Jappeloup

I rarely like movies about horses, they are either juvenile, have horrid and overused scripts, and pay no attention to details that make actual horsemen/women cringe. I am sure that actual horsemen who knew the rider and his family could pick their story apart but it was realistically portrayed.

This movie was an exception, well done. Great acting, attention to detail, storyline. Beautiful jumping segments.

I can only think of two other horse movies that were not cringe-worthy; Seabiscuit and Phar Lap. Both had technical issues but the quality of the story made up for them.

Directors: Stop inserting canned horse sounds in inappropriate situations. Horses do not nicker and neigh in a starting gate or while racing or in cavalry battles.

Also cut the scenes in horse races out where you can obviously see the jockeys pulling on their reins to let the other horse "win".

I've only ever seen one horsey film that was any good, in my opinion as a professional horse person. This was Seabiscuit. (OK, maybe International Velvet was not too bad, in the guilty pleasure type category)

Now I've seen two. Jappeloup is quality. Every care was taken, every attention was given, every bit of love was lavished, on what could have been a run of the mill sporty rags-to-riches script (heavily romanced from the true story of Jappeloup and Pierre Durand), but turned out to be a beautifully filmed, heartwarming, exciting story.

I'm not sure how much more I love it due to the fact that I was watching Jappeloup as a child in France, that I knew all the riders and it reminded me of very good and very nostalgic memories, but you could argue that it would have made me more critical of it - yet I couldn't find any obvious flaws and I found myself on the edge of the seat once or twice (even knowing the outcome as it's history!)

The acting is excellent as you would expect from such a high class bunch of actors; the story itself comes very close to excessive sentimentalism a few times, but never crosses the line. It's handled with delicacy and tact, and they have made the very most of a very predictable tale. The photography is astonishing, beautifully showcasing the french countryside, the pace is leisurely, giving you time to know the characters, the times (accurately depicted, from everybody smoking, drink driving, getting back on the horse no matter how hurt you were etc...all true, young people! - things have changed a lot). Special mention to the soundtrack which is wonderful, and the action scenes, with a car following Guillaume and filming superb and never done before jumping shots

In brief, I highly recommend it to anyone who loves horses. So much of it is very close to home; it really translates the passion, the fears, the doubts, the love, what makes us.

For others, rest assured the film is more than a horse film, it's a solid story a la Rocky filmed in a more subtle way. And you might get to understand what your daughter/friend/cousin sees in those beasts. Certainly I never thought showjumping could be this exciting to watch, and I'm partial to it already! True story films are usually bland, seen one, seen them all, but this is better and worth watching. Set yourselves on Seabiscuit, if you saw it. It's the same type of offering: a well made straightforward people story with a blessedly realistic horse background.

(I just watched it in Bluray since I couldn't get to see it on the big screen, and it's worth it. The quality of the picture and the colours are amazing)

8 out of 10

I loves them too . Twas great to see so many great actors _ not sure why the dark scenes look like negatives on my big tv. But a very predictable movie as such could have been much shorter

"Jappeloup" is a French movie about a jumping horse that, against the odds (isn't it ALWAYS that way?), went on to be a champion. I don't think such a film would have been in the USA, as most folks don't care about show jumping.

The story begins in the late 1970s. Pierre Durand loves show jumping and is in search of a new horse. At first, they refuse to buy Jappeloup. After all, he's not the typical jumper, being a hybrid of a tropper and a thoroughbred. He's also quite small compared to other jumpers. Yet, despite the odds, you KNOW what will happen by the end of the story.

This is an extremely well made, albeit predictable film. After all, they wouldn't do a film about a horse that loses the big competition, would they? Yet despite this, you find yourself rooting for the horse. Overall an enjoyable and very well made sports movie and a lovely horse.

By the way, Durand is also a lawyer and apparently he was NOT thrilled with the film and sued the filmmakers. What came of this, I have no idea.

I was reluctant to go for the ride. I think movies about great horses cannot make great movies, even if they are very well done they only cater for a limited public: kids if it's mostly a fable, or connoisseurs if it's more of a true story.

Then I am no fan of Guillaume Canet. The lack of depth in his turf plus the fact that he envisioned the Jappeloup story as 'Rocky meets jumpers' really did not appeal to me. And even if I was crazy about jumping I would have had these many reservations.

Now Jappeloup has been cleverly crafted around the choices that rider Pierre Durand had to face, with the central paternal figure played to perfection by Daniel Auteuil. This is enough to tell an emotional story that peaks with every jumping show.

The seminal choice for Durand to leave his lawyer job to live his passion to the full is well timed, but emotion really lies with the father's simple and heartfelt lines. The father then comes on schedule to ease the stress while his son only appears as bland, more obstinate than really passionate about riding, let alone about his horse.

The groom character created as a proxy for the horse-rider relationship is not really interesting. It shaves a narrative challenge off the main character's shoulders, only making him look vain and passive before others - the groom (Lou de Laâge), his father, his wife (Marina Hands) - steer him in the right direction.

In the end, the mere succession of key jumping events starts to be too much, all the more so as the father is no longer there. And maybe the movie lacks Daniel Auteuil to deliver the final word, because in the end there is no sense of a lesson learnt. The journey was emotionally charged but the minute after we arrived it's all gone.