slowly overcome. Births, deaths, marriages and uneasiness about chosen vocations are slowly explored, before a sudden dramatic near disaster involving a fiery float near a busy freeway, leads us to an emotional, but ironically almost too brisk climax.

Boasting exceedingly strong production values, a strong cast and convincing locations, Jappeloup nevertheless, as a story, drags its reins. At 130 minutes long, it is filled with too many unnecessary situation human dramas and barely scratches the surface of its supposedly featured subject. It is unable to muster much excitement, or even make a good case for the horse's significance. Superficially to this layman, it appears to stick relatively closely to the key facts. But the fact that the real life Pierre Durand sued the film's producers, doesn't add much lustre to this much too, run of the mill story.

"Jappeloup" is a French movie about a jumping horse that, against the odds (isn't it ALWAYS that way?), went on to be a champion. I don't think such a film would have been in the USA, as most folks don't care about show jumping.

The story begins in the late 1970s. Pierre Durand loves show jumping and is in search of a new horse. At first, they refuse to buy Jappeloup. After all, he's not the typical jumper, being a hybrid of a tropper and a thoroughbred. He's also quite small compared to other jumpers. Yet, despite the odds, you KNOW what will happen by the end of the story.

This is an extremely well made, albeit predictable film. After all, they wouldn't do a film about a horse that loses the big competition, would they? Yet despite this, you find yourself rooting for the horse. Overall an enjoyable and very well made sports movie and a lovely horse.

By the way, Durand is also a lawyer and apparently he was NOT thrilled with the film and sued the filmmakers. What came of this, I have no idea.

I was reluctant to go for the ride. I think movies about great horses cannot make great movies, even if they are very well done they only cater for a limited public: kids if it's mostly a fable, or connoisseurs if it's more of a true story.

Then I am no fan of Guillaume Canet. The lack of depth in his turf plus the fact that he envisioned the Jappeloup story as 'Rocky meets jumpers' really did not appeal to me. And even if I was crazy about jumping I would have had these many reservations.

Now Jappeloup has been cleverly crafted around the choices that rider Pierre Durand had to face, with the central paternal figure played to perfection by Daniel Auteuil. This is enough to tell an emotional story that peaks with every jumping show.

The seminal choice for Durand to leave his lawyer job to live his passion to the full is well timed, but emotion really lies with the father's simple and heartfelt lines. The father then comes on schedule to ease the stress while his son only appears as bland, more obstinate than really passionate about riding, let alone about his horse.

The groom character created as a proxy for the horse-rider relationship is not really interesting. It shaves a narrative challenge off the main character's shoulders, only making him look vain and passive before others - the groom (Lou de Laâge), his father, his wife (Marina Hands) - steer him in the right direction.

In the end, the mere succession of key jumping events starts to be too much, all the more so as the father is no longer there. And maybe the movie lacks Daniel Auteuil to deliver the final word, because in the end there is no sense of a lesson learnt. The journey was emotionally charged but the minute after we arrived it's all gone.

I rarely like movies about horses, they are either juvenile, have horrid and overused scripts, and pay no attention to details that make actual horsemen/women cringe. I am sure that actual horsemen who knew the rider and his family could pick their story apart but it was realistically portrayed.

This movie was an exception, well done. Great acting, attention to detail, storyline. Beautiful jumping segments.

I can only think of two other horse movies that were not cringe-worthy; Seabiscuit and Phar Lap. Both had technical issues but the quality of the story made up for them.

Directors: Stop inserting canned horse sounds in inappropriate situations. Horses do not nicker and neigh in a starting gate or while racing or in cavalry battles.

Also cut the scenes in horse races out where you can obviously see the jockeys pulling on their reins to let the other horse "win".

Never heard of Jappeloup but watched the film because I love horses. Did not waste my time for everyone involved with the film was superb. Such a moving film and such a pleasure to experience the highs and lows and the ultimate success of such a magnificent animal. Viva le France