IMDb रेटिंग
5.7/10
41 हज़ार
आपकी रेटिंग
भारत के बेहतरीन जासूस टाइगर और उसका प्रेम ज़ोया, खुफिया और जासूसी की अंधेरी दुनिया से लड़ते हैं जो अपने सैनिकों को दुश्मन से प्यार करने से रोकता करता है.भारत के बेहतरीन जासूस टाइगर और उसका प्रेम ज़ोया, खुफिया और जासूसी की अंधेरी दुनिया से लड़ते हैं जो अपने सैनिकों को दुश्मन से प्यार करने से रोकता करता है.भारत के बेहतरीन जासूस टाइगर और उसका प्रेम ज़ोया, खुफिया और जासूसी की अंधेरी दुनिया से लड़ते हैं जो अपने सैनिकों को दुश्मन से प्यार करने से रोकता करता है.
- पुरस्कार
- 19 जीत और कुल 16 नामांकन
Rajendra Sethi
- Bagga
- (as Rajender Sethi)
Troi Ge
- ISI Agent Feroz
- (as Troi Ge Borde)
Ahran Chaudhary
- Tokas
- (as Aaran Chaudhary)
फ़ीचर्ड समीक्षाएं
FASTER than Usain Bolt, more charming than Rudolph Valentino and able to leap from building rooftops gracefully.
Salman Khan does these and more, including stripping off to show off his torso and wiggling his hips to dance music.
However, his two most impressive feats are stopping a runaway electric tram with only his jacket, and becoming Evil Knievel to jump into an aircraft that's just taken off.
Salman plays Indian spy Tiger, who's never taken a day off in 12 years and hasn't had time for romance.
His next assignment takes him to Ireland to keep an eye on a professor (Roshan Seth, who appeared in Indiana Jones and the Temple of Doom), who may be leaking missile secrets to Pakistan.
His first introduction to the professor's assistant, Zoya (Katrina Kaif), is by way of her lithe body and wiggly buttocks. Which tough guy could resist that?
To cut a long story short, Tiger falls for Zoya, who is revealed to be a Pakistani spy. The movie purports to show him killing her, but I knew that this flick wouldn't dare to portray our dear hero as a heartless killer.
The two run off together but not before triggering an international manhunt from the two countries. They attempt to lie low in Havana but those Cuban robbers just can't stay away from a handsome Indian couple.
When Tiger's boss asks him why he ran off, he says that he's now choosing his heart over his mind. Dear viewers, this is an eye-opener.
The movie wants us to believe that love will conquer all and even makes a case that Romeo and Juliet will bring two spy agencies that hate each other to the table to tackle a common enemy.
This was my first Salman movie, and I must say that I was pleasantly surprised by his clownish antics, cute dialogue, non-stop roller-coaster action and his chemistry with Katrina. The final part must be because the two used to date each other.
Katrina shows that she's no shrinking violet as her character beats the hell out of some baddies.
I also liked the travelogue feel of the movie, which takes viewers to New Delhi, Ireland, Istanbul and Havana.
The dance scenes in Ireland and Cuba are colorful and full of verve, and they reflect the cultures of the countries. For example, there's a salsa beat to the music in Cuba. For this, credit goes to director Kabir Khan.
However, the movie's interminable length, implausible action and cheesy love theme will get you down.
Love transcends boundaries, but it can only get you so far with viewers.
** Movie Magic With Jeff Lee (blogspot and Facebook)
Salman Khan does these and more, including stripping off to show off his torso and wiggling his hips to dance music.
However, his two most impressive feats are stopping a runaway electric tram with only his jacket, and becoming Evil Knievel to jump into an aircraft that's just taken off.
Salman plays Indian spy Tiger, who's never taken a day off in 12 years and hasn't had time for romance.
His next assignment takes him to Ireland to keep an eye on a professor (Roshan Seth, who appeared in Indiana Jones and the Temple of Doom), who may be leaking missile secrets to Pakistan.
His first introduction to the professor's assistant, Zoya (Katrina Kaif), is by way of her lithe body and wiggly buttocks. Which tough guy could resist that?
To cut a long story short, Tiger falls for Zoya, who is revealed to be a Pakistani spy. The movie purports to show him killing her, but I knew that this flick wouldn't dare to portray our dear hero as a heartless killer.
The two run off together but not before triggering an international manhunt from the two countries. They attempt to lie low in Havana but those Cuban robbers just can't stay away from a handsome Indian couple.
When Tiger's boss asks him why he ran off, he says that he's now choosing his heart over his mind. Dear viewers, this is an eye-opener.
The movie wants us to believe that love will conquer all and even makes a case that Romeo and Juliet will bring two spy agencies that hate each other to the table to tackle a common enemy.
This was my first Salman movie, and I must say that I was pleasantly surprised by his clownish antics, cute dialogue, non-stop roller-coaster action and his chemistry with Katrina. The final part must be because the two used to date each other.
Katrina shows that she's no shrinking violet as her character beats the hell out of some baddies.
I also liked the travelogue feel of the movie, which takes viewers to New Delhi, Ireland, Istanbul and Havana.
The dance scenes in Ireland and Cuba are colorful and full of verve, and they reflect the cultures of the countries. For example, there's a salsa beat to the music in Cuba. For this, credit goes to director Kabir Khan.
However, the movie's interminable length, implausible action and cheesy love theme will get you down.
Love transcends boundaries, but it can only get you so far with viewers.
** Movie Magic With Jeff Lee (blogspot and Facebook)
Any reason why those critics would have praise for 'Ek Tha Tiger' is because they were promised a share of its opening success. But just as its box-office smashing opening, it begins on an impressive high in a sequence that is supposedly shot in Iraq with some stunning cinematography. The breathtaking location is supported by a well choreographed action sequence atop roofs of the low structures and bazaar streets. However, once we are introduced to this R.A.W. Agent named 'Tiger', it all starts going downhill from there. Dublin, Havana, Istanbul, London or New Delhi no longer resemble those breathtaking visuals we had seen in Iraq. It's as though the cinematographer and director had changed for the rest of the movie. The action starts looking amateurish and the R.A.W. Agent loses his credibility of being an agent at all. With its non-existent story-telling, weak direction and Salman's stiff, expression-less portrayal, one loses respect for 'Ek Tha Tiger' and rather appreciates several aspects of its predecessor of R.A.W. Reference, 'Agent Vinod'.
After he is done showing off his macho physique in the Delhi neighbourhood upon his return from Iraq, Tiger is keen on jumping to his next assignment that takes him to Dublin, on the trail of a professor (Roshan Seth) who is reluctant to meet anyone but his own dog. Tiger meets Zoya (Katrina Kaif), who introduces him to the professor, he falls for her, digresses from his mission completely, sings a song or two and is then shocked to find out Zoya's true identity who is actually.... wait for it..... an I.S.I. Agent!! Kabir Khan plays 'New York's surprise story once again while Tiger gets all gloomy back in New Delhi. His next mission takes him to Istanbul where he decides to elope with Zoya, right under the noses of R.A.W. And I.S.I's officials. Then, by switching identities and putting up incredulous disguises that makes Salman look like Suryavanshi all over again, they escape to Cuba where they stupidly pose in action in front of the camera for the world to see. Once again, they're on the run in undisclosed locations and false identities. R.A.W.'s chief, (Girish Karnad) thus concludes the theme of the movie – Ek Tha Tiger. If this was lame to read through, you have no idea how it is to sit through the film when the action simply becomes laughable with conspicuous body doubles doing all the work for our senior citizen Tiger. These sequences also involve him jumping from an airborne motorcycle into the open door of an already flying airplane in a choppy CGI shot. Rajnikant's jaw must've dropped as well.
Kabir Khan never had it right after the opening sequence. If this is the story that Aditya Chopra comes up with, then it's time he hands over all creativity back to his father. The plot has no complexity whatsoever and Tiger's weakness as a dedicated R.A.W. Agent simply dampens the already struggling plot. Compare all this to Shriram Raghavan's slick 'Agent Vinod' - The plot was convoluted for being a spy thriller, the romance never became too serious and it never digressed the film's focus which revolved around the agent's mission. The action was more credible and so was Saif's portrayal as a secret agent. 'Ek Tha Tiger' makes 'Agent Vinod' look like it was made under the MGM banner with Martin Campbell directing it.
Katrina Kaif does well in her role as an I.S.I. Agent. Although, she looks too beautiful to be taken seriously as one. In the Mashallah song, Katrina looks like a gift from the Gods to mankind. Salman Khan looks much older than ShahRukh Khan did in Ra.One and his physique is perhaps so bulky that his movements are even more restricted. For a simple jump from the first storey, he needs a body double. His movement in action and dance is just so stiff that it robs the essence of the character he is playing. To the extent that agent Tiger is too Salman- ish rather than the other way round. Yet, he has done his best in portraying a character that wasn't even well written to begin with. Ranvir Shorey is the most fun to watch though. His performance is brilliant as Tiger's support and he brings the humor as well as the seriousness in the film. Girish Karnad seems a bit extreme as the chief of R.A.W. while he devours Tiger's special Daal and sulks about his lost love. But we'll take that since we haven't seen him in a while.
Sohail Sen's music will be remembered for the arabic tune of Masha-allah and for Mohit Chauhan's melodious singing in Saiyaara to some fine tunes.
Director Kabir Khan has reportedly used Salman's advice while filming 'Ek Tha Tiger' and certainly that did not help his cause. While he had the potential to create something superlative with such a cast and the promise of the opening sequence, he washed it all down with the ridiculous action sequences that followed, the frivolous plot-line and poorly written characters. It seems like anything goes for success these days and 'Ek Tha Tiger' is a shining example that audiences can decide the fate of any film. With its ginormous collections already, there is no need to contribute more to its makers' wallets. You can wait a while and watch it on Zee or Doordarshan....
After he is done showing off his macho physique in the Delhi neighbourhood upon his return from Iraq, Tiger is keen on jumping to his next assignment that takes him to Dublin, on the trail of a professor (Roshan Seth) who is reluctant to meet anyone but his own dog. Tiger meets Zoya (Katrina Kaif), who introduces him to the professor, he falls for her, digresses from his mission completely, sings a song or two and is then shocked to find out Zoya's true identity who is actually.... wait for it..... an I.S.I. Agent!! Kabir Khan plays 'New York's surprise story once again while Tiger gets all gloomy back in New Delhi. His next mission takes him to Istanbul where he decides to elope with Zoya, right under the noses of R.A.W. And I.S.I's officials. Then, by switching identities and putting up incredulous disguises that makes Salman look like Suryavanshi all over again, they escape to Cuba where they stupidly pose in action in front of the camera for the world to see. Once again, they're on the run in undisclosed locations and false identities. R.A.W.'s chief, (Girish Karnad) thus concludes the theme of the movie – Ek Tha Tiger. If this was lame to read through, you have no idea how it is to sit through the film when the action simply becomes laughable with conspicuous body doubles doing all the work for our senior citizen Tiger. These sequences also involve him jumping from an airborne motorcycle into the open door of an already flying airplane in a choppy CGI shot. Rajnikant's jaw must've dropped as well.
Kabir Khan never had it right after the opening sequence. If this is the story that Aditya Chopra comes up with, then it's time he hands over all creativity back to his father. The plot has no complexity whatsoever and Tiger's weakness as a dedicated R.A.W. Agent simply dampens the already struggling plot. Compare all this to Shriram Raghavan's slick 'Agent Vinod' - The plot was convoluted for being a spy thriller, the romance never became too serious and it never digressed the film's focus which revolved around the agent's mission. The action was more credible and so was Saif's portrayal as a secret agent. 'Ek Tha Tiger' makes 'Agent Vinod' look like it was made under the MGM banner with Martin Campbell directing it.
Katrina Kaif does well in her role as an I.S.I. Agent. Although, she looks too beautiful to be taken seriously as one. In the Mashallah song, Katrina looks like a gift from the Gods to mankind. Salman Khan looks much older than ShahRukh Khan did in Ra.One and his physique is perhaps so bulky that his movements are even more restricted. For a simple jump from the first storey, he needs a body double. His movement in action and dance is just so stiff that it robs the essence of the character he is playing. To the extent that agent Tiger is too Salman- ish rather than the other way round. Yet, he has done his best in portraying a character that wasn't even well written to begin with. Ranvir Shorey is the most fun to watch though. His performance is brilliant as Tiger's support and he brings the humor as well as the seriousness in the film. Girish Karnad seems a bit extreme as the chief of R.A.W. while he devours Tiger's special Daal and sulks about his lost love. But we'll take that since we haven't seen him in a while.
Sohail Sen's music will be remembered for the arabic tune of Masha-allah and for Mohit Chauhan's melodious singing in Saiyaara to some fine tunes.
Director Kabir Khan has reportedly used Salman's advice while filming 'Ek Tha Tiger' and certainly that did not help his cause. While he had the potential to create something superlative with such a cast and the promise of the opening sequence, he washed it all down with the ridiculous action sequences that followed, the frivolous plot-line and poorly written characters. It seems like anything goes for success these days and 'Ek Tha Tiger' is a shining example that audiences can decide the fate of any film. With its ginormous collections already, there is no need to contribute more to its makers' wallets. You can wait a while and watch it on Zee or Doordarshan....
- 5.55 on a scale of 1-10.
The trailer is a bit misleading. The movie is showcased as a spy thriller/suspense sort of a movie with little love/romantic angle, so the viewer might expect a lot of action. But it turned out to be a love story and the whole movie revolves around it. Of whatever action there is, its because of two lovers trying to be together and not a spy trying to steal valuable information or anything. Its very well put together, and Katrina has acted well, loved her in this role and she looks like a charm considering she didn't use any makeup for this one. I went with 4 other guys, all of them were disappointed, I wasn't, I cant say its good, nor can say its bad, its a bit above average, hence 6.If the trailer showed Salman holding hands with katrina showing her the stars rather than him shooting people, and the intro line was something like "Two lovers......." rather than "RAW and ISI.............", than people wouldn't have expected so much love/romance and wouldn't be disappointed. People found it slow since love/romance is slow, and a few would also have a problem seeing Salman in a much lighter shade as compared to boastful/salman focused movies like Dabangg/ready/bodyguard. Its definitely a one time watch, if its playing on TV, i'll watch it, not change the channel, it does strike a chord.
After watching recent Salman Khan starrers – completely idiotic movies combining dreadful writing, infantile humor, and hammy acting, most of it courtesy Mr. Khan ("Ready", "Dabangg") – I decided to steer clear of Salman Khan films, unless the word of mouth was overpoweringly good. However, do note that "Ready" and especially "Dabangg" were huge hits, so the paying public is not necessarily complaining about the quality of Salman Khan films. Rather, they flock to see middle-aged but well-muscled Mr. Khan as an ageing Romeo romancing nubile Juliets young enough to be his daughters. Mr. Khan, affectionately known as Bhai or brother in the Bombay film industry, is famous for his idiosyncrasies, his volatile temper, his feuds, and in the past few years, for his philanthropy through his NGO "Being Human". Underworld dons are also called Bhai, so one is not certain if it is filial affection or pure fear that earned him this nickname.
But due to the promising press for "Ek Tha Tiger", I checked out Mr. Khan's latest release. Like Jason Bourne in the deservedly successful Bourne franchise, Mr. Khan portrays a covert agent of India's Research and Analysis Wing. This would be equal to the US CIA or UK's MI5 (or is it MI6? – I can't keep my spy agencies straight), and like the globe trotting Mr. Bourne, Mr. Khan's Tiger criss-crosses the planet battling nefarious Pakistani agents from their secret service, ISI.
Kabir Khan, the writer-director of this film, constructs an entertaining popcorn flick utilizing Mr. Khan's strengths: his macho persona, his eccentricity, and his muscled torso. He also concedes Mr. Khan, nudging fifty, should no longer portray lovelorn teenagers. Instead, he plays a lovelorn middle-aged man, and does what Jason Bourne wouldn't be caught dead doing: he sings, he dances, he brandishes enormous bouquets and prettily wrapped presents. And he has a lot of fun doing it; Jason Bourne might find these activities effective stress diffusers, and would do well to unclench and enroll as "John Smith" in a salsa dancing class or take up pottery or French cooking. He'll live longer this way, and we'll be assured of many more installments in the Bourne saga. But I digress
This tale's spectacularly filmed opening has Mr. Khan, er, Bhai, tracking down and kicking the stuffing out of a rogue RAW agent in Iraq. Then his commanding officer (a magisterial Girish Karnad) dispatches him to observe an oddball professor Dr. Kidwai (Roshan Seth) at Dublin's famed Trinity College, suspected of sharing his expertise in a nuclear missile deflection system with the Pakistanis. When Tiger meets the charmingly fey professor under the pretext of collecting material for a book on India's finest minds, the don balks at the amount of shadowing Tiger is going to subject him to. His query is justified: Do you want to write a book on me, or do you wish to marry me?
Kabir Khan peppers his screenplay with dry wit, takes us to far-flung places with genuine payoffs, and gets the proportion of the ingredients just right.
Without giving anything away, I can tell you that Tiger falls for one Zoya (Katrina Kaif), cleaning woman for the loopy Dr. Kidwai and his pug, in between choreographing dance routines that are straight lifts from River Dance. An avid multi-tasker, she also embarks on a romance with the fumbling Tiger, new to wooing instead of wounding. His secret agent buddy Gopi (an excellent Ranvir Sheorey) looks on in bafflement as the fearsome Tiger morphs into a bashful suitor.
Then, as must always happen in such tales, Tiger and Zoya find themselves on the lam in picturesque Havana. Unlike other people in deep cover, they sing, they dance, they get caught on camera (that's Jason Bourne rolling his eyes, muttering "Amateurs"), which results in the combined spy forces of India and Pakistan giving pursuit.
It's thrilling, it's engaging, it features white-knuckle chases and stunts, some by Ms. Kaif, who plays the conflicted Zoya. I always anticipate Ms. Kaif's artistic evolution with bated breath. She has demolished more movies with her bad acting than Mr. Khan ever did with his fists. Finally, in last year's "Zindagi Na Milegi Dobara" (You Only Live Once), she played a character with some measure of conviction, the sporty, mixed-race Laila. Her Zoya here is an extension of that Laila persona: once again, she is of mixed parentage, and again, she gets to use her athleticism.
Through diligent study, Ms. Kaif has pared her acting approach down to a single facial expression. We, the audience, are meant to decode the emotions in that expression in different situations – Ms. Kaif does not encourage lazily sitting back and letting her do all the hard work. The onus is on us: we are meant to look at that pretty, unchanging visage and deduce, aha, now she feels despair; now resignation, and yes, this has to signify either sultriness or acute constipation, and this, immense yearning. I liked that she kept me on my toes throughout her scenes, figuring out just what she was communicating through that one versatile all-purpose expression. Ms. Kaif can no longer be accused of being wooden; I salute her intelligence in pioneering a unique acting style offering discerning audiences a collaborative experience.
The film ends with one astonishing stunt, and we can only hope this means Tiger lives to roar another day. Amid the noise and fury of his rambunctious high-octane actioner, Kabir Khan makes one important point: it is truly obscene that India and Pakistan, countries with staggering amounts of poverty, illiteracy, starvation, and poor health care, earmark disproportionately large percentages of their national budgets for defense spending. Both nations would be infinitely better off, if like Tiger and Zoya, they opt to make love, not war. Human nature being what it is, such hopes would meet with Girish Karnad's cynical parting shot in the film: "Good Luck".
But due to the promising press for "Ek Tha Tiger", I checked out Mr. Khan's latest release. Like Jason Bourne in the deservedly successful Bourne franchise, Mr. Khan portrays a covert agent of India's Research and Analysis Wing. This would be equal to the US CIA or UK's MI5 (or is it MI6? – I can't keep my spy agencies straight), and like the globe trotting Mr. Bourne, Mr. Khan's Tiger criss-crosses the planet battling nefarious Pakistani agents from their secret service, ISI.
Kabir Khan, the writer-director of this film, constructs an entertaining popcorn flick utilizing Mr. Khan's strengths: his macho persona, his eccentricity, and his muscled torso. He also concedes Mr. Khan, nudging fifty, should no longer portray lovelorn teenagers. Instead, he plays a lovelorn middle-aged man, and does what Jason Bourne wouldn't be caught dead doing: he sings, he dances, he brandishes enormous bouquets and prettily wrapped presents. And he has a lot of fun doing it; Jason Bourne might find these activities effective stress diffusers, and would do well to unclench and enroll as "John Smith" in a salsa dancing class or take up pottery or French cooking. He'll live longer this way, and we'll be assured of many more installments in the Bourne saga. But I digress
This tale's spectacularly filmed opening has Mr. Khan, er, Bhai, tracking down and kicking the stuffing out of a rogue RAW agent in Iraq. Then his commanding officer (a magisterial Girish Karnad) dispatches him to observe an oddball professor Dr. Kidwai (Roshan Seth) at Dublin's famed Trinity College, suspected of sharing his expertise in a nuclear missile deflection system with the Pakistanis. When Tiger meets the charmingly fey professor under the pretext of collecting material for a book on India's finest minds, the don balks at the amount of shadowing Tiger is going to subject him to. His query is justified: Do you want to write a book on me, or do you wish to marry me?
Kabir Khan peppers his screenplay with dry wit, takes us to far-flung places with genuine payoffs, and gets the proportion of the ingredients just right.
Without giving anything away, I can tell you that Tiger falls for one Zoya (Katrina Kaif), cleaning woman for the loopy Dr. Kidwai and his pug, in between choreographing dance routines that are straight lifts from River Dance. An avid multi-tasker, she also embarks on a romance with the fumbling Tiger, new to wooing instead of wounding. His secret agent buddy Gopi (an excellent Ranvir Sheorey) looks on in bafflement as the fearsome Tiger morphs into a bashful suitor.
Then, as must always happen in such tales, Tiger and Zoya find themselves on the lam in picturesque Havana. Unlike other people in deep cover, they sing, they dance, they get caught on camera (that's Jason Bourne rolling his eyes, muttering "Amateurs"), which results in the combined spy forces of India and Pakistan giving pursuit.
It's thrilling, it's engaging, it features white-knuckle chases and stunts, some by Ms. Kaif, who plays the conflicted Zoya. I always anticipate Ms. Kaif's artistic evolution with bated breath. She has demolished more movies with her bad acting than Mr. Khan ever did with his fists. Finally, in last year's "Zindagi Na Milegi Dobara" (You Only Live Once), she played a character with some measure of conviction, the sporty, mixed-race Laila. Her Zoya here is an extension of that Laila persona: once again, she is of mixed parentage, and again, she gets to use her athleticism.
Through diligent study, Ms. Kaif has pared her acting approach down to a single facial expression. We, the audience, are meant to decode the emotions in that expression in different situations – Ms. Kaif does not encourage lazily sitting back and letting her do all the hard work. The onus is on us: we are meant to look at that pretty, unchanging visage and deduce, aha, now she feels despair; now resignation, and yes, this has to signify either sultriness or acute constipation, and this, immense yearning. I liked that she kept me on my toes throughout her scenes, figuring out just what she was communicating through that one versatile all-purpose expression. Ms. Kaif can no longer be accused of being wooden; I salute her intelligence in pioneering a unique acting style offering discerning audiences a collaborative experience.
The film ends with one astonishing stunt, and we can only hope this means Tiger lives to roar another day. Amid the noise and fury of his rambunctious high-octane actioner, Kabir Khan makes one important point: it is truly obscene that India and Pakistan, countries with staggering amounts of poverty, illiteracy, starvation, and poor health care, earmark disproportionately large percentages of their national budgets for defense spending. Both nations would be infinitely better off, if like Tiger and Zoya, they opt to make love, not war. Human nature being what it is, such hopes would meet with Girish Karnad's cynical parting shot in the film: "Good Luck".
This is one of my best seen action films in bollywood till date. From beginning to ending it's gone through as an actionable thriller along with love story very smartly. Beneath the whole movie, salman's performance as a spy could be acceptable. Apart from this point, actions sequences from him really come out stunningly and surprisingly. And his love interest, katrina kaif who's also a spy has given her best in both lovable scenes and action scenes which will undoubtedly make you to be excited. According to me this movie is a great recipe which has tasty ingredients such as action,thriller and love altogether perfectly. All action lovers should not miss this film for any reason which is not only for sallu bhai and kaif but also for this amazing scripted film.
Plus points : Action sequences.
Performance of lead roles.
Amazing climax.
Lovable songs and so on.
Minus points : Movie could have been even lengthier.
Don't miss this wonderful entertainment!!!!!!!!!!
Plus points : Action sequences.
Performance of lead roles.
Amazing climax.
Lovable songs and so on.
Minus points : Movie could have been even lengthier.
Don't miss this wonderful entertainment!!!!!!!!!!
क्या आपको पता है
- ट्रिवियाIn the scene where Tiger is painting Zoya, that's actually the artwork of Salman Khan, the person who portrays Tiger. Salman reportedly painted that picture while the crew was setting up the cameras etc.
- गूफ़At 94:58, Gopi mentions that 623 and 612 flights departed from London and Frankfurt that day (pretty close to the respective daily averages), but then he proceeds to equate that to 825,802 passengers, which would equate about 688 passengers per flight, a long stretch given that the average capacity of a Boeing 757, which, even assuming all of those flights were Boeing 757-300s, is more than double the maximum capacity of 289 of a Boeing 757-300. Further, even assuming that particular day was a particularly abnormal day, and ignoring the film's own estimate of 623 takeoffs on the said day, the busiest day ever at Heathrow only saw a traffic of a total of 233,561 passengers (arriving + departing). Given that Frankfurt has the third largest passenger capacity in Europe behind Heathrow and Paris, the total number of passengers at both airports combined barely breaches the halfway mark of the 825,802 passengers quoted by Gopi in the movie. Further really stretching this, and even considering all airports in London (and not just Heathrow, ignoring the total 623 number of departures which is met by Heathrow alone), the average number of departing and arriving passengers in all London airports combined is still 366,102 leaving us with an average of 183,054 departing passengers from all London airports, which even assuming an equal number from Frankfurt, is again barely half the quoted number of 825,802 passengers.
- इसके अलावा अन्य वर्जनThe YRF spy universe logo is added at the beginning of the film in the Prime Video version.
- कनेक्शनFeatured in Shuddh Desi Romance (2013)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Ek Tha Tiger?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $23,47,774
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $11,39,340
- 19 अग॰ 2012
- दुनिया भर में सकल
- $55,43,117
- चलने की अवधि2 घंटे 12 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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